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  1. <?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6244994537032806996</id><updated>2024-03-14T02:28:30.344-07:00</updated><category term="Década de los 60"/><category term="Década de los 50"/><category term="Década de los 70"/><category term="1940"/><category term="Década de 1900"/><category term="Década de los 40"/><category term="Década del 10"/><category term="1910"/><category term="1930"/><category term="Alber Vázquez"/><category term="Alfonso Pascal Ros"/><category term="Amaia Lasa"/><category term="Amalia Iglesias Serna"/><category term="Antonio Casado da Rocha"/><category term="Carlos Aurtenetxe"/><category term="Cinco Cartografías para un mundo menor"/><category term="Década de los 20"/><category term="Eduardo Apodaca"/><category term="Eli Tolaretxipi"/><category term="Emilio Varela Froján"/><category term="Gabriel Insausti"/><category term="Jaime Delclaux"/><category term="Javier Aguirre Gandarias"/><category term="Javier Irazoki"/><category term="Javier de Bengoechea"/><category term="Jesús María Cormán"/><category term="Joaquín Gurruchaga"/><category term="Jorge G. Aranguren"/><category term="Jorge Oteiza"/><category term="Josu Montero"/><category term="José Luis Padrón"/><category term="Juan Gracia Armendáriz"/><category term="Juan San Martín"/><category term="Julio Villar"/><category term="Karmelo C. Iribarren"/><category term="Kepa Lucas"/><category term="Miguel Sánchez-Ostiz"/><category term="Pablo Casares"/><category term="Pako Aristi"/><category term="Ángela Figuera Aymerich"/><title type='text'>Poéticas de Ixil</title><subtitle type='html'>Autores vascos en castellano</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://poeticasdeixil.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>32</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-1644819624980537205</id><published>2014-05-07T09:51:00.000-07:00</published><updated>2015-07-20T18:08:06.107-07:00</updated><title type='text'>invención de la piel</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2. &lt;/div&gt;
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  13. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: right;&quot;&gt;
  14. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;iframe allowfullscreen=&quot;&quot; class=&quot;YOUTUBE-iframe-video&quot; data-thumbnail-src=&quot;https://i.ytimg.com/vi/QC27ZhIb5SM/0.jpg&quot; frameborder=&quot;0&quot; height=&quot;266&quot; src=&quot;https://www.youtube.com/embed/QC27ZhIb5SM?feature=player_embedded&quot; width=&quot;320&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
  15. &lt;h4&gt;
  16. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  17. &lt;span style=&quot;font-size: small;&quot;&gt;Recital de poesía: &quot;Invención de la piel&quot;&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
  18. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Literaktum 2014 presenta el recital &quot;Invención de la piel&quot; con los
  19. poemas seleccionados por el propio autor Jon Obeso. Serán recitados por
  20. Ekain Perez, acompañados por la música de Mursego y el movimiento
  21. improvisado de Idoia Zabaleta.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  22. &lt;h5&gt;
  23. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  24. Celebración&lt;/span&gt;&lt;/span&gt;&lt;/h5&gt;
  25. &lt;ul&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  26. &lt;/span&gt;&lt;/span&gt;
  27. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En: &lt;b&gt;Donostia / San Sebastián&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  28. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  29. &lt;/span&gt;&lt;/span&gt;
  30. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Fecha &lt;b&gt;9/05/2014&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  31. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  32. &lt;/span&gt;&lt;/span&gt;
  33. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Horario: &lt;b&gt;19:00&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  34. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  35. &lt;/span&gt;&lt;/span&gt;
  36. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Lugar:&lt;b&gt; &lt;a href=&quot;http://www.donostia.org/info/ciudadano/NotesKweb.nsf/lugar?ReadForm&amp;amp;kwid=234&amp;amp;idioma=cas&quot;&gt;
  37. Koldo Mitxelena Kulturunea&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  38. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  39. &lt;/span&gt;&lt;/span&gt;
  40. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Entradas:&lt;b&gt;Gratis / Dohain&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  41. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  42. &lt;/span&gt;&lt;/span&gt;
  43. &lt;li&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Organiza: &lt;b&gt;Donostia Kultura&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;
  44. &lt;/ul&gt;
  45. &lt;div style=&quot;text-align: center;&quot;&gt;
  46. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;Cartel de Literaktum 2014&quot; src=&quot;http://www.kulturweb.com/adm/imagenes/port-donostiliteraktum14.jpg&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
  47. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  48. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Descripción&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  49. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  50. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;El libro de poemas &quot;Invención de la piel&quot; de Jon Obeso ha
  51. sido galardonado con el VI Premio de Poesía Blas de Otero - Villa de
  52. Bilbao en 2013.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  53. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  54. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&quot;Todo poema confecciona un mapa. Una geodesia
  55. para que no pueda extraviarse la mirada o el paisaje. Una cartografía
  56. del aire, en cualquier caso, para un hombre que cae.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  57. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;La caída, el
  58. tránsito o viaje vertical que determina estos poemas va desde la
  59. evidencia de la presencia del Otro a la imposibilidad de su Compañía. De
  60. los trabajos de la palabra en las cosas al fracaso de las cosas en sus
  61. nombres.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  62. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;El hombre que cae es una tentativa expedicionaria.
  63. Tentativa, porque, a fin de cuentas, un escritor sólo es un hombre muy
  64. débil que siempre está dispuesto a contarnos cuándo nació, cuándo ha
  65. nacido, cuándo nacerá, cuándo está dispuesto a nacer, cuándo piensa que
  66. podrá nacer, si nacerá o no.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  67. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&quot;Invención de la piel&quot; o experiencia del extrañamiento en el mundo.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  68. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;De lo simple a lo oculto, en cualquier caso&quot; - Jon Obeso.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  69. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  70. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Lugar:&lt;/b&gt; En el areto nagusia.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  71. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Horario:&lt;/b&gt; De 19:00 a 21:00 horas.&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1644819624980537205'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1644819624980537205'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2014/05/recital-de-poesia-invencion-de-la-piel.html' title='invención de la piel'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://img.youtube.com/vi/QC27ZhIb5SM/default.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-2495353304639380142</id><published>2013-11-08T12:40:00.001-08:00</published><updated>2015-07-20T18:05:18.133-07:00</updated><title type='text'>&quot;Tiempo&quot;: Recital de poesía y música a cargo de: Teresa Calo, Rafa Berrio y Ainara Legardon. (Martes, 12. Noviembre, 19:30 – 21:00)</title><content type='html'>&lt;table border=&quot;0&quot; class=&quot;contentpaneopen&quot;&gt;&lt;tbody&gt;
  72. &lt;tr class=&quot;headingrow&quot;&gt;&lt;td class=&quot;contentheading&quot; width=&quot;100%&quot;&gt;&lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;c0WyV9_v0HTPiM:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;height: 71px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 71px;&quot; /&gt;&lt;/td&gt;&lt;td class=&quot;contentheading&quot; width=&quot;100%&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  73.                                 &lt;/tr&gt;
  74. &lt;tr class=&quot;dialogs&quot;&gt;
  75.                    &lt;td align=&quot;left&quot; colspan=&quot;3&quot; valign=&quot;top&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;
  76. &lt;style type=&quot;text/css&quot;&gt;TD P { margin-bottom: 0cm; }P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;&lt;span style=&quot;font-family: 1942 report;&quot;&gt;&lt;span style=&quot;font-size: 40pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;1942 report New&amp;quot;,Courier,monospace;&quot;&gt;Tiempo&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  77. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  78. &lt;a href=&quot;http://1.bp.blogspot.com/-RT74GUs4kCE/Un1FBU884kI/AAAAAAAAARU/f8cotGLeq9c/s1600/Parkeharrison+5.jpg&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;http://1.bp.blogspot.com/-RT74GUs4kCE/Un1FBU884kI/AAAAAAAAARU/f8cotGLeq9c/s200/Parkeharrison+5.jpg&quot; width=&quot;168&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  79. &lt;div align=&quot;CENTER&quot;&gt;
  80. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  81. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: maroon;&quot;&gt;(&lt;/span&gt;&lt;span style=&quot;color: maroon;&quot;&gt;Martes,
  82. 12. Noviembre, &lt;/span&gt;&lt;span style=&quot;color: maroon;&quot;&gt;19:30 – 21:00)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  83. &lt;div align=&quot;CENTER&quot;&gt;
  84. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  85. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  86. &lt;div style=&quot;margin-bottom: 0.5cm; text-align: center;&quot;&gt;
  87. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;b&gt;Celebración
  88. de los 20 años (1993-2013) de KOLDO MITXELENA Kulturunea&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  89. &lt;div align=&quot;CENTER&quot;&gt;
  90. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Recital de poesía y música a cargo de: &lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  91. &lt;div align=&quot;CENTER&quot;&gt;
  92. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #990000;&quot;&gt;&lt;a href=&quot;http://eu.wikipedia.org/wiki/Teresa_Calo&quot;&gt;Teresa
  93. Calo&lt;/a&gt;&lt;/span&gt;,&lt;a href=&quot;http://es.wikipedia.org/wiki/Rafael_Berrio&quot;&gt; Rafael
  94. Berrio&lt;/a&gt; &lt;/b&gt;y&lt;b&gt; &lt;span style=&quot;color: black;&quot;&gt;&lt;a href=&quot;http://ainaralegardon.wordpress.com/&quot;&gt;Ainara
  95. Le&lt;span style=&quot;color: #351c75;&quot;&gt;G&lt;/span&gt;ardon&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&amp;nbsp;
  96.  
  97. &lt;/span&gt;&lt;/div&gt;
  98. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  99. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;
  100.  
  101. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;
  102.  
  103.  
  104. &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
  105. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0.5cm;&quot;&gt;
  106. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #990000;&quot;&gt;Jon Obeso&lt;/span&gt; ha creado el
  107. guión del recital sobre tres apartados, una introducción:
  108. Cartografía del fracaso y un epílogo : Consideraciones sobre la
  109. barbarie.&lt;/span&gt;&lt;/div&gt;
  110. &lt;div align=&quot;CENTER&quot;&gt;
  111. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  112. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  113. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://3.bp.blogspot.com/-bRZIBLSsgcQ/Un1ETQjDkbI/AAAAAAAAAQ8/QaHacaherN4/s1600/Parkeharrison+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;http://3.bp.blogspot.com/-bRZIBLSsgcQ/Un1ETQjDkbI/AAAAAAAAAQ8/QaHacaherN4/s200/Parkeharrison+1.jpg&quot; width=&quot;166&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  114. &lt;style type=&quot;text/css&quot;&gt;TD P { margin-bottom: 0cm; }P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  115.  
  116.  
  117. &lt;br /&gt;
  118. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  119. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  120. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  121. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #990000;&quot;&gt;Paraíso:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  122. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  123. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  124. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  125. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Francisco Javier
  126. Irazoki&lt;/span&gt;&lt;/div&gt;
  127. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  128. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Leticia Bergé&lt;/span&gt;&lt;/div&gt;
  129. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  130. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Javier Aguirre
  131. Gandarias&lt;/span&gt;&lt;/div&gt;
  132. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  133. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Harkaitz Cano&lt;/span&gt;&lt;/div&gt;
  134. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  135. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Emilio Varela&lt;/span&gt;&lt;/div&gt;
  136. &lt;div style=&quot;margin-bottom: 0cm; text-align: left;&quot;&gt;
  137. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Ramón Eder&lt;/span&gt;&lt;/div&gt;
  138. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%;&quot;&gt;
  139. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  140. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  141. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://1.bp.blogspot.com/-kdVT7M5757s/Un1EWlRNnmI/AAAAAAAAARE/jSr_pnQ1FoA/s1600/Parkeharrison+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;http://1.bp.blogspot.com/-kdVT7M5757s/Un1EWlRNnmI/AAAAAAAAARE/jSr_pnQ1FoA/s200/Parkeharrison+2.jpg&quot; width=&quot;166&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  142. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  143.  
  144.  
  145.  
  146. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  147.  
  148.  
  149. &lt;br /&gt;
  150. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  151. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #990000;&quot;&gt;Memoria:&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  152. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  153. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  154. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  155. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Amalia Iglesias&lt;/span&gt;&lt;/div&gt;
  156. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  157. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Jorge G. Aranguren&lt;/span&gt;&lt;/div&gt;
  158. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  159. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Eduardo Apodaca&lt;/span&gt;&lt;/div&gt;
  160. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  161. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Jesús Mari Cormán&lt;/span&gt;&lt;/div&gt;
  162. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  163. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Itziar Mínguez&lt;/span&gt;&lt;/div&gt;
  164. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  165. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  166. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  167. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/-woaZLAcO7FY/Un1EvTckk1I/AAAAAAAAARM/34HrBM0e6wo/s1600/Parkeharrison+4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;http://2.bp.blogspot.com/-woaZLAcO7FY/Un1EvTckk1I/AAAAAAAAARM/34HrBM0e6wo/s200/Parkeharrison+4.jpg&quot; width=&quot;166&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  168. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  169. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  170.  
  171.  
  172. &lt;br /&gt;
  173. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  174. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #990000;&quot;&gt;&lt;b&gt;Invención
  175. de la piel:&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  176. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  177. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  178. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  179. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Karmelo C. Irribarren&lt;/span&gt;&lt;/div&gt;
  180. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  181. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Michel Gaztambide&lt;/span&gt;&lt;/div&gt;
  182. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  183. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Eli Tolaretxipi&lt;/span&gt;&lt;/div&gt;
  184. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  185. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Pablo Casares&lt;/span&gt;&lt;/div&gt;
  186. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  187. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Carlos Aurtenetxe&lt;/span&gt;&lt;/div&gt;
  188. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  189. &lt;br /&gt;&lt;/div&gt;
  190. &lt;/td&gt;&lt;td align=&quot;left&quot; colspan=&quot;3&quot; valign=&quot;top&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  191.                    &lt;td align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;div style=&quot;position: relative;&quot;&gt;
  192. &lt;/div&gt;
  193. &lt;/td&gt;
  194.                &lt;/tr&gt;
  195. &lt;tr&gt;
  196.                    &lt;td align=&quot;left&quot; colspan=&quot;4&quot; valign=&quot;top&quot;&gt;&lt;br /&gt;&lt;/td&gt;
  197.                &lt;/tr&gt;
  198. &lt;tr align=&quot;left&quot; valign=&quot;top&quot;&gt;
  199.                    &lt;td colspan=&quot;4&quot;&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;
  200. &lt;/tbody&gt;&lt;/table&gt;
  201. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2495353304639380142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2495353304639380142'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2013/11/tiempo-recital-de-poesia-y-musica-cargo.html' title='&quot;Tiempo&quot;: Recital de poesía y música a cargo de: Teresa Calo, Rafa Berrio y Ainara Legardon. (Martes, 12. Noviembre, 19:30 – 21:00)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-RT74GUs4kCE/Un1FBU884kI/AAAAAAAAARU/f8cotGLeq9c/s72-c/Parkeharrison+5.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-1334968263649956147</id><published>2013-10-30T04:14:00.000-07:00</published><updated>2015-07-20T18:09:22.552-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Cinco Cartografías para un mundo menor"/><title type='text'>Cinco Cartografías para un mundo menor</title><content type='html'>&lt;style type=&quot;text/css&quot;&gt;P { text-indent: 0.5cm; margin-bottom: 0cm; direction: ltr; color: rgb(0, 0, 0); text-align: justify; widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }&lt;/style&gt;
  202.  
  203.  
  204. &lt;br /&gt;
  205. &lt;div align=&quot;CENTER&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: 0.18cm; margin-left: -6.24cm; text-decoration: none; text-indent: 0cm;&quot;&gt;
  206. &lt;style type=&quot;text/css&quot;&gt;P { text-indent: 0.5cm; margin-bottom: 0cm; direction: ltr; color: rgb(0, 0, 0); text-align: justify; widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }&lt;/style&gt;
  207.  
  208.  
  209. &lt;/div&gt;
  210. &lt;div align=&quot;CENTER&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: 0.18cm; margin-left: -6.24cm; text-decoration: none; text-indent: 0cm;&quot;&gt;
  211. &lt;/div&gt;
  212. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm; text-indent: 0cm;&quot;&gt;
  213. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  214. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm; text-indent: 0cm;&quot;&gt;
  215. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  216. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm; text-indent: 0cm;&quot;&gt;
  217. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;(Revista
  218. Caravansari nº4, 2012)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  219. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  220. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  221. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  222. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Los
  223. trabajos de la poesía, se traten de una tentativa vertical por la
  224. que se ahonde en el cuerpo trascendente de las grandes palabras, la
  225. expresión extática de un rostro o un paisaje, una reflexión de la
  226. palabra misma como única extensión posible que habita el hombre, un
  227. compendio de texturas sentimentales ante las pérdidas, la ausencia o
  228. las desapariciones, el devenir moral de una biografía o un
  229. pretendido ensayo de máximas y manuales para la vida hábil, no
  230. dejan de ser un intento por detener el curso vital, auscultarlo con
  231. pulso de entomólogo y extraer de él algo que nos recuerde a la
  232. realidad. &lt;/span&gt;&lt;/span&gt;
  233. &lt;/div&gt;
  234. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  235. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Nos
  236. detenemos cuando nos extraviamos. Nos extraviamos siempre que
  237. fracasamos, cuando mudan de piel o desaparecen ante nuestros ojos los
  238. objetos, los seres o los mundos que creíamos nos pertenecían. El
  239. trabajo del poeta reconstruye el mapa de ese territorio al fin
  240. disuelto; el poema no es otra cosa que ese ejercicio de
  241. extrañamiento. Se escribe para comenzar de nuevo, en otra ciudad o
  242. en otro rostro. &lt;/span&gt;&lt;/span&gt;
  243. &lt;/div&gt;
  244. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  245. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;El
  246. poema, celebre o no al hombre, la vida o sus simulacros, se funda,
  247. como la filosofía, en el asombro que es el temblor que deja tras de
  248. sí todo cuanto promete desaparecer. El poema es una toma de
  249. conciencia; la forma en que imaginamos la realidad última de ese
  250. inventario de figuraciones que constituyen el acto espasmódico de la
  251. vida. &lt;/span&gt;&lt;/span&gt;
  252. &lt;/div&gt;
  253. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  254. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Bajo
  255. la impronta de la línea clara –que ha terminado por hacer casi
  256. unánime la opinión de que todo cuanto no se comprende responde a la
  257. poca destreza del autor, antes que a una opción estética, negando
  258. al irracionalismo o al hermetismo su autoridad para generar otras
  259. formas de significación y sentido–, concurren estos días en la
  260. editorial Huacanamo las obras de cinco poetas afincados en San
  261. Sebastián. Karmelo C. Iribarren (San Sebastián, 1959): &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Otra
  262. ciudad, otra vida&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
  263. Pablo Casares (San Sebastián, 1972): &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Quienes
  264. fuimos&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
  265. Michel Gaztambide (Vaucluse, Francia, 1959): &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Moscas
  266. en los incunables&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
  267. Diego Vasallo (San Sebastián, 1966): &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Canciones
  268. que no fueron&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  269. y Harkaitz Cano (Lasarte, 1975): &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Compro
  270. oro&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  271. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  272. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Cinco
  273. miradas apostadas en un balcón o en una trinchera, asomadas a lo
  274. común en los objetos y las acciones, a la corriente de las cosas.
  275. Una misma renuncia a la pureza, a la filosofía que no sea la ética
  276. discreta del paseante entre semejantes. Nada de salto vertical o
  277. reflexión de la vida en el lenguaje; elogio, sencillamente, del
  278. error de vivir; atención a esas formas simples y catastróficas del
  279. error. Un mismo realismo limpio, cierta tierna complicidad en el
  280. fracaso, cinco cartografías para un mismo mundo menor.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  281. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  282. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  283. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  284. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  285. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  286. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  287. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  288. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Karmelo
  289. C. Iribarren: El frío del optimista&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  290. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  291. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  292. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  293. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;
  294. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  295. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  296. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;(&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Otra
  297. ciudad, otra vida&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;)&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  298. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  299. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  300. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  301. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  302. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  303. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  304. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  305. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  306. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  307. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img align=&quot;BOTTOM&quot; border=&quot;0&quot; src=&quot;http://t3.gstatic.com/images?q=tbn:ANd9GcQd9V2j457yAturnhhME9FKnWg_RXKn7W-NAX_J27pIexxnmt8NoA&quot; height=&quot;187&quot; name=&quot;gráficos1&quot; width=&quot;124&quot; /&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  308. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  309. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  310. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  311. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  312. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;De
  313. la vida me acuerdo, pero ¿dónde está?&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  314. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  316. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;Jaime
  317. Gil de Biedma&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  318. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  319. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  320. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  321. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  322. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;De
  324. entre estos cinco poetas, acaso sea Karmelo C. Iribarren quien mayor
  325. conciencia tenga de este mapa de las pérdidas. Con su último libro&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;
  326. Otra ciudad, otra vida &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;ahonda
  327. en la identidad de ese hombre cotidiano, ese extraño hombre común,
  328. diluido en ese su fondo de encuentros y ruinas varias que para el
  329. autor conforma la ciudad. Paisaje urbano, inventario de objetos
  330. suelto, crónica de las fracturas y espacios en blanco que nos
  331. habitan, que ya ensayara en &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Seguro
  332. que esta historia te suena. Poesía completa (1985-2005)&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
  333. (Renacimiento. 2005), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Ola
  334. de frío&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  335. (Renacimiento. 2007), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Atravesando
  336. la noche&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  337. (Huacanamo. 2009), o en esa otra deliciosa incursión del autor en la
  338. poesía infantil y juvenil que es &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Versos
  339. que el viento arrastra&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  340. (El jinete azul. 2010), ilustrado por Cristina Müller, y que da
  341. cuenta con mayor fiereza de la honda ternura que impregna la
  342. totalidad de su obra.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  343. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  344. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Aquí
  345. y ahora, en esta calle, en este anden entre bares de cercanías, ¿qué
  346. puede un hombre?, se pregunta Iribarren con barojiana piedad, y como
  347. el hombre malo de Itzea, no escatima en crueldades e ironías, sin la
  348. pretendida moral de quien se dice extranjero entre los suyos.
  349. Extranjero y desarraigado sí, pero tal como lo pueda ser cualquier
  350. otro hombre que, en hora punta o en los transportes públicos, se
  351. asoma a esos sus extraños semejantes, intentando descifrar algo
  352. cierto de esta nuestra condición urbana. Condición en la que
  353. Iribarren se abisma con cada vez mayor acierto, con mayor capacidad
  354. de crear atmósferas que aun resultando familiares no dejan de hacer
  355. en él una voz cada vez más singular y serena, una cada vez más
  356. lograda arquitectura de la concisión.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  357. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  358. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Si
  359. bien el paisaje urbano es una constante en toda su obra, “&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;la
  360. poesía que me gusta –ha afirmado en alguna ocasión–, y por lo
  361. tanto, la que trato de escribir, es aquella que cuenta cosas, que
  362. habla del hombre, de la vida en las ciudades, y que lo hace de tal
  363. forma que me atrapa hasta emocionarme, y que me emociona porque está
  364. bien escrita”, cada uno de sus libros va revelando un feliz proceso
  365. de despojamiento, una mayor capacidad de amar el dolor de los
  366. hombres, su condición irreparable, su incapacidad para dotar al
  367. tiempo de siquiera una prudente significación.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  368. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  369. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  370. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;Intuición
  372. del frío&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  373. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  374. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  375. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  376. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;No
  377. es el de la niñez,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  378. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  379. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;aquellas
  380. mañanas de diciembre,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  381. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  382. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;a
  383. lo largo del río,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  384. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  385. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;hacia
  386. el colegio,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  387. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  388. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  389. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  390. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;ni
  391. se trata tampoco de aquel otro&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  392. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  393. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;que
  394. te sorprendería&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  395. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  396. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;años
  397. después&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  398. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  399. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;más
  400. de una madrugada&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  401. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  402. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;dando
  403. tumbos.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  404. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  405. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  406. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  407. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;No,
  408. este es distinto, este&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  409. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  410. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;da
  411. miedo:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  412. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  413. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;                
  414. &lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Viene&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  415. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  416. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;del
  417. futuro.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  418. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  419. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  420. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  421. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  422. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  423. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Afirmaba
  424. Emil Cioran que “no hay negador que no esté sediento de un
  425. catastrófico sí”. Para Karmelo C. Iribarren la vida, eso que nos
  426. sucede sin que nada podamos hacer de ella, no basta. El poeta atiende
  427. a las crónicas cotidianas y colectivas del fracaso, y sin embargo,
  428. porque nada en Iribarren, bien mirado, es desapego, aquel tonto
  429. romanticismo, una todavía indemne voluntad de unidad, la melancolía
  430. serena de quien sabe que está condenado a esperar algo cierto al
  431. fin. &lt;/span&gt;&lt;/span&gt;
  432. &lt;/div&gt;
  433. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  434. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Lo
  435. que hace de este realismo crudo una tierna impostura es su ingenua
  436. elegancia de descreído, al modo de aquellos héroes que militan en
  437. sus pérdidas. Le gustaría afirmarlo todo, pero sabe que no puede.
  438. Su voz, o la de su personaje, atiende al simulacro de su propia
  439. experiencia; ya no cree en nada, pero guarda como un tesoro el tiempo
  440. en que creyó.  &lt;/span&gt;&lt;/span&gt;
  441. &lt;/div&gt;
  442. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  443. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En
  444. literatura, la verosimilitud se revela siempre más cierta y certera
  445. que la verdad. El poema que atiende a lo verdadero, aparece dominado
  446. por la emoción. La pretendida poesía aparece repleta de poetas
  447. descabalgados por sus sentimientos. Un poema es ese simulacro que
  448. domina la emoción para no faltar a lo cierto, y no nos engañemos,
  449. la verdad no le incumbe. El poema es la más cierta de las
  450. imposturas. Karmelo C. Iribarren recoge esta herencia de Jaime Gil de
  451. Biedma y hace suya la máxima: “La voz que habla en el poema no
  452. tiene otra realidad que la que pueda tener un personaje de una
  453. novela, aunque se parezca mucho a la del propio poeta. Da lo mismo
  454. que sea él quien habla o que quien hable sea un personaje
  455. imaginario, legendario o histórico”. &lt;/span&gt;&lt;/span&gt;
  456. &lt;/div&gt;
  457. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  458. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Lo
  459. que hace a un poeta cercano, no es el recurso a paisajes comunes,
  460. afines; tampoco el dominio de cierta oralidad; más bien, cierta
  461. carga de profundidad donde la piedad, la comprensión del poeta hacia
  462. su propia historia trasciende toda pose y efecto.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  463. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  464. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Lo
  465. que hace auténtica una obra son sus contradicciones, siempre y
  466. cuando el poeta se afane por solventarlas, así el hombre malo de San
  467. Sebastián esperando “tras los barrotes de la lluvia” la luz que
  468. no dura.  &lt;/span&gt;&lt;/span&gt;
  469. &lt;/div&gt;
  470. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  471. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  472. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  473. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  474. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  475. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  476. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  477. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Michel
  478. Gaztambide: Fetichismo del común amor&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  479. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  480. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  481. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  482. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  483. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  484. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;(&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Moscas
  485. en los incunables&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;)&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  486. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  487. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;
  488. &lt;/span&gt;
  489. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  490. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  491. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  492. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  493. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  494. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  495. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;http://blogs.diariovasco.com/mononcle/files/PortadaGaztambide.jpg&quot; class=&quot;shrinkToFit decoded&quot; src=&quot;http://blogs.diariovasco.com/mononcle/files/PortadaGaztambide.jpg&quot; height=&quot;200&quot; width=&quot;131&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  496. &lt;div lang=&quot;es-ES&quot; style=&quot;text-align: left;&quot;&gt;
  497. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  498. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  499. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;…&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Éramos&lt;br /&gt;el
  500. recuerdo que tenemos ahora. Éramos&lt;br /&gt;esta imagen. Ídolos de
  501. nosotros&lt;br /&gt;para la fe sumisa de después.&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  502. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  503. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;Gabriel
  504. Ferrater&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  505. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  506. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  507. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  508. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  509. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;De
  510. Michel Gaztambide tenemos noticia de sus aptitudes poéticas más por
  511. su oficio de guionista en películas tan incuestionables como &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Vacas&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  512. de julio Meden, &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;La
  513. vida Mancha&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
  514. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;La
  515. caja 507&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  516. o la reciente &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;No
  517. habrá paz para los malvados&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  518. de Enrique Urbizu, que por sus libros, muy espaciados en el tiempo.
  519. Con anterioridad publicó &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;las
  520. aventuras de máximo Tirati&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  521. (Pamiela. 1987), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Banderín
  522. de perversión&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  523. (Ateneo obrero de Gijón. 1992) y &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Ternura
  524. Blindada &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;(Línea
  525. de Fuego, Oviedo, 1999). Participó en la antología &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Poemas
  526. para cruzar el desierto&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.
  527. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  528. &lt;/div&gt;
  529. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  530. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;La
  531. propuesta de &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Moscas
  532. en los incunables&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  533. abunda en esa ya comentada visión poética de Biedma por la que un
  534. autor fagocita una biografía, simula la experiencia que acaso
  535. pudiera ser la suya propia. Michel Gaztambide se interpela en tercera
  536. persona y repasa distintos episodios de una vida, desde sus comienzos
  537. hasta las incertidumbres del instante último. Aborda temores
  538. infantiles y adolescentes, las fallas del amor maduro, las imposturas
  539. ciertas de lo que somos mientras nos observamos viviendo. La vida, en
  540. definitiva, como una indisoluble puesta en escena. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  541. &lt;/div&gt;
  542. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  543. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;El
  544. cine, cualquiera que sea su propuesta estética, es siempre una sutil
  545. técnica de bateado, por la que se extrae de la natural
  546. intrascendencia de las tramas y la común de las escenas el brillo de
  547. todo este oscuro mineral. En este sentido, el guion comparte con el
  548. poema una misma capacidad para discriminar paisajes y momentos; ambos
  549. adiestran al ojo en esa búsqueda de instantes significativos.
  550. “Desfiguran la mediocridad, la hacen comprensible y llevadera”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  551. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  552. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;De
  553. todas las artes literarias –asegura Gaztambide–, la poesía es la
  554. que más se parece al cine, porque al menos los guionistas y los
  555. poetas compartimos el trabajo con la metáfora, la síntesis, y el
  556. montaje, porque la poesía también es un trabajo de montaje”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  557. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  558. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;En
  559. ambos géneros, Gaztambide sigue practicando una misma poética:
  560. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;“claridad,
  561. sangre y belleza”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  562. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  563. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Fracciones
  564. de vida cotidiana, historias de amor corriente, las formas
  565. inevitables en que acostumbran los cuerpos a acompañarse, sin la
  566. concurrencia de sus dueños, abrazos escatológicos, fetichismos,
  567. conversaciones furtivas rescatadas en los bares o en los autobuses,
  568. que conforman toda una serie: “Citas de la vida cotidiana”, son
  569. las realidades, las superficies romas contra las que Gaztambide afila
  570. su ojo.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  571. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  572. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;La
  573. memoria se resuelve en estos poemas en la amarga condición del
  574. tiempo del amante; los cuerpos se aman y nosotros, simplemente, lo
  575. recordamos a través de sus huellas en las sábanas, la ropa interior
  576. encontrada en el fondo de un cajón. Después sólo queda vivir
  577. mansamente en la compañía insípida de este mundo fotográfico:
  578. “encuadres, detalles, volúmenes, historias”, restituir algo que
  579. recuerde a su hondura, a través del único de los gestos posibles:
  580. contar su historia, corriente, común, repetida en todos los cuerpos.
  581. Resignarse a ello con un humor seco.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  582. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  583. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  584. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  585. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;La
  586. otra Maja&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  587. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  588. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  589. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  590. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Mi
  591. amor&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  592. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  593. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Tu
  594. cuerpo arqueándose por el placer&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  595. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  596. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Está
  597. clavado en mi cabeza&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  598. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  599. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  600. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  601. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Como
  602. un cuadro en un museo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  603. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  604. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Puedo
  605. verlo cada día&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  606. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  607. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Pero
  608. no me lo dejan llevar a casa.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  609. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  610. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  611. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  612. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  613. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  614. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Gaztambide
  615. atiende a esta vida corpórea, instintiva, pulsional, sin gobierno,
  616. sórdida y bella a partes iguales, para la que el recuerdo es un
  617. rastro, una excrecencia más.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  618. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  619. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;La
  620. ternura, una vez revisada la contabilidad de los cuerpos que hemos
  621. frecuentado, es casi una urgencia, un acto heroico ante las lecciones
  622. del fracaso y el aprendizaje de la decepción.   &lt;/span&gt;&lt;/span&gt;
  623. &lt;/div&gt;
  624. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  625. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;En
  626. una fotografía que muestra un solar demolido del bajo Manhattan,
  627. aparece retratado entre escombros el insigne reportero Joseph
  628. Mitchell. Con paso firme escarba con la mirada los restos con los que
  629. glosar la colección de fracasos y olvidos que ya iniciara en las
  630. granjas de North Carolina, antes de llegar a la ciudad y hacerse
  631. escritor. En esta su “Historia material de la ciudad” encontramos
  632. los artículos y perfiles anónimos que lo harían famoso. Entre las
  633. historias de predicadores callejeros, personalidades circenses,
  634. indios constructores de rascacielos, la monumental y megalómana obra
  635. que pretendiera el “profesor gaviota”, Joe Gould: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Una
  636. Historia Oral de Nuestro Tiempo&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  637. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  638. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Por
  639. las crónicas que redactara Joseph Mitchell sabemos que las ciudades
  640. están vivas y naufragan a diario en cada esquina. &lt;/span&gt;&lt;/span&gt;
  641. &lt;/div&gt;
  642. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  643. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Algo
  644. de ese amargo humor, humor seco, encontramos en el afán
  645. coleccionista de Michel Gaztambide, en su forma de asomarse a los
  646. solares en demolición de la vida cotidiana.&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  647. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;“Cierto
  648. humor –explica Joseph Mitchell– al que sólo puedo definir como
  649. ‘humor de cementerio’, en el que a veces la anécdota es la
  650. protagonista y otras es algo más secreto y que apenas se intuye en
  651. las conversaciones que reproduzco o en un pequeño detalle al fondo
  652. de una determinada escena...” &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  653. &lt;/div&gt;
  654. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  655. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  656. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  657. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  658. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  659. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  660. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  661. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Harkaitz
  662. Cano: El vértigo del tramoyista&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  663. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  664. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  665. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  666. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;
  667. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  668. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  669. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Compro
  670. oro)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
  671. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  672. &lt;/div&gt;
  673. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  674. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  675. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  676. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  677. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  678. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img align=&quot;BOTTOM&quot; border=&quot;0&quot; src=&quot;http://t1.gstatic.com/images?q=tbn:ANd9GcTYv5OtroCYtS84ZZOP0bVGFI-ewTQ-0wTKlxZnAXb-XgtFjVhQ&quot; height=&quot;205&quot; name=&quot;gráficos3&quot; width=&quot;136&quot; /&gt;&lt;/span&gt;&lt;/span&gt;
  679. &lt;/div&gt;
  680. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  681. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  682. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  683. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;…&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;antes
  684. que las palabras surge el pensamiento de altas ventanas:&lt;br /&gt;vidrios
  685. que contienen el sol&lt;br /&gt;y más allá, el profundo aire azul, que nada
  686. muestra&lt;br /&gt;ni está en ninguna parte y es infinito.&lt;/i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  687. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  688. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;Philip
  689. Larkin&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  690. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  691. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  692. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  693. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  694. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  695. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Si
  696. el poema es la representación de un problema, una ecuación en la
  697. que poder resolver los términos de la emoción, aquella en la que
  698. Harkaitz Cano descifra la suya obedece a los dominios del verbo.  &lt;/span&gt;&lt;/span&gt;
  699. &lt;/div&gt;
  700. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  701. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En
  702. sus poemas se atiende a la narración de los hechos, las acciones de
  703. los hombres, siempre comunes, que invaden la escena; personajes
  704. sumidos en un paisaje inmediato, enfrentado a sus objetos.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  705. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  706. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;La
  707. emoción en Harkaitz Cano son esos mismos objetos, el paisaje
  708. adherido a la cáscara de sus personajes; y no tanto la mirada,
  709. sentimental o contemplativa, o el siempre enredado discurso de las
  710. percepciones. La emoción esta en la mano de un hombre en acción, en
  711. lo que cualquier hombre es capaz de hacer, por ejemplo, con una
  712. ventana:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  713. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  714. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  715. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  716. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;Si
  717. alguna vez tuviese que vender esta casa que no es mía&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  718. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  719. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  720. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  721. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;diría
  722. que tiene diez metros cuadrados de ventana, &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  723. &lt;/div&gt;
  724. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  725. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;diez
  726. metros cuadrados de puro cielo azul&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  727. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  728. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;se
  729. mire por donde se mire&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  730. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  731. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;y
  732. que a uno lo asaltan terribles ganas de agarrar un destornillador,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  733. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  734. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;desmontar
  735. esas ventanas,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  736. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  737. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;ponerlas
  738. en el suelo y saltar&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  739. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  740. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;dentro
  741. de esos diez metros cuadrados de azul inoxidable.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  742. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  743. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  744. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  745. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Pero
  746. lo cierto es que ya lo dijo el poeta:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  747. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  748. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;el
  749. cielo no es azul, el cielo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  750. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  751. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;ni
  752. tan siquiera&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  753. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  754. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  755. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  756. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;es
  757. cielo.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  758. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot;&gt;
  759. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  760. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  761. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  762. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;A
  763. Harkaitz Cano le interesa menos el sabor de las cosas que la vida
  764. nunca secreta de las cuberterías, sus destinos, tránsitos y paradas
  765. mientras las instigan nuestras comunes acciones. En estas ecuaciones
  766. del verbo, su poesía muestra una gran sensibilidad teatral. La
  767. palabra, en sus manos, entra en escena. &lt;/span&gt;&lt;/span&gt;
  768. &lt;/div&gt;
  769. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  770. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Harkaitz
  771. Cano percute el poema; enumeración y tempo preciso en cada verso
  772. para la representación de una danza de acciones y cosas, donde cada
  773. gesto, cada objeto ocupa su lugar, un lugar conocido, aunque siempre
  774. extraño, como un pequeño teatro de prodigios mil veces ensayados
  775. sobre la impronunciable piel de lo real.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  776. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  777. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Una
  778. inofensiva imagen recorre todo el libro; las ventanas –como en &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Kea
  779. behelainopean bezala&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;,
  780. los puentes– sobre las que apostar, mientras permanecemos
  781. tímidamente a salvo, nuestra extraviada complicidad con el mundo; un
  782. umbral que no habrá de anunciarnos un refugio capaz de acogernos, un
  783. umbral sin voluntad de asilo. En los poemas de Harkaitz Cano, el
  784. adentro y el afuera se debaten en una misma lógica de serenas
  785. devoraciones. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  786. &lt;/div&gt;
  787. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  788. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Se
  789. sabe que cuando la amenaza cuaja en los sismógrafos y se hace
  790. evidente el temblor de la tierra, se aconseja protegerse bajo las
  791. mesas o los dinteles de puertas y ventanas, esos lugares de nadie
  792. donde acaso por unos segundos pasemos inadvertidos ante tanta
  793. catástrofe y su promesa.  &lt;/span&gt;&lt;/span&gt;
  794. &lt;/div&gt;
  795. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  796. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En
  797. la delgada línea divisoria entre lo otro y lo propio, en ese no
  798. lugar, marco donde se recorta una posibilidad entre dos necesidades,
  799. a “la medida de nuestros sueños”, tal vez lo real no pierda sus
  800. contornos y nada se desprenda.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  801. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  802. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;
  803. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Todo
  804. nos reconforta entonces; ingenio, humor y ternura componen una música
  805. sin estridencias con la que poder lavar la discreta desazón de las
  806. cosas ciertas que progresan, se confunden y defienden al otro lado,
  807. tras nuestras ventanas. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  808. &lt;/div&gt;
  809. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  810. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;
  811. &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;La
  812. elegancia de la poesía de Cano prende en la respiración cadenciosa
  813. y articulada del verso largo, en la musicada enumeración, en la
  814. medida intriga de los episodios narrativos, en la ironía, en el
  815. aforismo a salvo del auxilio moral, en la templada disección de las
  816. acciones, propias o ajenas, en el efecto temperado, atado en corto,
  817. en el juego trascendente, en la astucia y nunca en la ocurrencia. Y
  818. todo ello compone un tablado y una tramoya serenamente dispuestos,
  819. para que una inteligencia sin sobresaltos entre en escena.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  820. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  821. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Ante
  822. las ventanas, desde las ventanas o contra las ventanas, una misma
  823. voluntad de invisibilidad. Ser cómplice de los gestos con los que se
  824. articula el mundo, querer y no querer abrazarlo; Harkaitz Cano en el
  825. umbral, entre bastidores, en cualquier caso.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  826. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  827. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  828. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  829. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  830. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  831. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  832. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  833. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  834. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  835. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Pablo
  836. Casares: Detonaciones&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  837. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  838. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  839. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  840. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  841. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  842. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Quiénes
  843. fuimos)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  844. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  845. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  846. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  847. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  848. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  849. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;200&quot; src=&quot;http://4.bp.blogspot.com/-ogpPEZpCpo0/TqvBZTYnTTI/AAAAAAAAPBs/R73UvhRBz30/s200/QUI__NES_FUIMOS.jpg&quot; width=&quot;131&quot; /&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  850. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  851. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  852. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Yo
  853. no sé nada que tú ya no sepas,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  854. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;que
  855. no nos puedan enseñar los años.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  856. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;No
  857. hago juegos de magia.&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  858. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;No
  859. deslumbro.&lt;/i&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  860. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Hablo
  861. sin vanidad de mis asuntos.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  862. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;color: #333333;&quot;&gt;(A
  863. lo sumo, acompaño)&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  864. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  865. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;Javier
  866. Salvago&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  867. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  868. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  869. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  870. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  871. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  872. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Quiénes
  873. fuimos&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  874. es su cuarto libro, lo anteceden: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Días
  875. prestados&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  876. (Baile del sol, 2009), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Notas
  877. a pie de vida&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  878. (Eclipsados, 2007), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Fingiré
  879. que estoy de paso&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  880. (Ayto. de Granada, 2007), galardonado en la 3ª edición del premio
  881. Javier Egea, así como las plaquettes: &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Tiempo
  882. muerto&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  883. (Ediciones 4 de agosto, 2005), &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Madrugada&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  884. (Vitolas de Anais, 2004) y &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Callejón
  885. sin salida&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  886. (san Sebastián, 2003).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  887. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  888. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;A
  889. lo largo de este recorrido, los poemas de Pablo Casares continúan
  890. componiendo instantáneas directas, claras y compactas de los
  891. espacios cotidianos. Formas quietas, pedazos de vida sustraídas al
  892. tiempo como quien toma una muestra para cultivo, en la que poder
  893. pensar el tiempo, auscultar la memoria.   &lt;/span&gt;&lt;/span&gt;
  894. &lt;/div&gt;
  895. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  896. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Cercanía
  897. y hondura componen su particular serie vital de las formas del amor;
  898. sus principios y finales, “la fecha de caducidad de nuestros
  899. gestos”, cierta lógica entre las promesas y las pérdidas. En el
  900. amor cifra Pablo Casares el misterio al que poder huir y la
  901. ineludible catástrofe.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  902. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  903. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  904. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  905. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;Encuentros
  906. &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  907. &lt;/div&gt;
  908. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  909. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  910. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  911. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Por
  912. alguna razón&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  913. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  914. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;que
  915. no sabrían explicar&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  916. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  917. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;resolvieron
  918. no volver a verse.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  919. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  920. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  921. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  922. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;No
  923. hubo grandes palabras&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  924. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  925. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;ni
  926. muestras de afecto.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  927. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  928. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  929. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  930. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Abandonaron
  931. el hotel&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  932. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;con
  934. la sensación&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  935. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  936. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;de
  937. no haber perdido nada.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  938. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  940. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot;&gt;
  941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  942. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  943. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Pablo
  944. Casares es un poeta que desconfía de la utilidad de la poesía, las
  945. grandes palabras, los fuegos de artificio, el efecto y la afectación
  946. en las maneras. Sus composiciones, piezas fotográficas, conforman un
  947. cuerpo vivo, lleno de complicidades, diseñado para acompañar al
  948. lector, al que con cada trazo parece susurrar: “tú y yo sabemos lo
  949. mismo”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  950. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  951. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Conmovedora
  952. humildad que no le impide sin embargo escarbar, contarnos su
  953. necesidad imperiosa de saber cómo funcionan las cosas:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  954. &lt;div class=&quot;western&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  955. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Los
  956. personajes y situaciones que conforman mi realidad –explica el
  957. autor–, personajes cotidianos, paisajes urbanos, los amores que
  958. nacen y mueren en cafés, la soledad de un cuarto al amanecer o la
  959. áspera rutina, etc., son la base en la que se centra mi pulso
  960. poético. Intento, a fin de cuentas, arrancar a la mecánica de la
  961. realidad una interpretación particular, una mirada personal y sobre
  962. ella volcar mis miedos, rencores y esperanzas…&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  963. Un poema con el que logre unir de manera penetrante y concluyente la
  964. intensidad de algún momento vivido o que nos quede por vivir, que
  965. logre a&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;travesar
  966. la espesa gelatina que cubre las cosas&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;”&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  967. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  968. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;Hay
  969. en &lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Quiénes
  970. fuimos&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  971. un paisaje en suspenso como del día después del fin del mundo. Una
  972. urgencia de empezar de nuevo, rescatándonos en lo que queda de los
  973. soles, las mañanas, las diseminadas partículas de algunos cuerpos
  974. que aún quisiéramos seguir amando, en otra “medida de tiempo
  975. ínfima”. Ante “un silencio elemental” que prende en los
  976. párquines públicos, polígonos industriales, grandes superficies,
  977. olvidados patios de recreo en la periferia, horizontes a ras de un
  978. suelo de tela asfáltica, hogares donde acaso aún nos esperen. Un
  979. paisaje del día después, en un mundo al que se le ha extirpado sus
  980. estaciones, y ante el que ya tan sólo es posible recordar aquello
  981. que una vez fuimos.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  982. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  983. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;También
  984. la naturaleza irrumpe en estos poemas, aunque con una misma
  985. inclemencia, desapercibida del hombre, con la misma suficiencia con
  986. que olvidamos la utilidad de los objetos que un día creímos
  987. imprescindibles, de espaldas a todas nuestras fallidas tentativas de
  988. paraíso. Irrumpe en esta serie de poemas una nueva forma del tiempo;
  989. abismado en la luz, extraviado entre sábanas, que trasciende la
  990. superficie cotidiana del mundo y quiere otro mundo, más parecido a
  991. los simulacros y espejismos soñados; algo, otra cosa, “otra vida
  992. ajena e imposible”. &lt;/span&gt;&lt;/span&gt;
  993. &lt;/div&gt;
  994. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  995. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En
  996. estas atmósferas de una serena devastación, resuelve la vida
  997. cotidiana su llamada de auxilio, su voluntad de ver restaurada alguna
  998. forma del misterio, aún indemne en la superficie de las cosas, con
  999. sólo apartar con la mano la vida hecha ceniza.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1000. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1001. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Las
  1002. piezas de Pablo Casares practican un pequeño orificio y plantan una
  1003. semilla en la cabeza, aguardan pacientes a que sonriamos cómplices o
  1004. simplemente despertemos, muchas horas después de haber concluido su
  1005. lectura.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1006. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1007. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1008. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1009. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1010. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1011. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1012. &lt;div align=&quot;LEFT&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1013. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1014. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1015. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Diego
  1016. Vasallo: Los placeres tristes&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1017. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1018. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1019. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1020. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1021. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1022. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Canciones
  1023. que no fueron)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1024. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1025. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1026. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1027. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1028. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1029. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
  1030. &lt;/span&gt;&lt;/span&gt;
  1031. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1032. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: 0.18cm;&quot;&gt;
  1033. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1034. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1035. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img align=&quot;BOTTOM&quot; border=&quot;0&quot; src=&quot;http://t2.gstatic.com/images?q=tbn:ANd9GcRi3wzhj0cyhgankVx0fyL8tbbknrMPRqIB47eij9-O5rAipmhh&quot; height=&quot;219&quot; name=&quot;gráficos5&quot; width=&quot;152&quot; /&gt;&lt;/span&gt;&lt;/span&gt;
  1036. &lt;/div&gt;
  1037. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1038. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1039. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.18cm;&quot;&gt;
  1040. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1041. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1042. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1043. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1044. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;…
  1045. &lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;acusar
  1046. siempre a las cosas de insuficiencia y nulidad; y padecer privación
  1047. y vacio, y por ello tedio, creo que es el más elevado signo de
  1048. grandeza y de nobleza que se percibe en la naturaleza humana. Por eso
  1049. el tedio es poco conocido por los hombres de escasa monta, y
  1050. poquísimo, o nada, por los demás animales.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1051. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1052. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;
  1053.                                                                    
  1054.                                                &lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1055. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;b&gt;Giacomo
  1056. Leopardi&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1057. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1058. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1059. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1060. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1061. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1062. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1063. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1064. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Al
  1065. decir del propio autor: “Un dietario poetizado, un libro de apuntes
  1066. a vuela pluma, reflexiones e ideas de un paseante”, que abunda en
  1067. la raíz poética de cuanto Diego Vasallo ensaya en otras disciplinas
  1068. como la música o la pintura.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1069. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1070. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;Postales
  1071. a medio hacer; semillas derramadas…” –nos advierte Roger Wolfe,
  1072. desde el prólogo–, piezas erráticas, fracturas de la emoción,
  1073. ruinas varias, que abarcan ocho años (2004-2011) y cuatro lugares
  1074. (Madrid, San Sebastián, Menorca, Lanzarote). Bocetos, en definitiva,
  1075. manchas que dejan los días en quien es su instrumento; hombre a la
  1076. deriva que no aspira a trascender el tiempo.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1077. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1078. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;Canciones
  1079. que no fueron&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;
  1080. construye un paisaje íntimo, existencial, del hombre en derrota,
  1081. testigo resignado de la acción de las corrientes y los vientos.
  1082. Apuntes al natural de quien ha renunciado a corregir los rumbos, y ya
  1083. sólo le resta olvidar el tiempo y las ciudades desde las que partió
  1084. un día, desde las que sigue partiendo desde siempre, cada vez.   &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  1085. &lt;/div&gt;
  1086. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1087. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Acompaña
  1088. la selección de poemas, 38 dibujos de pequeño formato; un catálogo
  1089. de gestos; formas de la inmediatez que ensayan manchas, collage,
  1090. volúmenes, rastros caligráficos. Heridas que como en los poemas no
  1091. ocultan el error, el trazo rápido, vivo; la impronta que dejan en la
  1092. memoria las pérdidas; signos del hombre sin reino, restos de un
  1093. diario de la intemperie, fragmentos fotográficos de una piel
  1094. deshabitada. La ruina, al fin.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1095. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1096. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;“&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;En
  1097. los últimos tiempos –explica Vasallo–, tanto en la pintura como
  1098. en la música, utilizo un lenguaje bastante visceral y espontáneo.
  1099. Procuro huir de la excesiva conceptualización de las cosas. Me gusta
  1100. un tipo de creación que va directamente a la sensación. Ahora, en
  1101. el arte contemporáneo hay una corriente que es casi la contraria, un
  1102. arte muy de ideas, reflexivo y muy discursivo, con relaciones con
  1103. problemas políticos y sociales. Yo estoy en el polo opuesto. Puede
  1104. parecer una postura anacrónica, más de otra época, fuera de este
  1105. mundo tan globalizado. Mi visión es más contemplativa y romántica”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1106. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1107. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Cuaderno
  1108. de pintor donde prende la concepción que el autor tiene del arte, a
  1109. través de las citas de autores que lo han acompañado en su
  1110. formación. Así, August Von Platen, Marco Aurelio, Degas,
  1111. Schopenhauer, Bukowski, Sabato, Leopardi, Cioran, Yves Saint Laurent,
  1112. Mahler o Lord Byron, dan cuenta de su fuerte raíz romántica, de la
  1113. amarga contemplación de una naturaleza que nos ignora, del dolor de
  1114. lo bello, del amor como compensación de la muerte, la serenidad como
  1115. proyecto vital o la insuficiencia de la razón como instrumento poco
  1116. hábil para resolver la existencia.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1117. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1118. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;De
  1119. entre todas ellas, acaso sea aquella con la que Leopardi nos recuerda
  1120. que no son sino el reposo y la inacción, el natural estado del
  1121. hombre, la que con mayor acierto define la actitud artística de
  1122. Diego Vasallo. “Me supera la excesiva producción de todo –afirma
  1123. Vasallo en una entrevista reciente–. Hay que dejar que lleguen las
  1124. cosas, alimentar ese concepto que está tan desprestigiado que es la
  1125. inspiración”. &lt;/span&gt;&lt;/span&gt;
  1126. &lt;/div&gt;
  1127. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1128. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Así
  1129. el poeta que, en todo cuanto hace, es Diego Vasallo preferiría como
  1130. todos los Bartleby o cualquier &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Oblómov,
  1131. simplemente no hacer, dejar que las cosas dolorosamente sean; así,
  1132. reducidas a sus instantes; apareciendo entre las manos, huyendo
  1133. después.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1134. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1135. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1136. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1137. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;&lt;b&gt;San
  1138. Sebastián, agosto&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1139. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1140. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1141. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1142. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Algo
  1143. apacible&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1144. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1145. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;en
  1146. estas mañanas&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1147. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1148. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;nubladas
  1149. de agosto:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1150. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1151. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;esa
  1152. luz grisácea &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  1153. &lt;/div&gt;
  1154. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1155. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;quizás&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1156. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1157. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;que
  1158. se filtra &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  1159. &lt;/div&gt;
  1160. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1161. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;por
  1162. la ventana &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  1163. &lt;/div&gt;
  1164. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1165. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;de
  1166. la cocina.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1167. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1168. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1169. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1170. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;Apuro
  1171. un café&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1172. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1173. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;y
  1174. espero&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1175. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1176. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;dejando
  1177. que el día &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  1178. &lt;/div&gt;
  1179. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1180. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;se
  1181. incline hacia&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1182. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%;&quot;&gt;
  1183. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&lt;i&gt;un
  1184. lado u otro.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1185. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%;&quot;&gt;
  1186. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #333333;&quot;&gt;
  1187. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1188. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%; text-indent: 0cm;&quot;&gt;
  1189. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1190. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%; text-indent: 0cm;&quot;&gt;
  1191. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1192. &lt;div align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: ヨ%; text-indent: 0cm;&quot;&gt;
  1193. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1194. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1334968263649956147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1334968263649956147'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2013/10/cinco-cartografias-para-un-mundo-menor.html' title='Cinco Cartografías para un mundo menor'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-ogpPEZpCpo0/TqvBZTYnTTI/AAAAAAAAPBs/R73UvhRBz30/s72-c/QUI__NES_FUIMOS.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-3225911910059398197</id><published>2010-09-01T10:20:00.001-07:00</published><updated>2015-07-22T12:11:21.518-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de 1900"/><category scheme="http://www.blogger.com/atom/ns#" term="Jorge Oteiza"/><title type='text'>Jorge Oteiza (Orio, 1908 - 2003)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1195. &lt;/div&gt;
  1196. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1197. &lt;/div&gt;
  1198. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1199. &lt;/div&gt;
  1200. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1201. &lt;/div&gt;
  1202. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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  1204. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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  1206. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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  1208. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1209. &lt;/div&gt;
  1210. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1211. &lt;/div&gt;
  1212. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1213. &lt;/div&gt;
  1214. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1215. &lt;/div&gt;
  1216. &lt;div style=&quot;text-align: right;&quot;&gt;
  1217. &lt;/div&gt;
  1218. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1219. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1220. &lt;div style=&quot;text-align: center;&quot;&gt;
  1221. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/TH6RtutlgVI/AAAAAAAAAHo/5UGKZCk0suo/s1600/basque_jorge_oteiza.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/TH6RtutlgVI/AAAAAAAAAHo/5UGKZCk0suo/s320/basque_jorge_oteiza.jpg&quot; width=&quot;296&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1222. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1223. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1224. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1225. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Jorge Oteiza: &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1226. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1227. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Elogio del hombre proteico)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1228. &lt;/div&gt;
  1229. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1230. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1231. &lt;br /&gt;
  1232. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1233. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;…quien quiera que seas, también nosotros yacemos náufragos a tus pies.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1234. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1235. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1236. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1237. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Walt Whitman&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1238. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1239. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1240. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1241. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Yo soy el arquero del mundo,&lt;br /&gt;
  1242. el ágil cazador &lt;br /&gt;
  1243. de las ciudades y los bosques&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1244. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1245. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;
  1246. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1247. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1248. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: x-small;&quot;&gt; Carlos Sabat Ercasty&lt;/span&gt;&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1249. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1250. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1251. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1252. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1253. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1254. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Gran parte de la obra poética de Jorge Oteiza (1908-2003) está imbuida de esa pulsión profética que bajo el influjo de Walt Whitman prendió en la vanguardia chilena a principio de los años treinta. Poetas como Vicente Huidobro, Pablo de Rokha o Pablo Neruda se disputaban un lugar preeminente en la nueva América para este brote mesiánico y oracular en sus voces.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1255. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1256. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poesía excesiva y torrencial, de vigorosa expresión y vitalismo épico. Su fuerte ascendente religioso sacraliza la palabra poética, y confiere al poeta la forma y maneras del profeta visionario y la capacidad de transformar y conducir el sentir de un pueblo a partir de la transformación individual. El poeta es un pequeño demiurgo, un hombre que ha visto y que comprende a Dios en el sacrificio y la soledad de los procesos creativos, un hombre llamado a suplir con su palabra germinadora y dadora el vacío en el horizonte de sentido moral, la ausencia de Dios. “En el arte el pensamiento elabora formas para la acción”. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1257. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1258. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1259. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1260. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1261. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Sé ver&lt;br /&gt;
  1262. yo sé cómo cae la nieve&lt;br /&gt;
  1263. estoy lleno de nieve y bailo&lt;br /&gt;
  1264. yo sé apoyarme en el mostrador en el que hablaban los profetas&lt;br /&gt;
  1265. y como Abraham me apoyo y como Joshé de Anduaga he dicho&lt;br /&gt;
  1266. cosas proféticas en el mostrador&lt;br /&gt;
  1267. pues golpeo en el mostrador y digo&lt;br /&gt;
  1268. …&lt;br /&gt;
  1269. y sólo digo lo que es cierto&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1270. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1271. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1272. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1273. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1274. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Espontaneidad, automatismo, libertad formal. La poesía generosa de Oteiza –ahora reunida en un solo volumen y editada por la Fundación Museo del artista– es eclosión de imágenes, precipitado de símbolos, trasgresión de los significados, sed de esporas fertilizando a un hombre que quiere emerger a un tiempo desde todos los puntos cardinales. Poesía utópica para una nueva pedagogía que transfigure y salve en el hombre su tibio horizonte. Si Huidobro pretendía que la poesía cumpliera en el hombre el hombre entero, Oteiza persigue en la palabra su raíz mítica, y en el mito la posibilidad de que el hombre, cada hombre, sea OTRO.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1275. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1276. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1277. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1278. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1279. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1280. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;El mito&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1281. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1282. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1283. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1284. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;A los hombres los mueven los símbolos, y sólo en el imaginario de sus trabajos y afectos parecen procurarse cierto descanso y luz. En Oteiza el hombre es mito y expresión, por ello es labor del poeta vaciar la palabra, devolverla a su oscuro magma originario “en el que nacen las palabras con su lenta, blanda y cóncava desnudez, abierta morfología de su sed original de imagen”, impedir que “en la operación de la expresión la herramienta de la palabra oculte la palabra”. La palabra del poeta ha de transformar el mito y desarmar la expresión: “El poeta emplea la materia oscura de la luz, porque es oscura la luz, la luz vacía cuando está sola, sola antes de que el choque con las significaciones de la expresión la descompongan en el color y su sombra”. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1285. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1286. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Se trata de una poesía de gran emoción intelectual, asistimos a la fragua del concepto a golpe de parábola y recortes de imágenes. Para Oteiza la palabra es instrumento para ese laboratorio experimental que es el hombre. Lo ha dicho el propio Oteiza: “El arte no transforma nada, no cambia el mundo, no cambia la realidad. Lo que verdaderamente transforma el artista, mientras evoluciona, transforma y completa sus lenguajes, es a sí mismo. Y es este hombre transformado por el arte el que puede, desde la vida, transformar la realidad. El artista fabrica su lenguaje individualmente pero con un destino social”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1287. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1288. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1289. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1290. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1291. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;todo el que fabrica con un árbol&lt;br /&gt;
  1292. hará otro árbol&lt;br /&gt;
  1293. y así el carpintero hará un banco nuevo&lt;br /&gt;
  1294. el pintor el retrato del aire sin los gritos&lt;br /&gt;
  1295. en la frente rota de la mañana&lt;br /&gt;
  1296. y ya nadie hará de una cosa la misma cosa&lt;br /&gt;
  1297. de un árbol el mismo árbol&lt;br /&gt;
  1298. de un rostro el mismo rostro&lt;br /&gt;
  1299. y se alborotaban la gentes que subían&lt;br /&gt;
  1300. a la santa montaña&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1301. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1302. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1303. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1304. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1305. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Pese a la presencia de la mitología judeocristiana, el carácter trascendente en la poesía de Oteiza no es de orden teleológico, pertenece al ámbito del lenguaje; en la palabra se cifra la transformación de los cuerpos. El poeta no es un visionario, no pronuncia una realidad revelada, sino que pronunciando, la realidad se revela. La palabra insufla un dios en cada objeto nombrado. “No consisto en otra cosa que en llamarte”, clama Oteiza, sin embargo, ese llamar no pretende el abrazo místico, un lugar en Dios, sino “los creadores ojos de Dios”, ese inmenso silencio que tal como advirtiera Celaya: “No tiene nada de humano / Es lo neutro, impersonal, realmente real”, silencio que te está escuchando en los bosques de Ixil. Reconocerse y comulgar con esa abierta raíz del mundo, ese caos, vacío que ocupa un hueco, boca abierta que acertara a cantar Hesíodo, testigo de la eclosión de todos los dioses en los cielos y sobre la tierra, madre del día y la noche, la luz y la oscuridad.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1306. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1307. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1308. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1309. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1310. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1311. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;El hombre agónico&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1312. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1313. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1314. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Durante los años de formación de Oteiza en América, la figura y obra de Carlos Sabat Ercasty, en especial su ingente serie de Poemas del hombre, causa en el joven escultor una honda impresión. El impetuoso caudal de su palabra, el tono bíblico, cierto panteísmo desaforado, la noción de un hombre continuo, el hombre cazador, el hombre que marcha: “Enciende su sangre la llama de todas las edades”, ese hombre aquejado por la misma fiebre que Dios padece, el hombre cuyas manos han robado su energía creadora “Y con ella caliento mi vivienda / Y alumbro la noche sin caminos”. Aspectos todos presentes en la obra poética de Jorge Oteiza. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1316. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1317. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Para el sentir agónico el hombre es un recipiente pequeño, apenas un hábil receptáculo donde no tiene cabida nada que no lo nombre, temeroso siempre de que cualquier imprudente abismo lo habite. Oteiza quiere para el hombre su transformación, el hombre otro, el hombre proteico habitado por “las especies distintas de esta misma pasión”, y se lanza a una encarnizada lucha contra esta nuestra extendida manía de ser un sólo hombre y dejar que un solo mito nos pronuncie. Estos hombres, que Baroja en La caverna del humorismo reconoce como intensistas, tan sólo deben cuentas a su acción individual y siempre caminan al margen amenazados por el fracaso. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1318. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1319. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1320. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1321. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1322. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;vengo de los demás cansado&lt;br /&gt;
  1323. sólo dormir no me despertéis &lt;br /&gt;
  1324. &lt;br /&gt;
  1325. ponedme en la mano tierra&lt;br /&gt;
  1326. tierra alrededor&lt;br /&gt;
  1327. &lt;br /&gt;
  1328. he sido eso tierra&lt;br /&gt;
  1329. una isla rodeada de tierra&lt;br /&gt;
  1330. de caminos y de hemos venido a visitarte&lt;br /&gt;
  1331. …&lt;br /&gt;
  1332. innumerables las perdidas horas&lt;br /&gt;
  1333. hombres palabras decimales&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1334. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1335. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1336. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1337. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En Oteiza clama el hombre a salvo de los primigenios estadios de la mezcla y confusión que acaso describiera Empédocles, innúmeras estirpes de mortales disgregados en toda clase de formas por acción del Odio. “Sólo yo, voy a conocer la nada, vosotros volveréis a vuestra mezcla”.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1338. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1339. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1340. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1341. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;venía de enfrentarme al hombre&lt;br /&gt;
  1342. vengo de aquí mismo&lt;br /&gt;
  1343. pero lejos&lt;br /&gt;
  1344. provengo de una antigua profundidad&lt;br /&gt;
  1345. …&lt;br /&gt;
  1346. digo que crezco entre muertos&lt;br /&gt;
  1347. en el origen único testigo&lt;br /&gt;
  1348. del pasado mítico nuestro&lt;br /&gt;
  1349. &lt;br /&gt;
  1350. relámpago de lagartos&lt;br /&gt;
  1351. caídos del cielo o subidos de lo oscuro&lt;br /&gt;
  1352. soñados por la piedra&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1353. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1354. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1355. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1356. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1357. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Oteiza ha vivido como forastero entre los hombres, acaso fuera uno de los integrantes de aquella expedición a Ixil, el lugar-Cero, el hueco-Madre, de que nos diera cuenta Gabriel Celaya, en su libro Orígenes; uno de los pocos que desaparecieron para no volver sino renacidos. Volver para reproducir el canto del tiempo Pre-Cero de los arcaicos moradores de Ixil donde viene inscrita la esperanza de un “perpetuo nacimiento”. Canto que ignora la mayoría de los hombres y aterroriza a los expedicionarios por desconocido y remoto, por rebasar al hombre, por mostrar que en el fondo de los laberintos no se oculta sino el delirio de requerir del mundo un centro oculto, “el eterno espejismo de lo trascendental”. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1358. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1359. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1360. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1361. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1362. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1363. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Estatua y libro&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1364. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1365. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;Emilio Varela Froján&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1366. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1367. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1368. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1369. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Pienso que aquel vacío conclusivo de la estatua en Oteiza, su consecuencia lógica, tuvo su desarrollo posterior en el libro. (Concretamente en Itziar elegía y otros poemas). Él mismo ya lo anticipó en el Homenaje a Mallarmé (la estatua del libro): el texto como vacío y la página en blanco. Y yo a todo aquello lo llamé después La lógica del libro. Era, sin embargo, aquél, un vacío solo que tenía que llenarse de hombre (LEKUONA), es decir, de conciencia. Oteiza (en el libro) trabajó, finalmente, con verdadero material humano. Y humanamente el vacío es una ausencia con nombre (ITZIAR). Toda ausencia materia del libro. Y la luz en el espacio humano de la conciencia es el abandono y la desaparición, el olvido y la pérdida: las soledades reunidas del amor y de la muerte. Encontró, en el libro –en su forma– la geometría original (radical) del pensamiento. La oración más exacta para sus visiones, la frase más adecuada a la figura. Se dio cuenta de que el libro era la solución estética y ética al problema del espacio-tiempo. Y, como le ocurrió a Malévich con sus últimos cuadros, logró de forma consciente, más allá del arte (de la estatua), en el hombre nuevamente, en la poesía, las figuraciones de la nada y del vacío. O, dicho de esta manera: los cantos de la nada y las máscaras del vacío. Todo en el mismo libro… de las desapariciones y de las ausencias. Uno sólo puede pretender llegar a este lenguaje terminal –a los infinitos términos del amor– y celebrar la hora última del acabamiento.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1370. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1372. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;sqveAN7C6YZa7M:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;height: 211px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 142px;&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcS1P6M9h36mNCNgnZIRXC4cnEmBA1HF-DK4bfbcIwP-rpKzvI_Pvw&quot; data-sz=&quot;f&quot; name=&quot;4s3yU75E2sd1HM:&quot; src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcS1P6M9h36mNCNgnZIRXC4cnEmBA1HF-DK4bfbcIwP-rpKzvI_Pvw&quot; style=&quot;height: 192px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 138px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1373. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1374. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;img alt=&quot;NEKATUTA ETA BIRAKARI * CANSADO Y GIRATORIO (OLERKILAN NIMIÑOA)&quot; border=&quot;0&quot; class=&quot;foto&quot; src=&quot;http://www.hontza.net/es/foto/muestraPortada.php?id=9788479072889&quot; height=&quot;200&quot; title=&quot;NEKATUTA ETA BIRAKARI * CANSADO Y GIRATORIO (OLERKILAN NIMIÑOA)&quot; width=&quot;132&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1375. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1376. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1377. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1378. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0cm; direction: ltr; color: rgb(0, 0, 0); text-align: justify; widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }A:link { color: rgb(0, 0, 255); text-decoration: none; }&lt;/style&gt;
  1379.  
  1380.  
  1381. &lt;br /&gt;
  1382. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm;&quot;&gt;
  1383. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1384. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm;&quot;&gt;
  1385. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1386. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  1387. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Existe
  1388. Dios al Noroeste&lt;/i&gt; (Pamiela, Pamplona, 1990)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1389. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  1390. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Itziar,
  1391. elegía y otros poemas&lt;/i&gt; (Pamiela, Pamplona, 1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1392. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  1393. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Poesía&lt;/i&gt;
  1394. (Fundación Museo Jorge Oteiza, 2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1395. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm;&quot;&gt;
  1396. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1397. &lt;/div&gt;
  1398. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1399. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1400. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3225911910059398197'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3225911910059398197'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/09/jorge-oteiza-orio-1908-2003.html' title='Jorge Oteiza (Orio, 1908 - 2003)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_f58A9Cchvk4/TH6RtutlgVI/AAAAAAAAAHo/5UGKZCk0suo/s72-c/basque_jorge_oteiza.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-7120472003059179895</id><published>2010-01-18T06:41:00.000-08:00</published><updated>2015-07-20T18:13:21.357-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Antonio Casado da Rocha"/><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 70"/><title type='text'>Antonio Casado da Rocha (San Sebastián, 1970)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1401. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1RwNY9eP1I/AAAAAAAAAFo/ezakQJrtryk/s1600-h/Antonio+Casado+da+Rocha.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1402. &lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot;&gt;&lt;/link&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;o:smarttagtype name=&quot;PersonName&quot; namespaceuri=&quot;urn:schemas-microsoft-com:office:smarttags&quot;&gt;&lt;/o:smarttagtype&gt;&amp;nbsp;&lt;m:smallfrac m:val=&quot;off&quot;&gt;&lt;m:dispdef&gt;&lt;m:lmargin m:val=&quot;0&quot;&gt;&lt;m:rmargin m:val=&quot;0&quot;&gt;&lt;m:defjc m:val=&quot;centerGroup&quot;&gt;&lt;m:wrapindent m:val=&quot;1440&quot;&gt;&lt;m:intlim m:val=&quot;subSup&quot;&gt;&lt;/m:intlim&gt; &lt;/m:wrapindent&gt;&lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;/span&gt;&lt;/span&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx&quot; rel=&quot;themeData&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml&quot; rel=&quot;colorSchemeMapping&quot;&gt;&lt;/link&gt;&lt;br /&gt;
  1403. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1404. &lt;div style=&quot;text-align: center;&quot;&gt;
  1405. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1RwNY9eP1I/AAAAAAAAAFo/ezakQJrtryk/s1600-h/Antonio+Casado+da+Rocha.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1RwNY9eP1I/AAAAAAAAAFo/ezakQJrtryk/s320/Antonio+Casado+da+Rocha.jpg&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1406. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1407. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poesía sin gesto&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1408. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Antonio Casado da Rocha: Vida en los márgenes)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1409. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt;&quot;&gt;
  1410. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1411. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1412. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1413. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;La lucidez en el amor no es razón suficiente para existir y la vida sólo se encuentra plena en compañía del dolor limpio y salvaje&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1414. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  1415. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Emilio Varela&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1416. &lt;div align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: center; text-indent: 14.2pt;&quot;&gt;
  1417. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1418. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1419. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1420. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Al regreso de alguno de sus innúmeros paseos por los campos de Villeneuve-sur-Yonne, el escritor sin libro que fuera Joseph Joubert apuntaba en su cuaderno el mal literario de su tiempo:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1421. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1422. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;“El gusto en literatura se ha vuelto tan doméstico y la aprobación tan dependiente del placer que, para empezar, buscamos al autor de un libro, y en el autor, sus pasiones y sus humores; si estos son parecidos a los nuestros, los apreciamos; si son distintos, los rechazamos. Lo verdadero y lo bello solos no nos interesan, porque son bellos y verdaderos en sí mismos; ya no es la paz del corazón y del espíritu lo que buscamos en los libros, sino la confusión de las emociones. Ya no es un sabio a quien buscamos y deseamos hallar en un autor, sino a un amante y a un amigo, o cuando menos a un actor que se representa a sí mismo y cuyo papel y manera de actuar seducen nuestro gusto más que nuestra razón. No deseamos que los libros nos vuelvan mejores, sino más felices que aquellos que los hicieron; que tengan carne y sangre, ingenio y alma. Odiamos –o, cuando menos, ya no sabríamos admirar– los talentos puros”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1423. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1424. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Entiende Antonio Casado da Rocha (San Sebastián, 1970) la urgencia de este otro lector de que hoy está necesitada la literatura, tal como desde los tiempos de Joubert se denunciara el comienzo de una usurpación&amp;nbsp; que avanza hasta nuestros días: &lt;span lang=&quot;ES&quot;&gt;“Burdos intelectos, provistos de órganos robustos, han entrado de golpe en la literatura, ¡y son ellos los que pesan las flores!”, “La fuerza no es la energía. Ciertos autores tienen más músculos que talento”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1425. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1426. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Para Casado da Rocha la poesía es una tentativa de persuasión e intimidad. La poesía ha de seducir, pero sin exhibicionismo. “&lt;/span&gt;Leemos –asegura Casado da Rocha– para aprender cosas de nosotros mismos, no porque nos interesen los secretos del poeta”. &lt;span lang=&quot;ES&quot;&gt;“&lt;/span&gt;Sé hospitalario pero sin prosaísmo – aconseja para la práctica poética”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1427. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1428. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1429. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1430. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;PARA UNA HISTORIA DEL CIELO AZUL&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1431. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1432. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1433. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1434. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Los Primitivos&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1435. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1436. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;nunca lo vieron.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1437. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1438. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1439. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1440. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Los Antiguos tampoco,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1441. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1442. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;empeñados como estaban &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1443. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1444. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;en escrutar el manto rígido &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1445. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1446. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1447. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1448. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;de Zeus, el cambiante&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1449. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1450. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;humor de Yahvé.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1451. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1452. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1453. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1454. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;No aparece entre los diez &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1455. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1456. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;mil versos del Rig Veda&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1457. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1458. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;y el Corán te promete el paraíso&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1459. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1460. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1461. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1462. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;pero tampoco &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1463. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1464. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;lo contiene.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1465. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1466. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1467. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1468. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Los romanos lo confundían &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1469. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1470. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;con el color del nubloso invierno.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1471. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1472. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Los bárbaros con el gris y el pardo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1473. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1474. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1475. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1476. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Es dudoso &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1477. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1478. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;que Kant lo encontrase,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1479. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1480. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1481. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1482. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;asombrado por el cielo &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1483. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1484. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;estrellado sobre su cabeza&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1485. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1486. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;y la ley moral en su corazón.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1487. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1488. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1489. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1490. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Pero sí lo vio Henry Thoreau &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1491. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1492. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;tras una tormenta de nieve,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1493. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1494. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1495. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1496. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;lo sé hoy por su diario&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1497. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1498. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;de 1851, donde escribió &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1499. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1500. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;un siete de enero: &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1501. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1502. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1503. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1504. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;“Del cielo azul en &lt;st1:personname productid=&quot;la Historia&quot; w:st=&quot;on&quot;&gt;la Historia&lt;/st1:personname&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1505. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1506. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;no hay ni una historia.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1507. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1508. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1509. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1510. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Así llegamos al siglo veinte&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1511. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1512. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;y un rincón vasco del país&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1513. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1514. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;llamado labio, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1515. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1516. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1517. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1518. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;donde a veces también se bebe &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1519. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1520. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;de las estrellas este caldo azul.&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1521. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  1522. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1523. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1524. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1525. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;La sombra del paseante&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1526. &lt;br /&gt;
  1527. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1528. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1529. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; En una historia aún no escrita de la gravedad, podría medirse ésta atendiendo a la capacidad sedentaria de sus autores. Así, se resuelve que &lt;span lang=&quot;ES&quot;&gt;es grave quien permanece inmóvil. Y no lo es tanto quien vive bajo la urgencia de alguna huida.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1530. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1531. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al escritor que no se mueve lo atrapan pronto la abstracción o los juegos de su memoria, o, peor aún, lo atrapa otro hombre. Quien, por el contrario, camina sólo tiene su gesto concreto y avanza hacia lo inmediatamente extraño, cumpliendo el sobrio precepto que siguieron paseantes, domésticos salvajes como Robert Walser o &lt;/span&gt;Henry D. Thoreau, y pronunciara Joubert en su búsqueda de una forma siempre acorde a su objeto: &lt;span lang=&quot;ES&quot;&gt;“Escribir de todo lo que es materia con solidez, y de todo lo que es sensible con espíritu”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1532. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1533. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las tentativas poéticas de Antonio Casado da Rocha responden a esa declarada renuncia a la gravedad. Parten de lo conocido y recorren el camino mínimo y lento que nos desplaza en un solo paso a esa lejanía inmediata que desconocemos, a ese espacio en los márgenes que es el mundo contiguo. De estos umbrales nada cierto sabemos. Ante las múltiples demarcaciones del mundo acaso tan sólo sea hábil un gesto: “Hay mayor aventura si caminas desnuda”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1534. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1535. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo en Antonio Casado da Rocha es discreción, templanza, poesía sin gesto, sin amaneramiento, en la que nada se oculta y todo parece dicho. Y nada de lo dicho necesita de auxilio pirotécnico u ornamental. La metáfora es discreta. Tampoco cede al ingenio que tantas veces hace perder pié o doblega al poema. Poesía de un hombre en reposo; a salvo de sí mismo. Poesía sin zozobra ni ruido.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1536. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1537. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Lo que distingue a este autor de la extensa nómina de poetas adscritos a esa búsqueda &lt;span style=&quot;color: black;&quot;&gt;de la intensidad en lo claro, la concreción y cotidianeidad de un ser urbano por todos reconocible,&lt;/span&gt; es el ahondamiento en cierta elegancia, una ironía serena que acompaña a la voluntad ética y sin afectación de cada verso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1538. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  1539. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1540. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1541. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1542. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La huella del paseante&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1543. &lt;br /&gt;
  1544. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1545. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1546. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1547. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria no deja de ser una insignificante medida de arena que persigue su forma sólida y definitiva en nuestras palabras. La memoria quiere ser una piedra significativa, un umbral apacible desde el que poder asomarnos sin riesgo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1548. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1549. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Yo estuve allí, rodando la tierra entre mi padre y mi hijo –decimos. Yo estuve allí, dando noticia del cielo que Thoreau registrara en su diario en 1851, indemne sobre su cabeza y la mía, sobre los bosques de Walden “tras una tormenta de nieve”. Decimos: Yo fui ese privilegiado que pudo acostaros cada noche, y despertaros después cuando fue el día. Yo he visto en un tren a dos mujeres cerrando al mismo tiempo los ojos “&lt;/span&gt;sobre el Charles cruzando el Longfellow”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1550. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1551. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Todas estas cosas ha visto Antonio Casado da Rocha… ¿y quién no?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1552. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1553. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Recorre así cada pieza una fracción común de memoria. Rescata de este modo la idea en su estado elemental, en su formulación sensible. La idea en el estadio que precede a la máxima o la fórmula, redimida de los museos, como un fósil inscrito en la más común de las piedras.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1554. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1555. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía clara de Casado da Rocha renuncia a la gravedad, a la sombra que cada cuerpo deja adherido a su espacio doméstico, a la abstracción, a cualquiera de las maneras de lo sublime, e instaura, pese a lo concreto y cercano de todo cuanto en ella se nombra, la lejanía como principio; la distancia que surge siempre de la contemplación prolongada de lo común y obvio; cierta propensión a los límites de cuanto existe. Una doméstica extrañeza prospera con cada pieza. Entre los hombres en benéfica compañía. Ningún lugar es ya un rincón o un reducto. Extrañamos algo que nunca ha sido nuestro; nada hemos perdido. Todo está en orden, pero nada es suficiente. Estás aquí, a mi lado, y sin embargo es tanta la distancia… Poesía para salir indemne en el, a menudo, fatigoso trasbordo de un cuerpo a cualquier otro cuerpo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1556. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1557. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y es esta lejanía la que permite al poema alzar su estatura remontándose desde ese “realismo de vuelo rasante” que todo acto poético, al decir de Caballero Bonald, ha de superar. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1558. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1559. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sea del signo que sea; practique la poesía que practique; revindique la abisal conciencia o la más insignificante de las experiencias, el poeta es un animal de intemperie. Y ante la intemperie los hay que gritan para escuchar su propio eco; quienes se lamentan aún crédulos por la ausencia de tramas más benévolas entre los hombres. También los hay que erigen con desigual fortuna una casa, se ponen cada día a resguardo tras los muros y aseguran que el mundo ha de ser cierto porque les duele; Y ese dolor no es otra cosa que su fe. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1560. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1561. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Otros como Casado da Rocha simplemente se esmeran en ser hospitalarios y dejar todas las puertas abiertas; practican cierto buen gusto al no quejarse de lo desatendida que ha dejado el hombre la realidad.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1562. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  1563. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1564. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  1565. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; MUSEO NAVAL&lt;o:p&gt;&lt;/o:p&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1566. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1567. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; En lo tocante a comunicarse jamás se equivocaban&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1568. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1569. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;los antiguos habitantes de mi ciudad, la antigua &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1570. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1571. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;amiga de Pasajes, la hermana guapa de Biarritz,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1572. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1573. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1574. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1575. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;hasta qué punto comprendían su lugar en el mundo&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1576. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1577. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;en lengua vasca y castellana &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1578. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1579. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; y gascona hasta 1918&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1580. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1581. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;fecha esta que acabo de apuntar en mi cuaderno&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1582. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1583. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1584. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1585. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;de bitácora entre cazadores de ballenas y corsarios, &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1586. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1587. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;pescadores y turistas&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1588. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1589. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; como el que envió una postal&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1590. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1591. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;que puedo ver en el tercer piso de la exposición&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1592. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1593. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1594. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1595. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;bajo una ola como una coliflor, una nota &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1596. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
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  1598. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1599. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;“He dicho a Sydney que te envíe otro pájaro.”&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1600. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  1930. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/7120472003059179895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/7120472003059179895'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/antonio-casado-da-rocha-san-sebastian.html' title='Antonio Casado da Rocha (San Sebastián, 1970)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1RwNY9eP1I/AAAAAAAAAFo/ezakQJrtryk/s72-c/Antonio+Casado+da+Rocha.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-4536966310413263870</id><published>2010-01-18T06:15:00.000-08:00</published><updated>2015-07-20T18:15:20.333-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><category scheme="http://www.blogger.com/atom/ns#" term="Eli Tolaretxipi"/><title type='text'>Eli Tolaretxipi (San Sebastián 1962)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  1936. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(El mundo fragmentado de &lt;a href=&quot;http://poetasvascos.blogspot.com/search/label/Eli%20Tolaretxipi&quot;&gt;Eli Tolaretxipi&lt;/a&gt;)&amp;nbsp;&amp;nbsp;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  1937. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1938. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1939. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1940. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Traemos un mensaje de la larga y negra extensión del &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1941. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1942. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Cuerpo:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1943. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1944. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;“Cálmate” ruega y ruega.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1945. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1946. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Elizabeth Bishop &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1947. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin-left: 141.6pt; text-indent: 14.2pt;&quot;&gt;
  1948. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1949. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1950. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En mi cuarto, el mundo está más allá de mi comprensión;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1951. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1952. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pero cuando camino veo que consiste en tres o cuatro colinas y&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1953. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1954. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;una nube.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1955. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1956. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Wallece Stevens&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1957. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin-left: 141.6pt; text-indent: 14.2pt;&quot;&gt;
  1958. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1959. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1960. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&lt;span lang=&quot;ES&quot;&gt;Dos entregas recogen hasta la fecha la poesía astillada y seca de Eli Tolaretxipi (San Sebastián 1962): &lt;i&gt;amor muerto, naturaleza muerta&lt;/i&gt; (Bassarai, 1999), y &lt;i&gt;Los lazos del número&lt;/i&gt; (Bassarai, 2003). En ambas, los trazos de una misma tentativa geométrica que explique las sensaciones del mundo a partir de las relaciones con esos aparecidos que son los objetos, esos huéspedes a menudo cómplices, nunca del todo quietos, que moran en él.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1961. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1962. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Catálogo de cuerpos porosos, permeables, abiertos, enhebrados en un devenir de galerías y estancias horadadas con determinación y transparencia. Poesía táctil que tantea imágenes dispuestas en amable caos en busca de un tejido que salve el laberinto. En cada poema de Tolaretxipi, lo real aguarda un abrazo definitivo. Este mundo entrecortado alberga un contorno que la voz se esmera en perfilar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1963. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1964. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Mundo fragmentado que no extravía el sentido. Trozos sueltos, nunca dispersos, fluir coherente de un sentir frágil y conocido. En Eli todo es extrañeza, sin embargo, nunca el lector es un espectador ajeno a la lógica de todas estas piezas sueltas. No hay lector que no sepa de la precariedad de las manos para apresar el mundo. Para Eli Tolaretxipi las pieles de las naturalezas que retrata y sus cuerpos son una misma cosa; los objetos no tienen un reflejo trascendente, su realidad es el número; todo sólido está presente a pesar nuestro, nada importa que la ficción de su posible trasparencia persista. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1965. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1966. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Los procedimientos por los que se atiende y recrea una naturaleza detenida son los mismos en ambos poemarios. Fotografías y libros en &lt;i&gt;los lazos del número&lt;/i&gt;; Cuadros y esculturas en &lt;i&gt;amor muerto, naturaleza muerta; &lt;/i&gt;el amado reducido a modelo pictórico, a sus posibilidades plásticas en una confrontación no por contenida menos dolorosa. Ese proceso tantas veces repetido por el que todo abrazo nos desaloja de todo cuanto hasta entonces teníamos por propio. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1967. &lt;h1 style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  1968. &amp;nbsp;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Importa el hecho de que mi amiga S&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  1969. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1970. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;haya construido las alas para mí,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1971. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1972. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;que vaya a ser yo la mariposa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1973. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1974. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;que me quede un solo día&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1975. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1976. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;para decirle que ya no.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1977. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1978. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1979. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1980. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;En los poemas de este primer libro, la lógica del Dos reproduce la muda de los cuerpos; abrazos que no salvan, amantes condenados a un infranqueable estado de pupa, transfiguración humillante, como si la crisálida no revelara un nuevo nacimiento, sino tan sólo su condición de ovillo en el que el amante como un arácnido retiene a su presa y se alimenta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1981. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1982. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1983. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1984. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Lo que dice me transforma. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1985. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1986. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Se trata, dice,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1987. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1988. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;de exponer mis adentros &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1989. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1990. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sin color&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1991. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1992. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;sin que nada palpite.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1993. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1994. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Interiores secos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1995. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1996. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mi oreja, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1997. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  1998. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mi corazón de manzana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1999. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2000. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;rígidos sin mí.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2001. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2002. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2003. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2004. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Como en esa teatral suicida que fue Anne Sexton &lt;/span&gt;– &lt;span lang=&quot;ES&quot;&gt;acaso no haya suicida que no lo sea&lt;/span&gt;–&lt;span lang=&quot;ES&quot;&gt; se hace notar en cada una de las imágenes que Tolaretxipi ensaya, una obstinada presencia del cuerpo sumido en sus porciones. El cuerpo, ese sórdido lugar en el que nos demoramos, y al que siempre uno vuelve cumplida la huida, tal vez en otros cuerpos. En ambas poetas, el verso con tiempo de una poesía con voluntad de prosa, así como un decidido tono confesional. Otras voces femeninas han fecundado el personal mundo poético de Eli Tolaretxipi: junto a la ya mencionada Anne Sexton, Sylvia Plath, Elizabeth Bishop, por nombrar un reducto. Algo también de los ecos hipnóticos de Wallace Stevens, ese autor que cantó la superficie de las cosas para que, una vez salvados sus pliegues y vértices, pudiéramos sin peligro caer dentro de ellas. En ocasiones parecida respiración en ese deambular laberíntico de formas repetidas, esas espirales de &lt;i&gt;Superficie marina llena de nubes &lt;/i&gt;o &lt;i&gt;El hombre de la guitarra azul&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2005. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2006. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Mucha de la capacidad sugestiva de estos poemas reside, además de en la extraordinaria plasticidad de sus imágenes, en que nada, en este catálogo de delicadas piezas y fragmentos de vida quieta, pese a su condición de “objetos”, nos mantiene a distancia. La realidad en el universo de Eli Tolaretxipi nunca es dual; toda conciencia u ojo que mira adquieren las dimensiones, trazos, heridas, huellas y hendiduras del cuerpo observado, de igual modo, cada huella aplicada al lienzo, deja un rastro indeleble en la piel de quien se presta al sacrificio del modelo. Las fotografías nos hablan de la inmediatez en que se asimilan imagen y mirada. La extrañeza ante el cuerpo retratado, cuerpo condenado a los márgenes del lienzo, reside en el gesto de acariciarlo, pertenece al sórdido vinculo que con el tacto se sella. Eli sabe que sólo estos lazos nos explican.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2007. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2008. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Esta destemplada lógica del Dos que anima los poemas de &lt;i&gt;amor muerto, naturaleza muerta&lt;/i&gt;, continua tendiendo puentes subterráneos en &lt;i&gt;los lazos del numero&lt;/i&gt;, tal vez en busca de cierta redención. En este su segundo libro, un recóndito Tres se encarna para dotar de nuevos matices el antiguo vínculo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2009. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2010. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;El mismo sereno espanto que acompañó a Morel en sus estériles paseos por aquella isla, donde los prodigios de una invención perversa asimilaría los cuerpos a su imagen, privándole de la compañía de los antiguos moradores, recorre las escenas repetidas de &lt;i&gt;Los lazos del número&lt;/i&gt;: La mujer alta, el hombre ante la máquina, la lectura en los transportes públicos, paisaje con palmera y museo. La mansa realidad de los cuerpos sobre los que posamos nuestras manos, talvez extrañados de que perseveren en su existencia; el mundo apaciguado y leído; todo adquiere la entidad frágil de las reproducciones. Esa contabilidad de las cosas que callan mientras uno inventa su historia, cierta e inaccesible.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2011. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2012. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Este mundo detenido muestra sin violencia su faz de realidad atrapada en los márgenes del ojo atento. Fragmentos casi inanimados, contenidos en la realidad doméstica de las fotografías, en la prudente distancia de los libros, en el cuerpo acariciado que se entrega casi siempre dormido, ausente.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2013. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  2014. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Mundo privado de movimiento, reducido a catálogo de objetos y fotogramas. Naturaleza inmóvil, no muerta, aún palpitante, aguardando un indicio; tal vez una comunidad de fragmentos de vida destemplados con los que poder al fin conformar los tres puntos de apoyo necesarios para que cualquier cuerpo se alce desde su plano, o para que, en ese mismo plano, los tres vértices devengan una forma definida. Cada verso quiere abrazar un cuerpo, un sólido indemne. En definitiva, realidad expuesta para ser contemplada y narrada, mientras anida en cada reconocimiento la esperanza de que algo se desprenda de la lógica de los museos y nos traspase. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2015. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2016. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2017. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2018. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La página está llena de signos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2019. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2020. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;digeribles, pero alguien tiene que empujar &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2021. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2022. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la sucesión, completar &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2023. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2024. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;los momentos.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2025. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2026. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2027. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2028. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Las cosas vistas son las cosas como se ven. Lo real absoluto&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;. Apuntaba Wallace Stevens en &lt;i&gt;Adagia&lt;/i&gt;, en esa su imperiosa tentativa de aliviar a lo real de sus adulteraciones, y así &lt;i&gt;aprehender la complejidad del mundo, percibir lo intrincado de la apariencia&lt;/i&gt;; en definitiva &lt;i&gt;hacer sutil la experiencia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2029. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  2030. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Cada objeto se cobija en el cuenco de ambas manos y se contempla sin tiempo. Cada imagen es una pieza que contiene la intrincada transparencia de un mundo en miniatura. Eli Tolaretxipi reparte el mundo en secuencias, suya es la lógica de los restos. La repetición dota de geometría a un universo sutil. Mundo redimido en su imagen, mundo sin doble; en las manos absortas de Eli sólo la materia es trascendente.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2031. &lt;br /&gt;
  2032. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2033. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2034. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  2035. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;El especulador&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788497/978849704474.gif&quot; height=&quot;200&quot; title=&quot;El especulador&quot; width=&quot;133&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;Edgar&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788497/978849704725.gif&quot; height=&quot;200&quot; title=&quot;Edgar&quot; width=&quot;133&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2036. &lt;div style=&quot;text-align: left;&quot;&gt;
  2037. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2038. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcSw-C4qrJ9-2FN4Hyb_v8Rl1qw9j3hRpC4dQ1JwKUkkwTZf6AorWw&quot; data-sz=&quot;f&quot; height=&quot;400&quot; name=&quot;Ql5EKUAbpMfjqM:&quot; src=&quot;https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcSw-C4qrJ9-2FN4Hyb_v8Rl1qw9j3hRpC4dQ1JwKUkkwTZf6AorWw&quot; style=&quot;height: 116px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 77px;&quot; width=&quot;265&quot; /&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcSvLB595BsQBYZWc4gdObxJSMtAasKEgnArK54Nw2F1ltTe0SBt3A&quot; data-sz=&quot;f&quot; height=&quot;400&quot; name=&quot;yA_9zv-0XpmV7M:&quot; src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcSvLB595BsQBYZWc4gdObxJSMtAasKEgnArK54Nw2F1ltTe0SBt3A&quot; style=&quot;height: 180px; margin-left: -5px; margin-right: -4px; margin-top: 0px; width: 120px;&quot; width=&quot;266&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2039. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  2040. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2041. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  2046.  
  2047.  
  2048. &lt;/span&gt;&lt;/span&gt;&lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  2049.  
  2050.  
  2051. &lt;br /&gt;
  2052. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2053. &lt;br /&gt;
  2054. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2055. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-decoration: none; text-indent: 0.5cm;&quot;&gt;
  2056. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2057. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2058. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Amor
  2059. muerto, naturaleza muerta &lt;/i&gt;(1999)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2060. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2061. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Los
  2062. lazos del número &lt;/i&gt;(2003)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2063. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2064. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;El
  2065. especulador &lt;/i&gt;(2009) &lt;/span&gt;&lt;/span&gt;
  2066. &lt;/div&gt;
  2067. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2068. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Edgar&lt;/i&gt;
  2069. (2013)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2070. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2071. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2072. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2073. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2074. &lt;/div&gt;
  2075. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4536966310413263870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4536966310413263870'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/eli-tolaretxipi-san-sebastian-1962.html' title='Eli Tolaretxipi (San Sebastián 1962)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_f58A9Cchvk4/S1RspT0HEDI/AAAAAAAAAFg/fVXcernIGOg/s72-c/Poes%C3%ADa+t%C3%A1ctil+(Eli+Tolaretxipi).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-3044904874121684510</id><published>2010-01-17T10:40:00.000-08:00</published><updated>2015-07-20T18:18:31.910-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alber Vázquez"/><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><title type='text'>Alber Vázquez (Rentería, 1969)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2076. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2077. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2078. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2079. &lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1NcvLvsaYI/AAAAAAAAAEc/lN91gpdb8qU/s1600-h/Dibujo+Alber.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427783941588019586&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1NcvLvsaYI/AAAAAAAAAEc/lN91gpdb8qU/s320/Dibujo+Alber.bmp&quot; style=&quot;display: block; height: 266px; margin: 0px auto 10px; text-align: center; width: 320px;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2080. &lt;div style=&quot;text-align: justify;&quot;&gt;
  2081. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía ficción&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2082. &lt;div style=&quot;text-align: justify;&quot;&gt;
  2083. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Alber Vázquez: Arqueologías) &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2084. &lt;/div&gt;
  2085. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: center; text-indent: 14.2pt;&quot;&gt;
  2086. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2087. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: center; text-indent: 14.2pt;&quot;&gt;
  2088. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2089. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2090. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2091. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2092. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2093. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2094. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2095. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Abro el alma a cuanto viene.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2096. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2097. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Busco un mundo sin historia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2098. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2099. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y un sentimiento de origen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2100. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2101. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y de dulce desmemoria.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2102. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2103. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2104. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2105. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2106. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2107. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2108. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pero hay que hablar, hay que ser,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2109. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2110. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hay que decirse en la lucha,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2111. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2112. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y hay que extraer un lenguaje de &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2113. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2114. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lo que sólo murmura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2115. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2116. &lt;/div&gt;
  2117. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  2118. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Gabriel Celaya&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2119. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2120. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2121. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2122. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2123. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2124. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2125. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Entiende Alber Vázquez (Rentería, 1969) la escritura poética como un ámbito de absoluta libertad. Y en ésta cifra su perfección, en el diálogo a solas con los elementos de su taller poético. En esta suerte de laboratorio Alber Vázquez se deja decir, se atreve, ensaya los distintos tonos, busca su acierto sin tomarlo prestado, resuelve la rabia e ironía de tentativas tan personales como atrevidas. Conforma de este modo, con materiales e imaginería diversa, artefactos de cautivador ingenio. Muestras de esta febril factoría poética son sus libros: &lt;/span&gt;&lt;i&gt;Moscas y obras de arte&lt;/i&gt; (Banco Central Hispano, Bilbao, 1994), &lt;i&gt;La plancha de acero&lt;/i&gt; (Bermingham, 1995), &lt;i&gt;Negro&lt;/i&gt; (Bermingham, 1997), &lt;i&gt;Útero, 7 poemas de amor&lt;/i&gt; (Bermingham, 1998), &lt;i&gt;Julieta &amp;amp; Romeo&lt;/i&gt; (Bermingham, 2001), &lt;i&gt;Desencriptación de la medusa&lt;/i&gt; (Ediciones del 4 de agosto, Logroño, 2006). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2126. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2127. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Señala Félix Maraña en la antología poética que, junto con Felipe Juaristi, realizara en el 2000: &lt;i&gt;Vasca y Joven. Poesía y Futuro. Para otra sentimentalidad&lt;/i&gt; (Diputación Foral de Guipúzcoa,&lt;/span&gt; colección “Miniatura poética”, 2000&lt;span lang=&quot;ES&quot;&gt;): “La poesía de Alber Vázquez surge de una voluntad de conocimiento. Toda ella está atravesada por una querencia al pensamiento, a construir, incluso desde formas narrativas, un discurso donde se conciba la existencia. Poesía conceptista, no se trata sin embargo de una poesía hermética o inexpresiva, sino llena de luz y de efectos multicolores, que cautiva tanto por su tono como por el tempo que construye”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2128. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2129. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los edificios poéticos de Vázquez se alzan sobre el área que comprenden tres vértices: Palabra, imagen y memoria. Formas de la conciencia que reproducen en el hombre esas otras tres realidades del mundo: Cuerpo, paisaje y tiempo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2130. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2131. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2132. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2133. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2134. &lt;br /&gt;
  2135. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Palabra&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2136. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2137. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2138. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2139. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2140. &lt;br /&gt;
  2141. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La palabra en Alber Vázquez no dice el cuerpo, lo piensa. Ninguna impresión del mundo dicho descansa en sus sentidos. La palabra es instrumento y herramienta, con ella el poeta escarba y explora un “engaño perfecto”. En ella, la urgencia y necesidad de descifrar aquello que pueda velar la lluvia, desenmascarar cuanto oculta. La experiencia de la simple naturaleza en los sentidos “aletarga nuestras preguntas”. En este opresivo desconocimiento del mundo se cumple la resignada máxima de Demócrito: “Es menester que el hombre reconozca, de acuerdo con esta regla, que se halla apartado de la realidad”; “Las palabras son las sombras de las cosas”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2142. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2143. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Es en esta sombra donde Vázquez ensaya sus tentativas espeleológicas, su particular arqueología. La palabra se descubre como mero portador de la imaginería simbólica del hombre. Construcción mítica, ficción y simulacro. Magma que oculta más que dice. Bajo esta lava perduran vestigios de una realidad tan familiar como ignorada: rituales, asambleas, comisiones, inercia ordenadora de olvidadas comunidades de hombres, antiguas estirpes bajo la piel de la tierra, aún indemnes en los primeros estratos de nuestros cerebros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2144. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2145. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Recuerdan algunas de las series narrativas de estos poemas la tentativa expedicionaria de Gabriel Celaya en &lt;i&gt;Ixil&lt;/i&gt;. No tanto por la búsqueda de esa pulsión originaria en la matriz del lenguaje, el retorno al “lugar Cero”, refugio y útero, sino por la forma fantástica de lo enunciado, el poema ficción. A Vázquez le interesan más las formas de la expedición, su atmósfera enrarecida, la propensión al misterio, más que el misterio mismo, siempre arbitrario, acaso inexistente. La desmemoria del mito en sus devoraciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2146. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2147. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2148. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2149. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2150. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2151. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2152. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2153. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2154. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Imagen&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2155. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2156. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2157. &lt;br /&gt;
  2158. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los poemas de Alber Vázquez componen pequeñas historias que se complementan y crecen en espiral sumando variaciones de un mismo tema, imágenes, datos y experiencias de espacios elementales sin lugar ni tiempo, cuentos para el terror. Mundos amenazados por gravedades extremas, densidad de la materia con su física maleable, con su parábola y ficción a cuestas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2159. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2160. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poemas que rara vez enuncian la idea; por el contrario, la muestran. Su eficacia reside en la puesta en escena del concepto, en erigir un edificio altamente imaginativo, en cuidar el atrezo para la escenificación de una fábula que lo represente. Así, estas historias poéticas dan cuenta de insondables viajes, exilios, desembarcos, modos de la ingeniería de acaso otras culturas, estrategias de otros mundos, improbables arqueologías, universos orgánicos para la íntima escucha del temblor; formas siempre extrañas para albergar a un hombre, siempre sitiado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2161. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2162. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2163. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2164. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2165. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2166. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2167. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Podría situar una brizna de hierba sobre un manto en el centro de&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2168. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2169. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; una inmensa habitación vacía&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2170. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2171. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y eso sería un templo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2172. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2173. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Lo sería.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2174. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2175. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2176. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2177. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y adorar aquella atmósfera durante el resto de la existencia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2178. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2179. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y no sentir nada si desapareciera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2180. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2181. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2182. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2183. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2184. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2185. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2186. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada poemario guarda una coherencia argumental dispuesta en escenas de fuerte carga simbólica y existencial donde han dejado su impronta autores como Kafka, Beckett o Borges; la pulsión visionaria y espectral de William Blake, Lovecraft o Alfred Kubin. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2187. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2188. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Escenificación poética dispuesta en actos, donde se congrega la voz de un sujeto narrativo sin tiempo ni auxilio de un paisaje que lo contenga. “Un yo neutro que nada explica” es el histriónico actor que interpreta la única obra posible: El hombre es un dios mecánico que sirve a su inercia mientras fabrica e inocula una conciencia en la naturaleza. Observa así crecer el contagio de lo perecedero en la imagen de su igual. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2189. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2190. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Queda la corporeidad de la imagen, la reducción del mundo a muestra, fragmento, ingeniería y rareza. Rumor de los cuerpos, música de fondo, latido de un orden supuesto, sin plan preconcebido alguno. Universos multitudinarios. La reducción de la conciencia y el misterio a un insondable precipitado neuroquímico. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2191. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2192. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2193. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2194. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2195. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2196. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2197. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2198. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2199. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Memoria&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2200. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2201. &lt;br /&gt;
  2202. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Alber Vázquez lleva la idea hasta el extrañamiento. Procura para ella un nuevo espacio, la sume en lo insólito, la sujeta a un nuevo acontecimiento mitológico donde, en la mayoría de los casos, la memoria ha dejado de ser el consolador reducto para la sedimentación de un yo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2203. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2204. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El yo es un espacio mítico, a menudo, megalómano y visionario, es el paisaje y monumento del poema. Esa tierra última que escarba la voz de un arqueólogo sin método ni memoria. “A pesar del espeso interrogatorio, ya no tienen, las ruinas, nada que decir”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2205. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2206. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2207. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2208. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2209. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2210. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2211. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2212. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2213. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;es una gran llanura&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2214. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2215. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;repleta de un hueco&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2216. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2217. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que se expande&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2218. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2219. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tantas veces como se piensa en él.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2220. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2221. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2222. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2223. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2224. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2225. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2226. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Esta observación minuciosa de un mundo extrañado en la concreción de un nuevo mito no reporta, sin embargo, descanso alguno a los hombres, no es nunca el común espacio destinado a conjurar sus terrores. Por el contrario, instaura otros nuevos, acaso mas voraces. Del mito interesa su capacidad para extraviar el mundo en su concreción; el símbolo procura una comunidad de hombres suspendidos, sin otra raíz, pues la memoria fracasa continuamente en estos poemas, que la contundencia y arbitrariedad de sus trabajos y acciones. Queda el hombre reducido a gesto. “Trabajamos en pequeños experimentos mecánicos, modificando lo insondable levemente.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2227. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2228. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria mantiene indemne su capacidad de erosión, de infligir dolor a todo aquel que recuerda. La memoria conforma un hombre consciente de la sucesión histórica de las devoraciones. Sólo en el trabajado olvido, en sus progresivas desapariciones, se cumple el hombre en una “dicha plena”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2229. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2230. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2231. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2232. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2233. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2234. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2235. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Aprendo a estructurar mi pensamiento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2236. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2237. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y pienso que&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2238. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2239. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en este gran país mío siempre atardece a treinta y siete grados&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2240. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2241. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;centígrados,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2242. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2243. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que yo soy el propio atardecer que cae sin prisa,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2244. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2245. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que yo lo soy todo en este país,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2246. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2247. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que yo soy país y me envuelvo a mí misma.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2248. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2249. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2250. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2251. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No tengo tiempo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2252. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2253. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Soy un ser maravilloso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2254. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2255. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2256. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2257. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2258. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2259. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2260. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Este mundo poético está sometido a la presión de cientos de atmósferas, pequeños indicios de nosotros mismos en la sucesión de las capas laminadas de la tierra que pisamos como una escombrera. Mundo subterráneo, hipogeos, galerías, celdas, simas abisales de la conciencia en las que se cifra nuestra profunda incomprensión del mundo, nuestra precaria facultad para emerger a la superficie, la incapacidad del animal que somos para habitar intemperies. Mundo oculto del que tan sólo nos queda rescatar algunos fragmentos, fracturas de vida, o el ruido de fondo, el lamento de las sucesivas imágenes del hombre en el vientre de Cronos. “Yo tan sólo soy ese ser que devora el mundo desde su interior”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2261. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2262. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;También el amor aguarda oculto; único reducto cierto: “Única casa que has de defender”; “no conozco otra patria distinta del amor”; “magnífico país construido con la mano diestra de mi pensamiento”; “mi amor no conoce este ni oeste, norte ni sur. Es inalterable al viento o al sol. Existe sin direcciones, sin lógica aparente. Luce, amargo, en mi garganta”. Confundido con la sabia de un árbol, en una estatua en la sombra del musgo, al fin a salvo en la duración. El amor es una tentativa subterránea de asalto, una suerte de trasmigración, otra casa en otro cuerpo. “Oculto en el doble fondo de un ataúd”, “en los insectos atrapados en tu sudario”, “escondido en mi disfraz de topo, abro la tierra hacia ti.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2263. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2264. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2265. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2266. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2267. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2268. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2269. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hogar de un solo muro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2270. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2271. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pared de ladrillos con miga de pan y saliva.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2272. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2273. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Techo tembloroso, inquieto,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2274. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2275. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;plancha de acero de siete milímetros de espesor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2276. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2277. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;horizontal equilibrio sobre la última fila de ladrillos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2278. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2279. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Temblor, inquietud,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2280. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2281. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;no paz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2282. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2283. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Esta es mi casa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2284. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2285. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2286. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2287. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2288. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2289. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2290. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2291. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2292. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2293. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2294. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2295. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2296. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2297. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2298. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2299. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2300. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2301. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2302. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2303. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2304. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2305. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2306. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2307. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2308. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2309. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2310. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2311. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2312. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2313. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2314. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2316. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2317. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2318. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2319. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2320. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2321. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2322. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2324. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2325. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2326. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2327. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2328. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2329. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2330. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2331. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2332. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2333. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2334. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2335. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2336. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2337. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2338. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2339. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2340. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
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  2346. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
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  2358. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
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  2360. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
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  2364. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  2388.   &lt;w:WrapTextWithPunct/&gt;
  2389.   &lt;w:UseAsianBreakRules/&gt;
  2390.   &lt;w:DontGrowAutofit/&gt;
  2391.   &lt;w:SplitPgBreakAndParaMark/&gt;
  2392.   &lt;w:EnableOpenTypeKerning/&gt;
  2393.   &lt;w:DontFlipMirrorIndents/&gt;
  2394.   &lt;w:OverrideTableStyleHps/&gt;
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  2408.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
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  2685. &lt;/style&gt;
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  2690.  
  2691.  
  2692. &lt;br /&gt;
  2693. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  2694. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  2698. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2699. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2700. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Moscas
  2701. y obras de arte&lt;/i&gt; (1994) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2702. &lt;/div&gt;
  2703. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2704. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  2705. plancha de acero&lt;/i&gt; (1995) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2706. &lt;/div&gt;
  2707. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2708. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Negro&lt;/i&gt;
  2709. (1997) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2710. &lt;/div&gt;
  2711. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2712. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Útero,
  2713. 7 poemas de amor&lt;/i&gt; (1998) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2714. &lt;/div&gt;
  2715. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2716. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Julieta
  2717. &amp;amp; Romeo&lt;/i&gt; (2001)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2718. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2719. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Desencriptación
  2720. de la medusa&lt;/i&gt; (2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2721. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  2722. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  2723. mano que decide la intensidad del agua&lt;/i&gt; (2008) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2724. &lt;/div&gt;
  2725. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2726. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2727. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3044904874121684510'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3044904874121684510'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/alber-vazquez-renteria-1969.html' title='Alber Vázquez (Rentería, 1969)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1NcvLvsaYI/AAAAAAAAAEc/lN91gpdb8qU/s72-c/Dibujo+Alber.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-5391575396498613585</id><published>2010-01-17T09:56:00.000-08:00</published><updated>2015-07-20T18:20:43.440-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 50"/><category scheme="http://www.blogger.com/atom/ns#" term="Miguel Sánchez-Ostiz"/><title type='text'>Miguel Sánchez-Ostiz (Pamplona, 1950)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2728. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2729. &lt;div style=&quot;text-align: left;&quot;&gt;
  2730. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://1.bp.blogspot.com/_f58A9Cchvk4/S1NUk7NM0aI/AAAAAAAAAEU/jeQGx6fvUQY/s1600-h/Dibujo+ostiz.jpg&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427774969256661410&quot; src=&quot;http://1.bp.blogspot.com/_f58A9Cchvk4/S1NUk7NM0aI/AAAAAAAAAEU/jeQGx6fvUQY/s320/Dibujo+ostiz.jpg&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 132px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  2731. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;&lt;br /&gt;
  2732. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2733. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;es-ES&quot; style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Poemas
  2734. de la deriva&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
  2735. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;br /&gt;(Miguel
  2736. Sánchez Ostiz, o cómo ser John Silver) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  2737. &lt;/div&gt;
  2738. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2739. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2740. &lt;/div&gt;
  2741. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  2742. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2743. &lt;div style=&quot;text-align: right;&quot;&gt;
  2744. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  2745.  
  2746.  
  2747. &lt;/div&gt;
  2748. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2749. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Permanente
  2750. es el estado de fuga&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2751. &lt;div lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  2752. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Miguel
  2753. Sánchez-Ostiz&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2754. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  2755. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2756. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  2757. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Es
  2758. generalmente sabido que de las tripulaciones de los barcos balleneros
  2759. pocos regresan a bordo de los cuales partieron.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2760. &lt;div lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  2761. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Crucero
  2762. en un ballenero&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2763. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  2764. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2765. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2766. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2767. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2768. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2769. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2770. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2771. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Bajo el título &lt;i&gt;La marca del cuadrante&lt;/i&gt; (Pamiela, 2000), Miguel Sánchez-Ostiz (Pamplona, 1950) reunió su obra poética escrita entre 1979 y 1999. Al decir del propio autor el conjunto es “el relato, fragmentado a la fuerza, de un viaje y de sus sucesivos descubrimientos”. Un viaje de ida y vuelta, huída, “pulsión que me empuja tanto a la búsqueda del arraigo, cifrado en la nostalgia de la casa perdida, en el regreso continuo a un lugar que llamar mío, como al desarraigo y al sentimiento profundo de no tener lugar que llamar de verdad propio, como no sean mis palabras y mis páginas literarias”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2772. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2773. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al igual que cualquier cartografía que se precie, &lt;i&gt;La marca del cuadrante&lt;/i&gt; fija mojones, establece coordenadas, diseña rutas que confieran realidad al litoral de todas las voces que dictan la identidad de un hombre. Dos cabos tensan la travesía de la fuga desde los simulacros de lo real hacia la vida de aventura, imaginada y tal vez posible. Para Sánchez-Ostiz como para el joven Jim Hawkins, Ismael, Axel Heyst o el intempestivo Moravagine, la vida está, bajo la advertencia de Rimbaud, siempre en otra parte.&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2774. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2775. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Acaso ese afán de escarbar ávido&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2776. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2777. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en la memoria e inventariar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2778. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2779. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;frágiles y desparejos momentos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2780. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2781. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;más o menos felices,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2782. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2783. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;anotar un verso, una cita,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2784. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2785. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;reunir papeles, de identidad todos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2786. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2787. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pruebas documentales de otra vida,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2788. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2789. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;enseguida legajos polvorientos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2790. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2791. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;no sea sino la lucha sorda, constante,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2792. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2793. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;contra el otro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2794. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2795. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que recomenzará desmemoriado mañana.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2796. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2797. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2798. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2799. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2800. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2801. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2802. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La huida y el retorno cifran los rumbos en este cuaderno de bitácora. Pulsiones de una identidad en fuga. Cada libro de Sánchez-Ostiz es la crónica de una tentativa fallida, en ellos se levanta un escenario donde se representan variaciones del aprendizaje de la decepción. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2803. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2804. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2805. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2806. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  2807. &lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2808. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  2809. &lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2810. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2811. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La huída&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2812. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2813. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2814. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2815. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2816. &lt;br /&gt;
  2817. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Bajo las oníricas presencias de José María de Ucelay (&lt;i&gt;La cena del capitán Melitón de Mendezona&lt;/i&gt;), Sánchez-Ostiz ensaya en &lt;i&gt;Crónica fabulosa del capitán Don José Miguel de Amasa&lt;/i&gt; los márgenes de su particular purgatorio: un mundo sumido en un haz de luz informe, acosado por “todos los sueños de una vida ficticia”: La aventura, lo desconocido, la sed de horizonte, las islas, todos los reversos de los espejos, y demás escenificaciones del deseo, deriva en pos de la propia imagen. Territorio entre brumas de la vida posible; espacio mítico “entre cielo y agua”, una especie de arcadia donde tal como advierte la inscripción también la muerte acontece. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2818. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2819. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El carácter dramático de este escenario del mar y las islas cede a la farsa en &lt;i&gt;El viaje de los comediantes&lt;/i&gt;: Las voces poéticas devanan sus acciones sobre tarimas y entablados que emulan calles adoquinadas, tascas marineras, en las que siempre sorprende a un actor disfrazado de naufrago un simulado amanecer como “un lienzo que el viento agita”. “Torpes artes de la escena: palabrería y humo frío en el paraíso”. Tras los tímidos efectos de la tramoya y la estéril estrategia de la escena y el disfraz crece el miedo: acaso no exista otra realidad que lo figurado, el sueño y su impostura, y sin embargo sus puertas siempre abiertas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2820. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2821. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2822. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2823. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2824. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2825. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2826. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…borra todo temor blanco, toda blanca soledad,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2827. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2828. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;condúceme a la piedra oscura,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2829. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2830. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dame de beber en la copa en cuyo fondo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2831. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2832. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la memoria se hace noche. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2833. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2834. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2835. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2836. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2837. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2838. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2839. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Travesía de la noche&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt; se erige en escenario del bosque, la quimera del sueño, la promesa de todo amor, la aventura permanece momentáneamente a resguardo en la enramada antes de tomar conciencia de que somos a un tiempo la partida de caza, los ingenios de cetrería, la red, la presa a la fuga y esa secreta certeza de nunca poder darle alcance, nunca poder abatirla. Arden los bosques como antes lo hicieran los teatros. Ahora la única realidad posible es la jauría, el aliento de la embestida en la nuca para recordarnos la huida sin fin a la que pertenecemos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2840. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2841. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2842. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2843. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2844. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2845. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2846. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nada de todo aquello fue cierto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2847. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2848. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ni allí ni en ningún otro sitio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2849. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2850. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pusiste los pies.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2851. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2852. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hablarás de una casa en la nieve,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2853. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2854. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pero ignoras que el país fue arrasado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2855. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2856. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Una voz, una mano cerrando unos ojos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2857. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2858. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el centro de la noche&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2859. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2860. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;con la vaga promesa de un sueño inmóvil.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2861. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2862. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2863. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2864. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2865. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2866. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2867. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Con &lt;i&gt;De un paseante solitario&lt;/i&gt; y &lt;i&gt;Reinos imaginarios&lt;/i&gt; Miguel Sánchez-Ostiz hace recuento de sus colecciones de cosas y gestos; pecios de la memoria, secuencias literarias rescatadas de sus muchos viajes por la vida de otros. Objetos en los que en vano nos hemos guarecido, tristes inventarios de nuestras pieles, crónicas de insípidas mudas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2868. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2869. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Algo hay en estas crónicas de viajero inmóvil, de la escenificación de los gestos legendarios que José María Álvarez atesora en su monumental &lt;i&gt;Museo de cera&lt;/i&gt;. Mundo inventariado con una misma voluntad de salvar de todo cuanto aparenta ser real su mítica. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2870. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2871. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2872. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2873. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2874. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2875. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2876. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Lluvia, siempre lluvia de abril,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2877. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2878. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lenta, adormecedora.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2879. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2880. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Me esfuerzo en pensar tierras más cálidas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2881. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2882. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ignoro cómo son, cuáles sus colores&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2883. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2884. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y sus luces. Sólo sé de relatos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2885. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2886. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de viajeros, de vidas de otros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2887. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2888. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Fuera de esta lluvia, de este jardín&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2889. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2890. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el que ya verdean los tilos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2891. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2892. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y de alguna de las cosas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2893. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2894. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que tan tenazmente amé,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2895. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2896. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y que ya la carcoma, los roedores, la humedad,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2897. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2898. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;qué sé yo, están destruyendo, como a mí mismo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2899. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2900. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;otros males menores, no conozco gran cosa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2901. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2902. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2903. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2904. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2905. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2906. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  2907. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2908. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2909. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;El retorno&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2910. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2911. &lt;br /&gt;
  2912. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Con &lt;i&gt;El otro sueño del caballero &lt;/i&gt;(referencia explícita a otro cuadro, esta vez de Pereda), &lt;i&gt;Invención de la ciudad&lt;/i&gt; y &lt;i&gt;Carta de vagamundos&lt;/i&gt; se dan por concluidos los años de deriva, se asume la condición de naufrago. Ceden las arquitecturas del sueño, surge el más voraz de los simulacros: la ciudad, donde “la única meta posible es partir”. Concluye el viaje, comienza la errancia. Persisten los inventarios, en esta ocasión de gentes, rostros, identidades apenas, voces entre el susurro en sombra de otras voces que se prestan, intercambian o comercian con sus mensajes de socorro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2913. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2914. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Ciudad que es “ciudadela, fortín aislado y fronterizo, penal sin retorno, plaza fuerte adelantada en la tierra de nadie”; ciudad deudora de aquella otra “recoge perdidos” que radiografiara Luis Martín-Santos, con “sus enfermedades incurables, crónicas y a la postre mortales”. Ciudad de espaldas a los bosques y demás templos, alzada sobre aguas muertas, inventario de estanques, laberinto, purgatorio, vientre al fin de la ballena donde fraguar hábiles y silenciosas tentativas de existencia que salven a penas nuestros insomnios. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2915. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2916. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Con &lt;i&gt;Aquí se detienen&lt;/i&gt;, Sánchez-Ostiz vence el germinal desarraigo que impulsó su viaje. Afirma el camino, desecha la posibilidad de un retorno a la casa, a cualquiera que no haya levantado él mismo con sus propias manos; “fundar hasta el propio nombre, la propia vida” y hacerlo con palabras que es la forma hábil de habitar la errancia. Para salvar los precarios simulacros que somos, tejemos cada vez nuevos y fugaces espejismos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2917. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2918. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sánchez-Ostiz vigila, ahora, la ensenada apostado en alguna ventana del &lt;i&gt;El almirante Benbow&lt;/i&gt;. Inventaría atardeceres, recopila escenarios, sonríe las audacias de la vieja pulsión… en ocasiones también escruta el horizonte y aguarda a que alguno de esos buques traiga noticia de las últimas publicaciones, acaso algún ejemplar de &lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Young Folks Magazine&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;, donde tiene entendido se recogen episodios de su vida posible.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot;&gt;&lt;/link&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt; 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name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-ansi-language:ES;  mso-fareast-language:ES;} .MsoChpDefault  {mso-style-type:export-only;  mso-default-props:yes;  font-size:10.0pt;  mso-ansi-font-size:10.0pt;  mso-bidi-font-size:10.0pt;} @page Section1  {size:612.0pt 792.0pt;  margin:70.85pt 3.0cm 70.85pt 3.0cm;  mso-header-margin:36.0pt;  mso-footer-margin:36.0pt;  mso-paper-source:0;} div.Section1  {page:Section1;} &lt;/style&gt; &lt;/div&gt;
  2919. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2920. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  2921. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2922. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tenía, tuve, tengo cosas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2924. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2925. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;perdidas, encontradas, atesoradas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2926. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2927. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;robadas también, ay, su hueco.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2928. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2929. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2930. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2931. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;yo veía,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2932. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;veía en las cosas otras vidas que eran la mía&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2934. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2935. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;otras vidas que hacía mías. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2936. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2937. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2938. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nada de eso se ha quebrado, nada,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2940. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;estoy seguro, nada ha hecho agua,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2942. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2943. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;están casi, casi como cuando, con más alegría,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2944. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2945. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;está todo intacto en el fondo de ti,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2946. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2947. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el fondo de mí. &lt;br /&gt;
  2948. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2949. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  2950. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  2951. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;qdjUvYxPUjOiGM:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;margin-left: 0px; margin-right: 0px; margin-top: 0px;&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; height=&quot;200&quot; name=&quot;q9BN_s66yXPg5M:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;margin-left: 0px; margin-right: 0px; margin-top: 0px;&quot; width=&quot;138&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2952. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  2953. &lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2954. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2955. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  2956. &lt;w:WordDocument&gt;
  2957.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  2958.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  2959.  &lt;w:TrackMoves/&gt;
  2960.  &lt;w:TrackFormatting/&gt;
  2961.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  2962.  &lt;w:PunctuationKerning/&gt;
  2963.  &lt;w:ValidateAgainstSchemas/&gt;
  2964.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  2965.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  2966.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  2967.  &lt;w:DoNotPromoteQF/&gt;
  2968.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  2969.  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  2970.  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  2971.  &lt;w:Compatibility&gt;
  2972.   &lt;w:BreakWrappedTables/&gt;
  2973.   &lt;w:SnapToGridInCell/&gt;
  2974.   &lt;w:WrapTextWithPunct/&gt;
  2975.   &lt;w:UseAsianBreakRules/&gt;
  2976.   &lt;w:DontGrowAutofit/&gt;
  2977.   &lt;w:SplitPgBreakAndParaMark/&gt;
  2978.   &lt;w:EnableOpenTypeKerning/&gt;
  2979.   &lt;w:DontFlipMirrorIndents/&gt;
  2980.   &lt;w:OverrideTableStyleHps/&gt;
  2981.  &lt;/w:Compatibility&gt;
  2982.  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  2983.  &lt;m:mathPr&gt;
  2984.   &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
  2985.   &lt;m:brkBin m:val=&quot;before&quot;/&gt;
  2986.   &lt;m:brkBinSub m:val=&quot;--&quot;/&gt;
  2987.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  2988.   &lt;m:dispDef/&gt;
  2989.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  2990.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  2991.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  2992.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  2993.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  2994.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  2995.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  2996. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  2997. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  2998.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  2999.  LatentStyleCount=&quot;267&quot;&gt;
  3000.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  3001.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  3002.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  3003.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  3004.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  3005.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  3006.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  3007.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  3008.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  3009.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  3010.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  3011.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  3012.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  3013.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  3014.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  3015.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  3016.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  3017.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  3018.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  3019.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  3020.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  3021.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;footnote text&quot;/&gt;
  3022.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  3023.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  3024.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  3025.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  3026.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Body Text Indent&quot;/&gt;
  3027.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  3028.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  3029.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  3030.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  3031.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  3032.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  3033.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  3034.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  3035.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  3036.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  3037.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  3038.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3039.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  3040.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3041.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  3042.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3043.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  3044.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3045.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  3046.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3047.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  3048.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3049.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  3050.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3051.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  3052.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3053.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  3054.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3055.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  3056.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3057.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  3058.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3059.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  3060.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3061.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  3062.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3063.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  3064.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3065.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  3066.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3067.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  3068.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3069.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  3070.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3071.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  3072.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3073.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  3074.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3075.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  3076.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3077.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  3078.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  3079.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  3080.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  3081.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  3082.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  3083.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  3084.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  3085.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3086.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  3087.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3088.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  3089.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3090.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  3091.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3092.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  3093.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3094.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  3095.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3096.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  3097.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3098.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  3099.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3100.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  3101.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3102.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  3103.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3104.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  3105.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3106.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  3107.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3108.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  3109.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3110.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  3111.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3112.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  3113.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3114.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  3115.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3116.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  3117.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3118.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  3119.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3120.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  3121.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3122.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  3123.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3124.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  3125.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3126.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  3127.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3128.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  3129.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3130.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  3131.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3132.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  3133.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3134.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  3135.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3136.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  3137.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3138.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  3139.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3140.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  3141.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3142.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  3143.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3144.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  3145.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3146.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  3147.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3148.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  3149.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3150.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  3151.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3152.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  3153.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3154.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  3155.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3156.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  3157.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3158.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  3159.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3160.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  3161.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3162.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  3163.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3164.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  3165.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3166.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  3167.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3168.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  3169.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3170.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  3171.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3172.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  3173.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3174.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  3175.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3176.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  3177.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3178.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  3179.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3180.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  3181.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3182.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  3183.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3184.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  3185.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3186.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  3187.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3188.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  3189.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3190.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  3191.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3192.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  3193.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3194.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  3195.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3196.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  3197.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3198.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  3199.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3200.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  3201.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3202.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  3203.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3204.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  3205.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3206.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  3207.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3208.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  3209.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3210.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  3211.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3212.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  3213.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3214.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  3215.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3216.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  3217.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
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  3230.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
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  3232.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
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  3236.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  3237.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3238.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
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  3242.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
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  3244.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
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  3250.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
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  3254. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
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  3256. /* Style Definitions */
  3257. table.MsoNormalTable
  3258. {mso-style-name:&quot;Tabla normal&quot;;
  3259. mso-tstyle-rowband-size:0;
  3260. mso-tstyle-colband-size:0;
  3261. mso-style-noshow:yes;
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  3264. mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
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  3266. mso-para-margin-bottom:.0001pt;
  3267. mso-pagination:widow-orphan;
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  3269. font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;}
  3270. &lt;/style&gt;
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  3272.  
  3273. &lt;br /&gt;
  3274. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  3275.  
  3276.  
  3277. &lt;br /&gt;
  3278. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  3279. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3280. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-decoration: none; text-indent: 0.5cm;&quot;&gt;
  3281. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3282. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3283. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Pórtico
  3284. de la fuga&lt;/i&gt; (1979)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3285. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3286. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Crónica
  3287. fabulosa del capitán Don José Miguel de Amasa&lt;/i&gt; (1981)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3288. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3289. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;El
  3290. viaje de los comediantes&lt;/i&gt; (1982)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3291. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3292. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Travesía
  3293. de la noche&lt;/i&gt; (1983)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3294. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3295. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;De
  3296. un paseante solitario&lt;/i&gt; (1985)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3297. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3298. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Reinos
  3299. imaginarios&lt;/i&gt; (1986)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3300. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3301. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;El
  3302. otro sueño del caballero&lt;/i&gt; (1988)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3303. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3304. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Invención
  3305. de la ciudad&lt;/i&gt; (1989-1993)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3306. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3307. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Carta
  3308. de vagamundos&lt;/i&gt; (1994)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3309. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3310. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Aquí
  3311. se detienen&lt;/i&gt; (1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3312. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3313. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  3314. marca del cuadrante: Antología poética&lt;/i&gt; (1979-1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3315. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3316. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Deriva
  3317. de la frontera&lt;/i&gt; (2012) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  3318. &lt;/div&gt;
  3319. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  3320. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3321. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  3322. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3323. &lt;/div&gt;
  3324. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/5391575396498613585'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/5391575396498613585'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/miguel-sanchez-ostiz-pamplona-1950.html' title='Miguel Sánchez-Ostiz (Pamplona, 1950)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_f58A9Cchvk4/S1NUk7NM0aI/AAAAAAAAAEU/jeQGx6fvUQY/s72-c/Dibujo+ostiz.jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-8035372292319243266</id><published>2010-01-17T09:31:00.000-08:00</published><updated>2015-07-22T12:11:43.665-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década del 10"/><category scheme="http://www.blogger.com/atom/ns#" term="Joaquín Gurruchaga"/><title type='text'>Joaquín Gurruchaga (San Sebastián, 1910 - Madrid, 2000)</title><content type='html'>&lt;div style=&quot;text-align: center;&quot;&gt;
  3325. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3326. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3327. &lt;div style=&quot;text-align: left;&quot;&gt;
  3328. &lt;table align=&quot;center&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;tr-caption-container&quot; style=&quot;margin-left: auto; margin-right: auto; text-align: center;&quot;&gt;&lt;tbody&gt;
  3329. &lt;tr&gt;&lt;td style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/-jCd4_0xnIcE/TomQqQ9puBI/AAAAAAAAAIY/tIUwfxDIBfs/s1600/Paco+Tuero%252C+Joaqu%25C3%25ADn+Gurruchaga%252C+y+Gabriel+Celaya.+San+Sebasti%25C3%25A1n..jpg&quot; style=&quot;margin-left: auto; margin-right: auto;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;320&quot; src=&quot;http://2.bp.blogspot.com/-jCd4_0xnIcE/TomQqQ9puBI/AAAAAAAAAIY/tIUwfxDIBfs/s320/Paco+Tuero%252C+Joaqu%25C3%25ADn+Gurruchaga%252C+y+Gabriel+Celaya.+San+Sebasti%25C3%25A1n..jpg&quot; width=&quot;224&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
  3330. &lt;tr&gt;&lt;td class=&quot;tr-caption&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: x-small;&quot;&gt;(Paco Tuero, Joaquín Gurruchaga, y Gabriel Celaya. San Sebastián.)&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3331. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 247.8pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3332. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3333. &lt;/td&gt;&lt;/tr&gt;
  3334. &lt;/tbody&gt;&lt;/table&gt;
  3335. &lt;/div&gt;
  3336. &lt;div style=&quot;text-align: left;&quot;&gt;
  3337. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  3338. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poesía de la intemperie&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3339. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp; (Las calladas conquistas de Joaquín Gurruchaga)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3340. &lt;/div&gt;
  3341. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3342. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3343. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3344. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3345. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3346. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3347. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3348. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3349. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3350. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3351. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3352. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3353. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3354. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3355. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3356. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El mundo es el segundo término&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3357. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3358. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de una metáfora incompleta,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3359. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3360. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;una comparación&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3361. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3362. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuyo primer elemento se ha perdido.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3363. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3364. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Roberto Juarroz&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3365. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right;&quot;&gt;
  3366. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3367. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right;&quot;&gt;
  3368. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3369. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3370. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Quiero cantar ahora en este tiempo mío&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3372. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  3373. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al esqueleto oculto de las cosas que viven.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3374. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3375. &lt;div style=&quot;text-align: right;&quot;&gt;
  3376. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: x-small;&quot;&gt; Joaquín Gurrucha&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3377. &lt;div style=&quot;text-align: right;&quot;&gt;
  3378. &lt;br /&gt;&lt;/div&gt;
  3379. &lt;div style=&quot;text-align: right;&quot;&gt;
  3380. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3381. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética de Joaquín Gurruchaga (San Sebastián, 1910- Madrid, 2000) ha sabido hacer de la contemplación un reducto donde no caben huidas, del paisaje la familiar música en la que abismarse en la presencia de las cosas. Poeta de tardía difusión, en 1936 vio cómo el comienzo de la guerra truncaba una edición ya preparada para la revista &lt;i&gt;Héroe&lt;/i&gt;, comandada por Manuel Altolaguirre. Desde entonces su inquietud creativa, en compañía de poetas como Gabriel Celaya, quien no dejó de reconocer la superioridad artística de su amigo, ha ido integrando sin estridencias los rasgos más significativos del cancionero popular, el sensualismo modernista, influencias varias de las vanguardias europeas, y las afiladas y contundentes maneras de lo que hoy se ha dado en llamar poesía de la experiencia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3382. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3383. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sin contradicciones en sus diversas formas, las composiciones de Gurruchaga precipitan en una serena comprensión de la arquitectura del poema. La concepción romántica que las anima tiene como resultado una poesía profundamente aferrada al hombre; poesía despojada, asedio e indagación de todos esos indicios con que el tiempo y el silencio habitan el gesto cotidiano. En continua tensión hacia la naturaleza, la obra poética de Gurruchaga traza una línea sin fisuras desde el asombro que procura el mundo objetivo, hasta su lenta interiorización y conquista, desde el paisaje descubierto hasta el paisaje revelado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3384. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3385. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3386. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3387. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3388. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3389. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3390. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3391. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3392. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Danza de los elementos&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3393. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3394. &lt;br /&gt;
  3395. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sin abandonar el tono elegiaco, Gurruchaga desgrana percepciones, cumple con la detenida observancia de las formas de la naturaleza con gran sensualismo y medida música. En su pretensión por abarcar todos los estados de un mismo elemento, se suceden en dinámica conjunción las transformaciones del agua, las danzas de la arena, el aire desde sus manifestaciones físicas a esas otras circunscritas al mito donde el más etéreo de los elementos abandona su exiguo cuerpo. Aparecen entonces álamos, que son &lt;i&gt;las formas divinas del aire&lt;/i&gt;, o los silfos, personificación de un mundo aliviado al fin de su pesada materia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3396. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3397. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sobre estos tres elementos básicos, aire, arena y agua, fundan estas nítidas composiciones una férrea cosmogonía de las intimas pulsiones que atraviesan lo humano. Cada uno de ellos se desdobla en función de que la naturaleza le sea o no propicia. Así la arena se debate entre los remansos de las playas que hacen inteligible la luz, la consumación del amor en los cuerpos, y la violencia de sus partículas erizadas por la brisa, los huracanes y demás galernas, o apelmazadas por la lluvia y los temporales; arena en movimiento, desatada, que ciega a esos mismos cuerpos y los condenan a sus límites y temperaturas devolviéndoles su densidad. Del mismo modo, el agua se tensa entre el mar y la nube; el aire entre la brisa y el incorpóreo Silfo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3398. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3399. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3400. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3401. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3402. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3403. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3404. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Yo sueño con un hombro desnudo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3405. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3406. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Con un hombro desnudo de brisa,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3407. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3408. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sin sueño de pestañas ni párpados de álamos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3409. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3410. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Con un hombro desnudo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3411. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3412. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de lombrices de tierra húmeda.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3413. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3414. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Yo, acaso una piedra, acaso un pájaro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3415. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3416. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Yo rey de los silfos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3417. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3418. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3419. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3420. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3421. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3422. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3423. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las cualidades de lo húmedo, negro y oscuro de todos los mundos concretos, la ceguera ante sus sombras y simulacros abandonados en la huida del tiempo, y enfrente la luz cuajada de todos los amaneceres o el inmóvil ocaso, el tiempo al fin detenido, mundo revelado en el amor y la nada, en la desaparición del “Yo”, conquista de la desnudez.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3424. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3425. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La realidad se acota en una impresión física, concreta, biográfica; asomado a un balcón, el poeta enfrenta la noche, da cuenta del tiempo en una ventana mojada, o escruta el silencio en la memoria de algas y tamarindos que poblaron las costas de su infancia. Después acude siempre la conocida pregunta: &lt;i&gt;¿Qué hago sentado / en esta silla, / hombre sin alma, / hombre muerto que vive?&lt;/i&gt; Como si estar despierto o dormido fueran estados que el hombre alienta en la naturaleza, Gurruchaga denuncia las apariciones, de cada objeto su espectro, todos esos &lt;i&gt;reflejos de la luz sobre el agua&lt;/i&gt;, &lt;i&gt;las colinas sin eco ni vida&lt;/i&gt;, la ceguera de párpados y cortinas negando un mundo abierto, el estruendo del tiempo cuando huye clausurando el latido de las cosas. Gurruchaga se detiene en todos los instantes para asomarse a su duración, donde siempre otra faz del mundo nos aguarda.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3426. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3427. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3428. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3429. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3430. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3431. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3432. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Son las cinco de la tarde.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3433. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3434. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La chimenea encendida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3435. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3436. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El otoño, el viento, el frío,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3437. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3438. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la lluvia en los cristales.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3439. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3440. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En la terraza, ni un grito,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3441. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3442. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en los jardines, ni un pájaro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3443. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3444. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Lenta, desnuda y sola.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3445. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3446. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;se estremecía mi mano. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3447. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3448. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3449. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3450. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3451. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3452. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3453. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3454. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3455. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Conquista del jardín &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3456. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3457. &lt;br /&gt;
  3458. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En este proceso de despojamiento que va desde la conjugación simbólica de los elementos primarios de la naturaleza –en los poemas de juventud escritos entre 1929 y 1933–, a esa otra etapa iniciada en 1934 con la serie &lt;i&gt;Nocturno: Soledades&lt;/i&gt;, la voz de Gurruchaga abandona la piel del paisaje y se ahonda, sin menoscabo del sensualismo logrado en sus primeras composiciones. El símbolo cede y el poema se afila y gana en concepto. Gurruchaga ya no sabe &lt;i&gt;lo que toca ni lo que mira&lt;/i&gt;, tan sólo ve crecer &lt;i&gt;por el aire una vida que ya nada contiene&lt;/i&gt;; &lt;i&gt;nuestros cuerpos, de pronto, dulcísimos, sin forma&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3459. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3460. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Estas composiciones surgen de otra luz. Se agruman las tardes, las noches piden ser amansadas, es preciso reconciliar a las cosas con sus sombras. Muchas las dicta el miedo; temor del alma callada de las cosas, &lt;i&gt;miedo a no ser mío&lt;/i&gt;, &lt;i&gt;a ser destruido en un minuto de cansancio&lt;/i&gt;, &lt;i&gt;a dejar de ser amado&lt;/i&gt;, nos dicen sus poemas. Para Gurruchaga estar en el mundo requiere de una heroica atención hacia ese &lt;i&gt;algo que inquieta y habla. / Leve y levísimo, vive ante nosotros&lt;/i&gt;; &lt;i&gt;quietud divina, bajo cuyas manos / algo eterno nos llama desde un lugar que fue.&lt;/i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3461. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3462. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Buscamos en nuestros reductos &lt;i&gt;la delicia templada&lt;/i&gt; de los días, &lt;i&gt;mañanas vivas y leves de aire blanco&lt;/i&gt;, árboles igualmente cálidos, cierto amor, esa &lt;i&gt;cosa que vive sorprendida entre arbustos.&lt;/i&gt; Mientras tanto:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3463. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3464. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3465. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3466. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3467. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3468. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3469. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El jardín nos oprime, pesado como un sueño,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3470. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3471. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y bajo su temor hay heridas remotas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3472. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3473. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;siglos muertos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3474. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3475. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que la tarde comprende y el jardinero adora. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3476. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3477. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3478. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3479. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3480. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3481. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3482. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las composiciones de Gurruchaga destilan una honda intimidad, el anhelo que las impulsa desgrana la naturaleza, la hace surco. Todas sus manifestaciones se combinan en un intento por hacer comprensible esa etérea presencia que todo lo envuelve.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3483. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3484. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3485. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3486. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3487. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3488. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3489. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Me lo has dicho en el vuelo de los pájaros, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3490. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3491. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en esa nube blanca que se oculta,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3492. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3493. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y en ese rumor largo de los bosques.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3494. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3495. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;¡Oh mar, amada y muerte, te comprendo!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3496. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3497. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3498. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3499. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3500. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3501. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3502. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada uno de los elementos que participan en la naturaleza, las horas del día, las mañanas, sus noches, componen los distintos rostros del mundo, porciones de existencia, que viven en íntima complicidad con el poeta. Así, al igual que sus párpados y sus manos, también los árboles y los pájaros, el mar, una desasistida naturaleza, se estremece al dictado del tiempo y el silencio: las áridas voces de la intemperie. Las composiciones de Gurruchaga son destempladas pulsiones que buscan resolver la presencia del mundo en un abrazo, que pretenden su intemperie más amable.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3503. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3504. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3505. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3506. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3507. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3508. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3509. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;¡Oh tarde que te alejas de mis brazos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3510. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3511. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para volver a mí callada y virgen,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3512. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3513. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;transfigurada y nueva en las estrellas!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3514. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3515. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3516. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3517. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3518. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3519. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3520. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3521. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3522. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Conquista de las sombras&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3523. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3524. &lt;br /&gt;
  3525. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El conjunto de los poemas de madurez de Gurruchaga que abarcan el periodo comprendido entre 1982 y 1992, bajo los títulos &lt;i&gt;El tiempo, el humo, el pasado&lt;/i&gt; (1996) y &lt;i&gt;Últimos poemas&lt;/i&gt; (1995), revelan las formas de ese último abrazo. Palabra y memoria horadan cada instante en un denodado empeño por arrebatarle al tiempo su duración, al silencio una callada voz redentora. Se suceden secos los episodios de infancia, tenues noticias de una incipiente guerra, memoria percutida que reinventa con el sabor de lo vivido su historia. Y sin embargo, &lt;i&gt;el tiempo desvanece el humo del pasado. &lt;/i&gt;Ahora las palabras proyectan sobre este poeta en continuada vigilia las sombras de las cosas, sólo los nombres recortan un difuso perfil al mundo. Vivimos en el tiempo enumerando todas estas sombras: &lt;i&gt;Ahora mi sombra me alimenta&lt;/i&gt;. Los objetos &lt;i&gt;piensan cosas que no sabemos&lt;/i&gt;, conquistemos la brisa de sus voces, el rumor en que desasistidos respiran nuestro mismo aire.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3526. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3527. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3528. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3529. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3530. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3531. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3532. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nadie conoce&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3533. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3534. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la soledad de los paraguas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3535. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3536. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nadie sabe que los patios aman a las flores.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3537. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3538. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y que el humo de una chimenea en invierno&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3539. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3540. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;es un sonido que se desvanece sin ser oído.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3541. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3542. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No sabemos nada los unos de los otros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3543. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3544. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No conocemos la voz de los armarios.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3545. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3546. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La antigua vida de un jarrón.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3547. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3548. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Las palabras a media voz de las alfombras.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3549. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3550. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La estúpida violencia de los timbres.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3551. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3552. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y la crueldad o ternura de un teléfono.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3553. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3554. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No sabemos nada de las cosas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3555. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3556. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3557. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3558. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3559. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3560. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3561. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las Palabras, esos &lt;i&gt;peces oscuros / peces quietos&lt;/i&gt;, &lt;i&gt;pájaros escondidos en jardines y pequeños espacios en penumbra, extrañas mariposas entre piedras, serpientes en las aguas sin luz del océano,&lt;/i&gt; son la única realidad posible, sitiada por un mundo abismado en mar, en cuyo fondo todas las cosas callan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3562. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3563. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3564. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3565. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3566. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3567. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3568. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Palabras instantáneas &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3569. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3570. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que nacen y no ven, que viven&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3571. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3572. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y no existen,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3573. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3574. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sin principio ni fin, como un cielo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3575. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3576. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que tiembla.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3577. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3578. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3579. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3580. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Palabras que mueren en silencio por la tarde,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3581. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3582. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; en las calladas ramas de los árboles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3583. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3584. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3585. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3586. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ya solo oigo en el aire un endecasílabo.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3587. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  3588. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;/i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3589. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0cm; direction: ltr; color: rgb(0, 0, 0); text-align: justify; widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }A:link { color: rgb(0, 0, 255); text-decoration: none; }&lt;/style&gt;
  3590.  
  3591.  
  3592. &lt;br /&gt;
  3593. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  3594. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;Primeros poemas&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788488/978848801570.gif&quot; height=&quot;150&quot; title=&quot;Primeros poemas&quot; width=&quot;100&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;El tiempo, el humo, el pasado&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788488/978848801526.gif&quot; height=&quot;150&quot; title=&quot;El tiempo, el humo, el pasado&quot; width=&quot;100&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;Últimos poemas (1983-1992)&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788488/978848801518.gif&quot; height=&quot;150&quot; title=&quot;Últimos poemas (1983-1992)&quot; width=&quot;100&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3595. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  3596. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  3597. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
  3598. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  3599. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3600. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  3601. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Primeros
  3602. poemas&lt;/i&gt; (1929-1936)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3603. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  3604. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;El
  3605. tiempo, el humo, el pasado&lt;/i&gt; (1982-1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3606. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot;&gt;
  3607. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Últimos
  3608. poemas&lt;/i&gt; (1983-1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3609. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: d%;&quot;&gt;
  3610. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3611. &lt;/div&gt;
  3612. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3613. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3614. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3615. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  3616. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3617. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/8035372292319243266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/8035372292319243266'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/joaquin-gurruchaga-san-sebastian-1910.html' title='Joaquín Gurruchaga (San Sebastián, 1910 - Madrid, 2000)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jCd4_0xnIcE/TomQqQ9puBI/AAAAAAAAAIY/tIUwfxDIBfs/s72-c/Paco+Tuero%252C+Joaqu%25C3%25ADn+Gurruchaga%252C+y+Gabriel+Celaya.+San+Sebasti%25C3%25A1n..jpg" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-2592988715310963734</id><published>2010-01-17T09:18:00.000-08:00</published><updated>2015-07-22T12:12:57.675-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 50"/><category scheme="http://www.blogger.com/atom/ns#" term="Karmelo C. Iribarren"/><title type='text'>Karmelo C. Iribarren (San Sebastián, 1959)</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3618. &lt;div style=&quot;text-align: center;&quot;&gt;
  3619. &lt;/div&gt;
  3620. &lt;div style=&quot;text-align: center;&quot;&gt;
  3621. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  3622. &lt;br /&gt;
  3623. &lt;div style=&quot;text-align: center;&quot;&gt;
  3624. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;e7zIzwW_wU12gM:&quot; src=&quot;https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcS7mL7b8qdnJcVNNl6hIysYq-aceT4m_uqAEhJrTSfsnnWGcZXi&quot; style=&quot;height: 227px; margin-left: 0px; margin-right: 0px; margin-top: -15px; width: 170px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3625. &lt;/div&gt;
  3626. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  3627. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: large;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía sin vuelo&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3628. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Los sueños grávidos de &lt;a href=&quot;http://poetasvascos.blogspot.com/search/label/Karmelo%20C.%20Iribarren&quot;&gt;Karmelo C. Iribarren&lt;/a&gt;)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3629. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  3630. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3631. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3632. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Si no fuese duro, no estaría vivo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3633. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3634. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Si no pudiera ser dulce, no merecería estarlo.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3635. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3636. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;EN-GB&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Raymond Chandler&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3637. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3638. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3639. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3640. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;EN-GB&quot;&gt;Llega, toca, lárgate. &lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3641. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3642. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-GB&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Freddie Green&lt;/span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3643. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3644. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3645. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3646. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los personajes de Karmelo C. Iribarren (San Sebastián, 1959) llevan veinte años encaramados a la barra de los mismos bares, cediendo a la insana cercanía de sus semejantes en los transportes públicos, al tedio de saberse irreduciblemente solos o acompañados para poco o nada mientras conversan o simulan comunicarse, atrincherados en domésticos reductos, al amparo de vapores etílicos, o densas nubes que ascienden desde el fondo de cuerpos que apenas sabemos amar. Personajes que nada construyen, respiraciones a tientas. De espaldas siempre al hombre erigen con sus tibios gestos una pira, en ella cada día sólo ellos arden, sólo ellos son la incompleta ofrenda. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3647. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3648. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Inventario de hombres apáticos, apenas sombras que patean sus ciudades comprobando que ya ningún enigma les aguarda, ningún misterio crece, el mundo cumple sus ciclos con la misma indiferencia con que uno retoma el camino a casa después de la penúltima.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3649. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3650. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Asomados a un paisaje monocromo componen ellos mismos las líneas nítidas de lo intrascendente; cultivan, propician lo insustancial tal vez disuadidos de la fatiga que entraña erigir oscuros paraísos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3651. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3652. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Compendio de mobiliario urbano y gestos que dejan prendido en el instante el familiar rastro de lo ajeno. Fracturas minimalistas en esta &lt;i&gt;Poesía completa (1985-2005)&lt;/i&gt; que lleva por título: &lt;i&gt;Seguro que esta historia te suena&lt;/i&gt; (Sevilla, Renacimiento, colección calle del aire). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3653. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3654. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  3655. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3656. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3657. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía sin vuelo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3658. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3659. &lt;br /&gt;
  3660. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía carente de épica; estar vivo es simplemente un accidente, ninguna grandeza acompaña a este hecho, ninguna acción traspone ningún límite, ni nos eleva más allá de nuestras insípidas maneras de habitarnos. Paradójicamente cualquier tentación literaria es tenida por una falsificación. Por ello es difícil hablar de la existencia de versos en estas composiciones. Una decidida voluntad antirretórica las recorre. Junto a maneras sobrias y coloquiales se pretende dar cuenta de una realidad seca, tajante y nítida; realidad áspera, exenta de la coartada de algún adjetivo en la que poder transfigurarse o desaparecer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3661. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3662. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Iribarren no aspira a decir el mundo de forma poética, eso entrañaría salvarlo. Tan sólo reproducir con el lector la discreta complicidad que nos procura una conversación en tono menor. Esta poesía sin ambiciones, tampoco se complace en malditismo alguno; la voz de Iribarren transcurre certera y templada, sin estridencias constata un paisaje replegado sobre si mismo, miradas donde ningún horizonte ha prendido. Estas formas del desengaño, este íntimo desencuentro con la vida, se resuelve sin autocomplacencia, con grandes dosis de ironía y autocrítica. El yo de estos poemas está tratado con una sincera falta de consideración, nada en él declina hacia la mitificación. Las anécdotas y recuerdos se solapan, pierde su brillo nuestra historia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3663. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3664. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3665. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3666. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Como a veces&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3667. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3668. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nos viene a la memoria&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3669. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3670. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;algo sin importancia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3671. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3672. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que dejamos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3673. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3674. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para el día siguiente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3675. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3676. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hace ya tiempo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3677. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3678. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3679. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3680. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;he recordado &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3681. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3682. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;viejo amor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3683. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3684. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuánto te quise&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3685. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3686. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3687. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3688. &lt;br /&gt;
  3689. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;El Amor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3690. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3691. &lt;br /&gt;
  3692. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Interesa retratar la banalidad del gesto, la pequeña emoción a él adherida, las transiciones en que cualquiera de nuestros actos o el imaginario que las propician dejan de ser sublimes. Estos fragmentos componen la crónica de los espacios en blanco que somos, aquellos en que aparentemente nada nos sucede. Acaso sea en esos abismados presentes cuando más nos pertenecemos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3693. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3694. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Nada hay en el deambular de estas sombras de exasperado o dramático. El tono cadencioso y sereno, la elegía desapasionada con que se acompañan estos episodios nihilistas recuerda a la indolencia lúcida de Iliá Ilich Oblómov, su apática contabilidad del mundo desde el fondo de un diván, retratada por Goncharov, y a toda esa generación de hombres superfluos, anodinos, igualmente incapaces para negar la vida que para dotarla de aliento, que la literatura rusa acertó a instaurar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3695. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3696. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3697. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3698. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Más allá de la ventana &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3699. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3700. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un trozo de autopista &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3701. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3702. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;solitaria &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3703. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3704. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;bajo la lluvia; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3705. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3706. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dos bloques de pisos &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3707. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3708. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de cemento rojo, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3709. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3710. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sucio, gris; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3711. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3712. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un árbol desnudo, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3713. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3714. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;raquítico, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3715. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3716. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;bajo el viento, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3717. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3718. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;espectral…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3719. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3720. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3721. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3722. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;“De la vida me acuerdo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3723. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3724. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pero donde está.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3725. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3726. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3727. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3728. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tal como señalara Cioran, &lt;i&gt;No hay negador que no esté sediento de un catastrófico si.&lt;/i&gt; También Iribarren afirma. El amor y sus simulacros, &lt;i&gt;ese invento necesario&lt;/i&gt; se extiende como una llamada de auxilio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3729. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3730. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3731. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3732. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Suena el teléfono de pronto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3733. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3734. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y tú desapareces. Más tarde,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3735. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3736. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mientras fumo un cigarro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3737. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3738. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o leo una novela, vuelves.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3739. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3740. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y te vas otra vez porque&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3741. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3742. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ha llegado alguien. Así vivimos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3743. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3744. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;estos últimos meses. Así&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3745. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3746. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sufrimos. Siempre conmigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3747. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3748. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tú, contigo yo, siempre&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3749. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3750. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;escondidos. Unidos sólo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3751. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3752. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;por este raro amor impronunciable.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3753. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3754. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3755. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3756. &lt;br /&gt;
  3757. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La ciudad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3758. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3759. &lt;br /&gt;
  3760. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Se advierten atmósferas de novela negra, realismo sucio, los silencios de Carver, algo de las destempladas tentativas de Roger Wolfe, en ocasiones la crudeza y rabia, las ácidas venganzas de Fonollosa. Todo ello en un tono sobrio y acompasado, sin aristas. &lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3761. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3762. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía despojada, seco inventario de todos los objetos sueltos de que esta hecha una ciudad. Objetos indiferentes, silenciosamente lacerantes, que a penas nos nombran a pesar de estar en ellos nuestra impronta. Detrás de estas fracturas se adivinan los cielos ciegos del pintor Aitor Etxeberria en su serie Babel. El horizonte disecado sobre el que se recorta el vértigo de una ciudad atrapada en sus espirales. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3763. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3764. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Como ya advirtiera Martín Santos, &lt;i&gt;un hombre es la imagen de una ciudad y una ciudad las vísceras puestas al revés de un hombre,... un hombre nunca está perdido porque para eso está la ciudad. Que el hombre puede sufrir o morir pero no perderse en esta ciudad, cada uno de cuyos rincones es un recogeperdidos perfeccionado, donde el hombre no puede perderse aunque lo quiera porque mil, diez mil, cien mil, pares de ojos lo clasifican y disponen, lo reconocen y abrazan, lo identifican y salvan, le permiten encontrarse cuando más perdido se creía en su lugar natural.&lt;/i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3765. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3766. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La ciudad es un reducto del que toda huida ha sido extirpada. Las Autopistas han instaurado un nada consolador retorno, tendidos eléctricos como la nervadura de un animal que camina en sueños, portales para guarecerse de uno mismo, charcos como cielos que en vano esquivamos. Callado tejido. Gestos y objetos son un mismo lastre que nos mantienen aferrados a una tierra donde a penas queda ya nada por decir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3767. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3768. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todos estos objetos cobran vida alguna vez, se fundan entonces mudas complicidades, un extraño abrazo entre seres de una misma especie, a los que hieren idénticas pérdidas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3769. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3770. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3771. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3772. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Acabo de tirarlo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3773. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3774. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3775. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3776. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;35 minutos bajo la tormenta&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3777. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3778. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;-esperando un maldito &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3779. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3780. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;taxi-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3781. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3782. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;han podido con él.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3783. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3784. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3785. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3786. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pero cómo se ha portado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3787. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3788. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3789. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3790. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ésa es la diferencia:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3791. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3792. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;los taxis son como ciertos amigos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3793. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3794. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nunca están cuando más los necesitas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  3795. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  3796. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  3902.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  3903.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  3904.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  3905.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  3906.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  3907.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  3908.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  3909.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  3910.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  3911.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;footnote text&quot;/&gt;
  3912.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  3913.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  3914.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  3915.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  3916.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Body Text Indent&quot;/&gt;
  3917.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  3918.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  3919.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  3920.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  3921.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  3922.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  3923.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  3924.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  3925.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  3926.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  3927.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  3928.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3929.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  3930.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3931.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  3932.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3933.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  3934.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3935.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  3936.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3937.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  3938.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3939.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  3940.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3941.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  3942.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3943.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  3944.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3945.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  3946.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3947.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  3948.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3949.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  3950.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3951.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  3952.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3953.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  3954.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3955.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  3956.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3957.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  3958.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3959.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  3960.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3961.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  3962.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3963.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  3964.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  3965.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  3966.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  3967.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  3968.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  3969.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  3970.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  3971.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  3972.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  3973.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  3974.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  3975.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  3976.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  3977.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  3978.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  3979.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  3980.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  3981.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  3982.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  3983.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  3984.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  3985.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  3986.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  3987.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  3988.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  3989.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  3990.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  3991.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  3992.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  3993.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  3994.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  3995.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  3996.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  3997.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  3998.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  3999.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4000.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  4001.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4002.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  4003.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4004.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  4005.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4006.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  4007.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4008.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  4009.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4010.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  4011.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4012.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  4013.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4014.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  4015.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4016.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  4017.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4018.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  4019.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4020.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  4021.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4022.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  4023.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4024.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  4025.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4026.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  4027.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4028.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  4029.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4030.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  4031.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4032.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  4033.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4034.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  4035.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4036.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  4037.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4038.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  4039.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4040.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  4041.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4042.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  4043.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4044.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  4045.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4046.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  4047.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4048.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  4049.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4050.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  4051.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4052.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  4053.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4054.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  4055.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4056.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  4057.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4058.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  4059.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4060.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  4061.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4062.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  4063.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4064.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  4065.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4066.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  4067.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4068.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  4069.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4070.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  4071.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4072.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  4073.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4074.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  4075.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4076.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  4077.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4078.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  4079.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4080.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  4081.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4082.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  4083.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4084.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  4085.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4086.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  4087.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4088.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  4089.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4090.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  4091.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4092.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  4093.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4094.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  4095.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4096.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  4097.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4098.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  4099.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4100.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  4101.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4102.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  4103.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4104.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  4105.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4106.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  4107.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4108.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  4109.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4110.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
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  4112.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  4113.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4114.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  4115.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4116.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  4117.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4118.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  4119.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4120.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  4121.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4122.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  4123.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4124.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  4125.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4126.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  4127.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4128.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  4129.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4130.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  4131.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
  4132.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
  4133.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
  4134.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
  4135.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
  4136.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  4137.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
  4138.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
  4139.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
  4140.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
  4141.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;37&quot; Name=&quot;Bibliography&quot;/&gt;
  4142.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
  4143. &lt;/w:LatentStyles&gt;
  4144. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
  4145. &lt;style&gt;
  4146. /* Style Definitions */
  4147. table.MsoNormalTable
  4148. {mso-style-name:&quot;Tabla normal&quot;;
  4149. mso-tstyle-rowband-size:0;
  4150. mso-tstyle-colband-size:0;
  4151. mso-style-noshow:yes;
  4152. mso-style-priority:99;
  4153. mso-style-parent:&quot;&quot;;
  4154. mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
  4155. mso-para-margin:0cm;
  4156. mso-para-margin-bottom:.0001pt;
  4157. mso-pagination:widow-orphan;
  4158. font-size:10.0pt;
  4159. font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;}
  4160. &lt;/style&gt;
  4161. &lt;![endif]--&gt;
  4162.  
  4163. &lt;br /&gt;
  4164. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  4165.  
  4166.  
  4167. &lt;br /&gt;
  4168. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4169. &lt;br /&gt;
  4170. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA
  4171. &lt;/u&gt;&lt;/span&gt;
  4172. &lt;/div&gt;
  4173. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-decoration: none;&quot;&gt;
  4174. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4175. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4176. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Bares
  4177. y noches&lt;/i&gt; (1993)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4178. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4179. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  4180. condición urbana&lt;/i&gt; (1995)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4181. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4182. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Serie
  4183. B&lt;/i&gt; (Renacimiento (1998)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4184. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4185. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Desde
  4186. el fondo de la barra&lt;/i&gt; (1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4187. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4188. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  4189. ciudad&lt;/i&gt;. &lt;i&gt;Antología poética&lt;/i&gt; (2002)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4190. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4191. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Seguro
  4192. que esta historia te suena. Poesía completa (1985-2005).&lt;/i&gt; (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4193. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4194. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Ola
  4195. de frío&lt;/i&gt; (Renacimiento, 2007)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4196. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4197. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Versos
  4198. que el viento arrastra&lt;/i&gt; (2010)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4199. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4200. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Otra
  4201. ciudad, otra vida &lt;/i&gt;(2011) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  4202. &lt;/div&gt;
  4203. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4204. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Seguro
  4205. que esta historia te suena. Poesía completa &lt;/i&gt;(1985-2012)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4206. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4207. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Las
  4208. luces interiores&lt;/i&gt; (2013)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4209. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  4210. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4211. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2592988715310963734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2592988715310963734'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/karmelo-c-iribarren-san-sebastian-1959.html' title='Karmelo C. Iribarren (San Sebastián, 1959)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-3501601603438348028</id><published>2010-01-17T08:29:00.000-08:00</published><updated>2015-07-22T12:16:10.517-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 50"/><category scheme="http://www.blogger.com/atom/ns#" term="Eduardo Apodaca"/><title type='text'>Eduardo Apodaca (Bilbao, 1952-2006)</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4212. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4215. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4216. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://1.bp.blogspot.com/_f58A9Cchvk4/S1M-5WZe20I/AAAAAAAAAD8/_r0rc-Uyekc/s1600-h/Muerte+y+memoria+de+un+poeta+%28Eduardo+Apodaca%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427751130897505090&quot; src=&quot;http://1.bp.blogspot.com/_f58A9Cchvk4/S1M-5WZe20I/AAAAAAAAAD8/_r0rc-Uyekc/s320/Muerte+y+memoria+de+un+poeta+(Eduardo+Apodaca).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 162px; margin: 0px auto 10px; text-align: center; width: 320px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  4217. &lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx&quot; rel=&quot;themeData&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml&quot; rel=&quot;colorSchemeMapping&quot;&gt;&lt;/link&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;ES-TRAD&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val=&quot;Cambria Math&quot;&gt;    &lt;m:brkbin val=&quot;before&quot;&gt;    &lt;m:brkbinsub val=&quot;--&quot;&gt;    &lt;m:smallfrac val=&quot;off&quot;&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val=&quot;0&quot;&gt;    &lt;m:rmargin val=&quot;0&quot;&gt; 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  &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footnote reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;page number&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;Body Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;Body Text Indent&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face  {font-family:Times;  panose-1:2 2 6 3 5 4 5 2 3 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-536859921 -1073711039 9 0 511 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no; 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  4218. &lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Tabla normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-fareast-theme-font:minor-fareast;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:&quot;Times New Roman&quot;;  mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: large;&quot;&gt;Poesía Centrípeta &lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4219. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4220. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(El viaje de Eduardo Apodaca)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4221. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4222. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4223. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4224. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4225. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;¡Ah, si bebiera un sorbo del vino que se enfría&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4226. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4227. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mucho tiempo en el seno de la tierra…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4228. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4229. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…y que al beber me aleje del mundo sin ser visto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4230. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4231. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y me pierda contigo por la espesura umbría!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4232. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4233. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Perderme en lo lejano, disiparme, olvidar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4234. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4235. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lo que no as conocido jamás entre las ramas:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4236. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4237. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;John Keats&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4238. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4239. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4240. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4241. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4242. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4243. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  4244. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4245. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4246. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Despertar sólo pude, y era el cuerpo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4247. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4248. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mío, paralizado, sola extensa &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4249. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4250. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;realidad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4251. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4252. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;Eduardo Apodaca&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4253. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4254. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4255. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4256. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4257. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4258. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4259. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4260. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4261. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Después de indagar en las fuerzas de una Naturaleza que nos mantiene aferrados a su centro, y narrar el destierro de aquel que en cierta ocasión acertó a ver, y ahora vaga dormido y ciego por un mundo sin hondura, relegados ambos a la condición de piel, tentativas de sus dos anteriores poemarios –&lt;i&gt;Introducción a la Tierra&lt;/i&gt; y &lt;i&gt;El errático–&lt;/i&gt;, Eduardo Apodaca continúa con éste tercero, &lt;i&gt;Sus ojos&lt;/i&gt; &lt;i&gt;diminutos&lt;/i&gt; (Bermingham, 2004), escarbando y dotando de matices una poética cosmogónica de gran coherencia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4262. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4263. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los dos primeros libros aparecieron con el título &lt;i&gt;Introducción a la Tierra&lt;/i&gt;, en la edición que realizó Félix Maraña en 1991 para la Universidad del País Vasco, dentro de la colección “Poesía Vasca, Hoy”. El conjunto de ambos poemarios fue traducido al euskera (&lt;i&gt;Lurrerako atari gisa&lt;/i&gt;) por otro poeta vasco, Luigi Anselmi. Tras un decenio, Apodaca nos ofrece ahora &lt;i&gt;Sus ojos diminutos&lt;/i&gt;, también de la mano del mismo editor, lo que no es sólo acento casual.&lt;b&gt;&lt;sup&gt;(&lt;/sup&gt;&lt;/b&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=6244994537032806996#_ftn1&quot; name=&quot;_ftnref1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt;&lt;sup&gt;)&lt;/sup&gt;&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4264. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4265. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Gravita sobre cada uno de los versos en &lt;i&gt;Sus ojos diminutos&lt;/i&gt; voces delicadamente tramadas, prestándose oportuna atención en un equilibrio frágil y preciso. No en vano para Apodaca Poesía es sinónimo de Paisaje; lo insondable de las formaciones naturales tiene su eco en la música a la que aspira toda composición poética. En este sentido la realidad del poema responde a una doble condición: es Canto e Instrumento; desentraña y revela al precio de nombrar, de articular un lenguaje que precisa siempre de una distancia para conformar mundo, la precariedad de sus contornos. En el caso que nos ocupa la Naturaleza nunca se constituye en objeto observado; la contemplación escinde al hombre que canta. Ante el rumiar ignorado de la Naturaleza el hombre es relegado al estado de cosas cotidianamente completadas, a esa ilusión de lo concreto que habitamos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4266. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4267. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El discurso poético de esta trilogía es deudor de la escisión romántica: Revelación de la confusión amorosa con el Centro-Unidad, pesar ante la caída en el tiempo, y superación de los padecimientos derivados de la pérdida del abrazo primordial. Es el lúcido enfrentamiento a este último estadio, la urgencia de apaciguar el tiempo, el empeño que ocupa a los poemas de este tercer libro. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4268. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4269. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Este tránsito pasa por asumir como necesaria cierta lejanía, el hallarse uno &lt;i&gt;maduro de nostalgia&lt;/i&gt;, acudiendo &lt;i&gt;al mundo como desde otra vida.&lt;/i&gt; La distancia de ese latido primigenio del mundo, es la condición ineludible de la lucidez del Canto; en definitiva, &lt;i&gt;irse del lugar&lt;/i&gt; para así Saber.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4270. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4271. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En estos poemas se destila una amplia y elaborada concepción del Paisaje. Mundo natural y mundo urbano se congregan en sus versos. La respiración apenas consciente de lo concreto y particular en diálogo ininterrumpido con una Naturaleza insondable, y el poeta como mediador, propiciador del encuentro de ambos en un mismo espacio. Una vez más el cantor, su experiencia presente, que posibilita que ambos paisajes al mirarse se doten de sentido, como si cada uno fuera el azogue del otro. Los ejemplos son múltiples; así &lt;i&gt;1967&lt;/i&gt;, escena de la contemplación del paisaje detenido en los márgenes de un cuadro iluminado por las luces y ruidos de la calle; o ese otro que lleva por título una nueva fecha, &lt;i&gt;Agosto de 1996,&lt;/i&gt; en el que los elementos concretos fecundan el misterio. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4272. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4273. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La palabra genera paisaje: congregación de tiempos, trasmutación de las personas del verbo, confusión de espacios físicos en ese magma del principio de los nombres. Poesía de extraña intimidad. Apodaca habla al oído de un Tú que en ocasiones es un ella, un árbol, un animal casi siempre alado, o una piedra, y con el gesto todo adquiere la entidad de un OTRO del que ya hemos desertado, que acude hasta nosotros desde un Afuera íntimo y frágil.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4274. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4275. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Anima toda la poética de Apodaca la pulsión del origen; una llamada al Centro no exenta de fiebre, que recuerda a esa otra, si bien más exaltada, que recorre las composiciones de Miguel Labordeta, con quien, además, comparte cierto surrealismo consciente, el permanente diálogo de lo abstracto y lo concreto, así como el recurso a una ambigüedad referencial, y una parecida utilización de toda una simbología de lo insondable entorno al “azul”. Aproximaciones de dos poéticas con entidad propia que merecerían un estudio comparativo detallado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4276. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4277. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tentativa de síntesis expedicionaria entorno a un perfil de la emoción antigua de la Naturaleza, con la que el poeta espera reavivar su pulso siguiendo el dictado de la memoria. Presentes en sus dos poemarios anteriores, los recuerdos emergen en éste último con una mayor obstinación, como si al final del viaje la lucidez, más que nunca, precisara de un cómplice. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4278. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4279. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En esta labor de orfebre que es Cantar la memoria, queda restaurado el abrazo primordial: En los ámbitos domésticos, las emisiones detenidas de la tarde &lt;i&gt;que encierra en sí la noche, la mañana&lt;/i&gt;; &lt;i&gt;igual que ellas irradian a su ser&lt;/i&gt;; vuelve a filtrase el Azul; las mañanas se llenan de pájaros; se abre &lt;i&gt;la piel&lt;/i&gt; del errático para &lt;i&gt;respirar por sus poros&lt;/i&gt;. Sin embargo, a la luz de la dolorosa lección de habernos un día extraviado, el Canto es ya otro, igual que los pájaros con los que el poeta se identifica. Éstos han perdido su pureza de ave cantora; se reconcilia el poeta con aquella otra naturaleza de mamífero alado que le es más propia. Ya quedan matizados los pigmentos de las golondrinas, sólo resta &lt;i&gt;la luz sin mundo&lt;/i&gt; desde &lt;i&gt;los ojos diminutos&lt;/i&gt; de los murciélagos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4280. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4281. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Se nos asegura ahora que Apodaca ha tomado el título de este nuevo y vibrante y armónico asunto poético, &lt;i&gt;Sus ojos diminutos&lt;/i&gt;, de una lección aprendida del maestro Alberto Caeiro: la lucidez es una condena a ver. Son poemas escritos entre 1992 y 1998, tiempos marcados y medidos. El primer libro que publicó recogía los poemas escritos de 1968 a 1988. Apodaca es un escritor con la ventaja añadida de la proporción y cadencia en sus entregas, que se corresponde con la armonía de sus composiciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4282. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  4283. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4284. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  4285. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4286. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4287. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4288. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Lento regreso a la tierra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4289. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4290. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo en la obra poética de Eduardo Apodaca es tránsito, todo es materia sólida y sin embargo efímera, ningún cuerpo afirmado niega su inconsistencia, ningún paisaje permanece durante mucho tiempo igual a sí mismo, todo avanza para ver cumplida su gravedad. Todo es rastro, huella que la tierra reabsorbe y no devuelve; todo aspira a su consumación, surge de toda desaparición lo real.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4291. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4292. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La duda de existir, “las memorias y los ruidos”, el dolor, la mente en su vuelo y caída, desvela su condición de pájaro, átomo, historia olvidada de su extraviada eternidad. El errático recuerda entonces que la ciudad se erige sobre los cimientos de un bosque y avanza, se traspone a sí mismo en cada paso, y su paso es planetario. Con cada traslación quiere que el tiempo cese, que el dolor de los simulacros desaparezca.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4293. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4294. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4295. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4296. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4297. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4298. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4299. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ESTE, QUE OCULTO LLEVO EN LA MATERIA,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4300. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4301. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el dolor es éste el verdadero;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4302. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4303. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que fuerte yergue a veces su cabeza,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4304. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4305. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;e inunda de rugido amedrentado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4306. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4307. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la soledad del mar. O muere y vive,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4308. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4309. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;empero, sin llegar a la conciencia,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4310. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4311. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;urdiendo en el silencio sus más tristes &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4312. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4313. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;derrotas; cuando ya en aquella espera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4314. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a cegarme me atrevo en rascacielos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4316. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4317. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de inteligencia, con un cielo oscuro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4318. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4319. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;más que el otro reflejo del asfalto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4320. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4321. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Dolor; tanto ya me hundes en las sombras,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4322. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que el caminar de los deformes sueños&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4324. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4325. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;amenaza llevarme para siempre. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4326. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4327. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4328. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4329. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4330. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4331. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4332. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Belleza, realidad-verdad, dolor. La tríada romántica encuentra un renovado lugar en el hombre Eduardo Apodaca, y adquieren la forma de lo sagrado en los pequeños indicios: ríos, árboles, hojas, pájaros, que nos dan noticia de los centros de la Tierra en la noche de los bosques.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4333. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4334. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Regresos a la tierra que guardan el eco de los pasos de Keats por la misma enramada; pasos de otro errático, leves, etéreos, con una misma callada voluntad de desaparición. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4335. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4336. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Una misma aspiración a la disolución y el misterio habita la huella de ambos poetas; ambos se aventuran por los resquicios de la trama que contiene al mundo, transgreden las mallas, los lentos cedazos del tiempo, todos los velos de Eleusis; serenos y conscientes respiran el mismo éter, sorben los jugos y vapores que exhala la tierra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4337. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4338. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los bosques son salas capitulares, entre las columnas del Telesterion se reúne y recoge el iniciado al abrigo de todos los inciensos que adivinara Keats en las ramas&lt;i&gt;.&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4339. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4340. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al igual que en el poeta romántico, en Eduardo Apodaca se aúnan sensación y pensamiento, vivencia de la realidad y éxtasis. En ambos la experiencia poética se resuelve en la comunión del paisaje con la mente que observa y desteje, y no aspira a otra cosa que a ser definitivamente abatida. “Hay algo en la poesía – asegura Apodaca – que, como en la naturaleza, es anterior al artificio”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4341. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4342. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pronunciar la Naturaleza, adquiere la forma de un conjuro que tanteara en cada rincón de los bosques un rendido acceso al misterio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4343. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4344. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;“Con la frente recostada sobre la hierba” se disuelve la farsa de las sombras, la muda mascarada de los espectros. “¡Que venga una época tan libre de ansiedades/ que yo nunca conozca cómo cambian las lunas/ ni escuche el ajetreo del buen entendimiento!”, exclama&lt;i&gt; &lt;/i&gt;Keats, para conjurar la vana imaginería del oculto Amor, la Ambición en la fiebre de los hombres y la Poesía que en vano emula el placer doloroso de los letargos de la tierra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4345. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4346. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al mismo tiempo, sentado a la misma mesa, Eduardo levanta su copa y bebe el “cálido vino de la nada”, traspone el umbral de los mismos templos, “cómplice y prisionero en la madera de los nudos de los árboles”, abrazado “a los alientos calientes de la tierra”, “arriba al mundo, sin querer abandonado” y “su carne toca sus ramas”; reconoce ahora “La sola extensa realidad” de su cuerpo y desde el vientre de John Keats proclama:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4347. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4348. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4349. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4350. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4351. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4352. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4353. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…Qué grande es la realidad.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4354. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4355. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No quepo en ella. Y todas las tardes el cielo va teniendo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4356. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4357. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un azul más tenue. Mundo, no quiero abandonarte;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4358. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4359. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;por eso los atardeceres me gradúan, tentáculos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4360. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4361. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;negros como el útero o la ambigüedad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4362. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4363. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de la noche.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4364. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4365. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Te contemplo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4366. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4367. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en un camino hacia ti, único paisaje; y sin mí ser tú.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4368. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4369. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pero tú eres más grande que el cambio de tus leyes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4370. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Toco la realidad. Y sus átomos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4372. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4373. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dispersados, queman.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4374. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4375. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No hay sueño. Y no me puedo morir.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4376. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4377. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;1Z-iNvYn0KtQJM:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;height: 169px; margin-left: -5px; margin-right: -5px; margin-top: 0px; width: 127px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  4378. &lt;o:OfficeDocumentSettings&gt;
  4379.  &lt;o:TargetScreenSize&gt;800x600&lt;/o:TargetScreenSize&gt;
  4380. &lt;/o:OfficeDocumentSettings&gt;
  4381. &lt;/xml&gt;&lt;![endif]--&gt;&lt;br /&gt;
  4382. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  4383. &lt;w:WordDocument&gt;
  4384.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  4385.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  4386.  &lt;w:TrackMoves/&gt;
  4387.  &lt;w:TrackFormatting/&gt;
  4388.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  4389.  &lt;w:PunctuationKerning/&gt;
  4390.  &lt;w:ValidateAgainstSchemas/&gt;
  4391.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  4392.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  4393.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  4394.  &lt;w:DoNotPromoteQF/&gt;
  4395.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  4396.  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  4397.  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  4398.  &lt;w:Compatibility&gt;
  4399.   &lt;w:BreakWrappedTables/&gt;
  4400.   &lt;w:SnapToGridInCell/&gt;
  4401.   &lt;w:WrapTextWithPunct/&gt;
  4402.   &lt;w:UseAsianBreakRules/&gt;
  4403.   &lt;w:DontGrowAutofit/&gt;
  4404.   &lt;w:SplitPgBreakAndParaMark/&gt;
  4405.   &lt;w:EnableOpenTypeKerning/&gt;
  4406.   &lt;w:DontFlipMirrorIndents/&gt;
  4407.   &lt;w:OverrideTableStyleHps/&gt;
  4408.  &lt;/w:Compatibility&gt;
  4409.  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  4410.  &lt;m:mathPr&gt;
  4411.   &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
  4412.   &lt;m:brkBin m:val=&quot;before&quot;/&gt;
  4413.   &lt;m:brkBinSub m:val=&quot;--&quot;/&gt;
  4414.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  4415.   &lt;m:dispDef/&gt;
  4416.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  4417.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  4418.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  4419.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  4420.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  4421.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  4422.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  4423. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  4424. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  4425.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  4426.  LatentStyleCount=&quot;267&quot;&gt;
  4427.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  4428.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  4429.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  4430.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  4431.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  4432.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  4433.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  4434.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  4435.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  4436.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  4437.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  4438.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  4439.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  4440.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  4441.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  4442.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  4443.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  4444.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  4445.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  4446.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  4447.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  4448.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;footnote text&quot;/&gt;
  4449.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  4450.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  4451.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  4452.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  4453.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Body Text Indent&quot;/&gt;
  4454.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  4455.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  4456.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  4457.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  4458.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  4459.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  4460.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  4461.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  4462.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  4463.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  4464.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  4465.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4466.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  4467.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4468.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  4469.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4470.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  4471.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4472.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  4473.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4474.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  4475.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4476.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  4477.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4478.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  4479.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4480.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  4481.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4482.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  4483.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4484.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  4485.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4486.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  4487.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4488.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  4489.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4490.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  4491.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4492.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  4493.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4494.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  4495.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4496.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  4497.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4498.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  4499.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4500.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  4501.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4502.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  4503.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4504.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  4505.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  4506.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  4507.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  4508.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  4509.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  4510.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  4511.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  4512.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4513.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  4514.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4515.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
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  4517.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  4518.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4519.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  4520.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4521.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  4522.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4523.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  4524.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4525.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  4526.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4527.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
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  4529.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  4530.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4531.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  4532.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4533.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  4534.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4535.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  4536.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4537.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  4538.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4539.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  4540.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4541.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  4542.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4543.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  4544.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4545.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  4546.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4547.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  4548.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4549.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  4550.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
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  4553.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  4554.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4555.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  4556.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4557.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  4558.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4559.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  4560.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4561.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  4562.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4563.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
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  4568.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
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  4573.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  4574.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
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  4708. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
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  4713. a la tierra. El errático&lt;/i&gt; (1968-1988)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4716. ojos diminutos&lt;/i&gt; (1992-1998)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4725. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4727. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4728. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4729. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4730. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4731. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4732. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4733. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4734. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4735. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4736. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4737. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4738. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4739. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4740. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4741. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4742. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4743. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4744. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4745. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4746. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4747. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4748. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4749. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4750. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
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  4755. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4756. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4757. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4760. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4761. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4762. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4763. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4765. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4766. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4767. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  4769. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4770. &lt;div&gt;
  4771. &lt;!--[if !supportFootnotes]--&gt; &lt;br /&gt;
  4772. &lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;
  4773. &lt;!--[endif]--&gt;  &lt;br /&gt;
  4774. &lt;div id=&quot;ftn1&quot;&gt;
  4775. &lt;div class=&quot;MsoFootnoteText&quot; style=&quot;text-align: justify;&quot;&gt;
  4776. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/blogger.g?blogID=6244994537032806996#_ftnref1&quot; name=&quot;_ftn1&quot; title=&quot;&quot;&gt;&lt;/a&gt;&lt;sup&gt;&lt;span lang=&quot;ES&quot;&gt;(&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;)&lt;/span&gt;&lt;/sup&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;i&gt;Sus ojos diminutos (1992-1998)&lt;/i&gt;, de Eduardo Apodaca; [Bermingham Edit.], Colección “Re-noba”, núm. 3º, San Sebastián, 2004; 60 páginas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4777. &lt;/div&gt;
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  4779. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4780. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4781. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4782. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4783. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4784. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4785. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3501601603438348028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3501601603438348028'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/eduardo-apodaca-bilbao-1952-2006.html' title='Eduardo Apodaca (Bilbao, 1952-2006)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_f58A9Cchvk4/S1M-5WZe20I/AAAAAAAAAD8/_r0rc-Uyekc/s72-c/Muerte+y+memoria+de+un+poeta+(Eduardo+Apodaca).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-7603816594906708999</id><published>2010-01-17T08:14:00.000-08:00</published><updated>2015-07-22T12:17:53.174-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 20"/><category scheme="http://www.blogger.com/atom/ns#" term="Juan San Martín"/><title type='text'>Juan San Martín (Eibar, 1922- Hondarribia, 2005)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1M3lKSohDI/AAAAAAAAAD0/BNLtG3Rp0pQ/s1600-h/La+poes%C3%ADa+habitada+%28Juan+San+Mart%C3%ADn%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427743087468774450&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1M3lKSohDI/AAAAAAAAAD0/BNLtG3Rp0pQ/s320/La+poes%C3%ADa+habitada+(Juan+San+Mart%C3%ADn).pdf+-+Adobe+Reader.bmp&quot; style=&quot;cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 273px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;
  4786. &lt;span style=&quot;font-weight: normal;&quot;&gt; La poesía habitada&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx&quot; rel=&quot;themeData&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml&quot; rel=&quot;colorSchemeMapping&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt; 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priority=&quot;0&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;heading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; qformat=&quot;true&quot; name=&quot;heading 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footnote text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footer&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;35&quot; qformat=&quot;true&quot; name=&quot;caption&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footnote reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;page number&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;Body Text Indent&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;br /&gt;
  4787. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;(Tiempo de hombre en la lírica de Juan San Martín)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4788. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4789. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(Félix Maraña)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4790. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4791. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4792. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4793. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Poéticamente habita el hombre&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4794. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  4795. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Friedrich Hölderlin&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4796. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4797. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4798. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4799. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4800. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4801. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4802. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4803. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4804. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía de Juan San Martín (1922-2005) se cubre toda ella de una respirada emoción, en la que reluce la humanidad del poeta, hecho de un corazón infinito, poblado de razón y entendimiento del mundo. Aunque no es abundante su obra poética, sí representa un empeño constante de su autor, desde sus primeros versos de 1954 hasta el último poema, escrito en 1977. Toda su obra está recogida en el volumen &lt;i&gt;Giro gori&lt;/i&gt; (Tiempo ardiente), edición bilingüe publicada en la colección Poesía Vasca, Hoy (Gaur egungo Euskal poesia), de la Universidad del País Vasco en 1998. La agrupación editorial de su poesía fue una de las mayores satisfacciones del escritor, tras su paso por la función pública como primer Ararteko. Renovado encuentro de San Martín con la poética que fue creando a lo largo del tiempo como una invocación de la libertad y que, paradójicamente, dejó de escribir formalmente en 1977, cuando se aventaban nuevos aires. Pero si dejó de escribir poesía, nunca vivió fuera de su condición de poeta. Habitó la poesía como vivencia adherida a todo su ser.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4805. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4806. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;San Martín escribió toda su obra en euskera, comenzando su andadura con unos poemas de corte e intención popular, pues desde muy joven vio en los ritmos y tonos del bertsolarismo una singularidad poética sugerente. Firmaba entonces su poemas con el seudónimo de Otsalar, y pronto advirtieron algunos, caso de Gabriel Aresti, la entidad de los mismos. Así, en 1960, Aresti, que desconocía que detrás de ese nombre estaba su amigo, celebra en la revista &lt;i&gt;Egan&lt;/i&gt; la aparición de algunos poemas de San Martín publicados en &lt;i&gt;Olerti&lt;/i&gt;, editada en Larrea (Bizkaia), con estas palabras: “Otsalar hace cosas profundas y atrevidas, es enérgico, comprensible, inteligente, poeta de amplios horizontes, la más elevada poesía se remansa en él… Éste, ese Otsalar, en lo fundamental, no puede ser mejor”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4807. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4808. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4809. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4810. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4811. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4812. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4813. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4814. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4815. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía extendida&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4816. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4817. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4818. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4819. &lt;br /&gt;
  4820. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pero si hemos dicho que la poesía de San Martín no es abundante, debemos señalar que su fervor poético rebosaba. Para el entendimiento de esta conducta, hay que ver la forma en que, en tantas publicaciones, ofreció comentarios, poemas traducidos, noticia de libros de poesía, en el propósito de difundir la obra de los demás como si en ello estuviera su profesión poética. Y lo estaba. En revistas como &lt;i&gt;Eibar&lt;/i&gt;, por caso, cuya función y objeto no era precisamente la poesía, San Martín habla de los poetas, escribe sobre Aresti, Blas de Otero, reseña los libros de Gabriel Celaya. Siempre se consideró más lector que creador de poesía y de ahí se desprende su ilusión por traducir al euskera a tantos poetas de la literatura universal. De 1959 a 1984 dio a conocer traducciones al euskera de poetas como Sidney Keyes, Magali Hello, Tomás Meabe, Rilke, Lorca, Dionisio Ridruejo, Jacinto Verdaguer, Pasternak, Karel Toman, Juan Ramón Jiménez, Shakespeare, Bertolt Brecht o Salvador Espriú, entre otros.&lt;/span&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftn1&quot; name=&quot;_ftnref1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4821. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4822. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El repertorio nos da idea del amplio conocimiento de la literatura de nuestro poeta. San Martín se dedicó pronto a extender el conocimiento de la poesía vasca. Así, en 1969 publicó en San Sebastián un libro primoroso: &lt;i&gt;Uhin berri (Antología de la poesía joven, 1964-1969)&lt;/i&gt;. Un año antes, había dado a conocer a su vez el primer diccionario de autores, en &lt;i&gt;Escritores euskéricos&lt;/i&gt; (Bilbao, 1968), que certifica el censo amoroso con que el poeta seguía y reconocía a todos los escritores, una fe de vida que nadie había hecho hasta entonces. A ello hay que añadir las críticas y estudios que realizó en el tiempo, sobre la mayoría de los poetas citados anteriormente. Pero también son agudos y penetrantes sus consideraciones sobre la poesía de Antonio Machado, Rafael Alberti, Bitoriano Gandiaga, Jon Mirande, Vicente Aleixandre, Salbatore Mitxelena, Mikel Zárate, Jokin Zaitegi –a quien atendió amorosamente en el lecho mortuorio–, Celso Emilio Ferreiro, Juan Mari Lekuona, Inazio Goikoetxea –Gaztelu, quien fue el primer traductor al castellano de una parte de la poesía de San Martín, aparecida en la Enciclopedia Auñamendi–, el ya citado Lizardi, y tantos. Aresti, sabedor del alto criterio poético de San Martín, le pidió el prólogo para su libro más señalado, &lt;i&gt;Harri eta Herri&lt;/i&gt; (1964).&lt;/span&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftn2&quot; name=&quot;_ftnref2&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; Como Aresti, Oteiza se apercibió pronto del valor de aquella poesía de San Martín, y propuso la publicación de una antología de nueva poesía, con Aresti, San Martín, Mikel Lasa y Joxe Azurmendi.&lt;/span&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftn3&quot; name=&quot;_ftnref3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4823. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4824. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Quede también, como mérito y entendimiento de lo poético en San Martín, entre otros muchos, el hecho de haber sido el promotor y único defensor de la obra de Luis Álvarez Piñer, a quien le concedieron el Premio Nacional de Poesía, a propuesta personal del escritor vasco, con tal fervor que logró que fuera aceptada por el resto del tribunal su candidatura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4825. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4826. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4827. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4828. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4829. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4830. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4831. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4832. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4833. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Introducción al mundo&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4834. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4835. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4836. &lt;br /&gt;
  4837. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;¿De dónde la venía a Otsalar aquel afecto por la poesía y los poetas, su criterio formado sobre la consideración de sus poéticas? Otsalar escribe, mediados los años cincuenta del siglo XX, poemas de corte existencialista, un adelantado a su tiempo. Ya hemos dicho que San Martín siempre se consideró un hombre lleno de curiosidad, por tanto, un lector que recorrió pronto la poesía del tiempo. El poeta aparece como el niño que no comprende el dolor del mundo, el desamor de la tierra. Su inquietud se dirige al pensamiento, a la conquista de alguna respuesta para las grandes cuestiones de la existencia. No en balde comenzó su andadura por Sorën Kierkegard y Unamuno. Aunque, si sus primeros poemas expresan la ansiedad por la conocimiento del universo y sus leyes, pronto hará un conjunto de poemas amorosos,&lt;/span&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftn4&quot; name=&quot;_ftnref4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; en los que traslucen notas simbólicas, y el derrame de su sensibilidad primordial. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4838. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4839. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Posiblemente ningún poema nos diga tanto de la cosmogonía del poeta, su visión del mundo, que el titulado “Siete sellos tengo” (1954),&lt;/span&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftn5&quot; name=&quot;_ftnref5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; como vemos en algunos de sus versos:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4840. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4841. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Voy de mi pueblo al mundo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4842. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4843. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sin renegar de nada ni nadie,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4844. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4845. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;miro a la humanidad, atento y con cuidado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4846. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4847. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Aquí no sobra ninguno;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4848. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4849. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;quien nace se merece la vida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4850. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4851. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;… &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4852. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4853. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mi corazón está con el hombre,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4854. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4855. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;me inquieto fraternalmente &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4856. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4857. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al escuchar la llamada:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4858. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4859. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;“da y extiende tu fruto por el mundo”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4860. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4861. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Es el necesario punto de partida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4862. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4863. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Como hombre que soy, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4864. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4865. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dudas y desvelos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4866. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4867. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;me llevan con inquietud&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4868. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4869. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a la esencia de la Naturaleza:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4870. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4871. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tengo un ser trasplantado en el fondo de mi corazón.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4872. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4873. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4874. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4875. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4876. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4877. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4878. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todas las dudas existenciales se aprecian en poemas como “Dolor de la nada” (1959), “Unamuno” (1959), “A Unamuno” (1964), “Buscando la luz” (1961). En este vemos:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4879. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4880. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recién salido de la Edad de Piedra,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4881. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4882. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lleva el alma cargada de dudas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4883. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4884. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Buscando la luz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4885. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4886. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;caminan cuatro Quijotes,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4887. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4888. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;antes de llegar a la frontera de la verdad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4889. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4890. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;los atrapa la negra noche.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4891. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4892. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Negación:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4893. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4894. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lleva la muerte a cuestas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4895. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4896. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Angustia:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4897. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4898. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el futuro viene con las manos vacías.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4899. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4900. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No hay fe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4901. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4902. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que no se haya vuelto mito.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4903. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4904. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hay que seguir y seguir,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4905. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4906. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cruzar el camino de la luz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4907. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4908. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4909. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4910. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4911. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4912. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4913. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En el mismo entendimiento existencialista, se expresa en un soneto –son varios los poemas en que San Martín utiliza esta forma clásica de composición–, por título “Vacío” (1961):&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4914. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4915. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nada, que separas todas las cosas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4916. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4917. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que llevas a tu lado el aire frío;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4918. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4919. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sabes que la nube gris es muda,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4920. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4921. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que nos has apartado de los otros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4922. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tiempo y ocasión tienes sin medida,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4924. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4925. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;has perdido los latidos del corazón;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4926. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4927. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tan profundo y negativo, sin cicatriz,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4928. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4929. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la nada se esconde en tu interior.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4930. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4931. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Vuelan ligeros los sueños,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4932. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;huye la vida, sin asentarse:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4934. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4935. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;rumor sordo, corazón triste.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4936. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4937. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Deshaces todo, el tiempo y la ocasión, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4938. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en un camino sin fin, sin apenarte siquiera,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4940. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sintiendo miedo del cantar más profundo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4942. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4943. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4944. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4945. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4946. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4947. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4948. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Son también muchas las referencias de la poesía de San Martín a cuestiones históricas y sociales del País Vasco. Al entendimiento o la discordia dedica sus poemas “Fuego en torno a la vida humana” (1961) y “Ser vasco” (1961). De ambos poemas extraemos estas dos estrofas:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4949. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-top: 12pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4950. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Están muy separados los corazones de los vascos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4951. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4952. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;árbol santo que te hemos mantenido en fuego:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4953. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4954. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;seas tú nuestro nexo y símbolo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4955. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4956. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para respetar las viejas leyes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4957. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4958. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4959. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4960. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Peleamos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4961. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4962. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en vanas reyertas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4963. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4964. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;como en los tiempos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4965. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4966. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de Oñaz y Gamboa;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4967. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4968. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en lugar de ser hermanos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4969. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4970. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de sentimiento,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4971. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4972. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en lugar de luchar todos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4973. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4974. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;por un mismo objetivo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4975. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4976. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y acordarnos a tiempo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4977. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4978. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de nuestra amada tierra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4979. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4980. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  4981. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4982. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4983. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4984. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  4985. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;No es en todo caso determinante esta poesía de tono existencial, porque en San Martín hay también mucha poesía de esperanza, de aspiración a la libertad, de acentos nos menos profundos. Tal es el caso de poemas como “Luz de libertad” (1963), “En el último camino” (1965), “Hay razones para amar” (1965), “Ven” (1967), “Mirando al ancho mundo” (1968), y son varios los poemas en los que expresa su preocupación, afecto y entendimiento de la lengua vasca, su recuperación, su extensión. Pero si hemos dicho que San Martín hace uso de formas clásicas como el soneto, fue también cultivador de la poesía visual y el letrismo, de fervor vanguardista, como advertimos en el poema “Propuesta de unidad” (1968), cuyas tres partes, referidas a la unificación del euskera, convoca diversos elementos de humor, como en el que construye, con la letra &lt;i&gt;H&lt;/i&gt; la fachada completa de la basílica de Arantzazu, subrayando los catorce apóstoles de Oteiza (ver “Batasuna hautagai”). A estas referencias hemos de añadir su entendimiento de la naturaleza. No se trata de un vago sentimiento ecologista o de seguir una moda, pues en San Martín su conocimiento de la naturaleza es entraña, recorrió físicamente sus interiores, escaló sus montes, bajó a las simas, espeleólogo del mundo y la vida. Todo esto y mucho más hallaremos en su poesía, junto a la grandeza de su corazón, su piel adherida al mundo. Y es que a su poesía, como él refiere en “Milagro” (1965), como al propio Juan San Martín, le hablan los ojos. Aquellos ojos vivos y afilados, cubiertos de ternura, lucidez y ángel. Territorio de la palabra y habitación del hombre y el tiempo.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4986. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4987. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcSziw3m2fvqCdzeClguclzZlRb94UYCeb5_AsOVf8iOF25wm_ia&quot; data-sz=&quot;f&quot; name=&quot;6W5GmeREeQ8zvM:&quot; src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcSziw3m2fvqCdzeClguclzZlRb94UYCeb5_AsOVf8iOF25wm_ia&quot; style=&quot;height: 194px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 133px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4988. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4989. &lt;style type=&quot;text/css&quot;&gt; &lt;/style&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  4990. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0cm; direction: ltr; color: rgb(0, 0, 0); text-align: justify; widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }A:link { color: rgb(0, 0, 255); text-decoration: none; }&lt;/style&gt;
  4991.  
  4992.  
  4993. &lt;br /&gt;
  4994. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm;&quot;&gt;
  4995. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  4996. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  4997. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;text-indent: 0.5cm;&quot;&gt;
  4998. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: white;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Giro
  4999. gori. Tiempo ardiente&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: white;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: white;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;
  5000. &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: white;&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(1954-1977)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5001. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm;&quot;&gt;
  5002. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5003. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  5004. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  5005. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5006. &lt;div class=&quot;MsoNormal&quot;&gt;
  5007. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5008. &lt;div class=&quot;MsoNormal&quot;&gt;
  5009. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5010. &lt;div&gt;
  5011. &lt;!--[if !supportFootnotes]--&gt; &lt;br /&gt;
  5012. &lt;hr align=&quot;left&quot; size=&quot;1&quot; width=&quot;33%&quot; /&gt;
  5013. &lt;!--[endif]--&gt;  &lt;br /&gt;
  5014. &lt;div id=&quot;ftn1&quot;&gt;
  5015. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  5016. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftnref1&quot; name=&quot;_ftn1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; En &lt;i&gt;Giro gori&lt;/i&gt; se recoge una relación detallada, con publicaciones y fechas de los poetas traducidos al euskera por San Martín.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5017. &lt;/div&gt;
  5018. &lt;div id=&quot;ftn2&quot;&gt;
  5019. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  5020. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftnref2&quot; name=&quot;_ftn2&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; En el apéndice documental de &lt;i&gt;Giro gori&lt;/i&gt; se recogen algunos de los textos más significativos para comprender el criterio poético y las poéticas en las que bebió San Martín.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5021. &lt;/div&gt;
  5022. &lt;div id=&quot;ftn3&quot;&gt;
  5023. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  5024. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftnref3&quot; name=&quot;_ftn3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; Aunque no se llegó a publicar la antología, Oteiza escribió el prólogo, realizó la ilustración de portada, y Blas de Otero escribió el epílogo. El prólogo de Oteiza está en su libro &lt;i&gt;Ejercicios espirituales en un túnel&lt;/i&gt; (1984). El epílogo lo dimos a conocer en la prensa años atrás. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5025. &lt;/div&gt;
  5026. &lt;div id=&quot;ftn4&quot;&gt;
  5027. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  5028. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftnref4&quot; name=&quot;_ftn4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; Curiosamente, los poemas de amor fueron celebrados por el clérigo Francisco Echeverría, en la revista &lt;i&gt;Euzko Gogoa&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5029. &lt;/div&gt;
  5030. &lt;div id=&quot;ftn5&quot;&gt;
  5031. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  5032. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=7603816594906708999#_ftnref5&quot; name=&quot;_ftn5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; La traducción al castellano, como todos los poemas que citamos posteriormente, es de Felipe Juaristi. El original en euskera, en &lt;i&gt;Giro gori&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5033. &lt;/div&gt;
  5034. &lt;/div&gt;
  5035. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/7603816594906708999'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/7603816594906708999'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/juan-san-martin-eibar-1922-hondarribia.html' title='Juan San Martín (Eibar, 1922- Hondarribia, 2005)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1M3lKSohDI/AAAAAAAAAD0/BNLtG3Rp0pQ/s72-c/La+poes%C3%ADa+habitada+(Juan+San+Mart%C3%ADn).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-4918429101860145968</id><published>2010-01-17T07:16:00.000-08:00</published><updated>2015-07-22T12:22:32.908-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amaia Lasa"/><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 40"/><title type='text'>Amaia Lasa (Getaria, 1948)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
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unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt; 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name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; 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priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt; 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name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; 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priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt; 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name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt; 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 mso-endnote-separator:url(&quot;file:///C:/Users/PORTATIL/AppData/Local/Temp/msohtmlclip1/01/clip_header.htm&quot;) es;  mso-endnote-continuation-separator:url(&quot;file:///C:/Users/PORTATIL/AppData/Local/Temp/msohtmlclip1/01/clip_header.htm&quot;) ecs;} @page Section1  {size:595.3pt 841.9pt;  margin:70.85pt 3.0cm 70.85pt 3.0cm;  mso-header-margin:35.4pt;  mso-footer-margin:35.4pt;  mso-paper-source:0;} div.Section1  {page:Section1;} &lt;/style&gt;&lt;br /&gt;
  5037. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  5038. &lt;br /&gt;
  5039. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía entrañada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5040. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;(&lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt;Visión y sugerencia en la lírica de Amaia Lasa)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5041. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt; &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5042. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;span style=&quot;font-size: x-small;&quot;&gt;(Félix Maraña&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;, José Luis Padrón)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5043. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  5044. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5045. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  5046. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5047. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  5048. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5049. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5050. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5051. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En un estudio sobre poéticas Carlos Bousoño (1964) consideraba la sugerencia como “el fenómeno central, fundamental de la poesía contemporánea”. Apenas dos años antes desaparecía el filósofo y poeta Bachelard (1884-1962), autor de textos sobre teoría y exploración poéticas, determinantes para considerar los nervios centrales de la poesía contemporánea. En &lt;i&gt;La poética de la ensoñación&lt;/i&gt; (1960) Bachelard plantea la ensoñación, no como recurso, como método o fin, sino como discurso en el que &lt;i&gt;espacio íntimo&lt;/i&gt; y &lt;i&gt;espacio exterior&lt;/i&gt;, permitan al poeta y al poema expandirse, retratar su ser, decirse. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5052. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5053. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tras la intervención de la psicología y el psicoanálisis en la consideración de lo poético, la poesía contemporánea ha requerido un nuevo ámbito para decirse. En buena medida, ha pasado de ser exclamación, adjetivo, aspiración, a ser respiración, contemplación, visión. Y es que la poesía contemporánea aspira a liberarse de esa fragua de romanticismo que sofocaba, más que fundía, las posibilidades de la expresión, del conocimiento y la construcción, no ya de un lenguaje, sino de una figuración poética, exenta de adornos y distracciones. Claro está que en ese camino han dado quiebros (y resultados, que no se deben esconder) otros ismos de no menos fuerza, como el realismo, subrayando la importancia del todo por encima del ser concreto. Así, desde una poesía intervenida e interventora, dispuesta a corregir la vida o cambiar la historia, se ha derivado a una poesía que discute y discurre por el interior de cada ser, uno de los cuales, el primero en este proceso, es el mismo poeta, que advierte la experiencia interior y la desnuda, se revela y se desvela frente a toda realidad. Se impone así una poética cuya experiencia no es ya la experiencia exterior y extraña: es la vida misma coagulada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5054. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5055. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5056. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5057. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5058. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5059. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5060. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Mujer que avanza en vacío&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5061. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5062. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía de Amaia Lasa (Getaria, 1948)&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=4918429101860145968#_ftn1&quot; name=&quot;_ftnref1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;b&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/b&gt;&lt;/span&gt;&lt;/a&gt; no es ajena a ese proceso, ni podría serlo en una mujer que ya en su juventud se rebela contra toda doctrina, afirmando su aspiración o anhelo, desde su primer libro, &lt;i&gt;El rostro del futuro&lt;/i&gt; (1967-1969), donde expresa su esperanza, el deseo de abrirse a otro espacio; la aspiración que le descubra la faz del futuro en el territorio del presente, con versos que dicen:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5063. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5064. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5065. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5066. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5067. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5068. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5069. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Soy mujer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5070. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5071. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que reniega de cualquier dios.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5072. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5073. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ayer,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5074. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5075. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;negué al divino,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5076. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5077. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;más tarde,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5078. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5079. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al satánico,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5080. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5081. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hoy,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5082. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5083. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;reniego del dios terrenal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5084. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5085. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Me revelo contra todas las doctrinas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5086. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5087. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ayer,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5088. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5089. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;era una pecadora del cielo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5090. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5091. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;más tarde,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5092. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5093. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;del infierno,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5094. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5095. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hoy&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5096. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5097. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;soy una pecadora terrenal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5098. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5099. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mujer que avanza en el vacío.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5100. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5101. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5102. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5103. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5104. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5105. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5106. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cierto es que ese espacio de futuro, rostro sin figura, habrá de buscarse en otros lugares y fantasías. Lo vemos en su segundo poemario, &lt;i&gt;Raíz entera&lt;/i&gt; (1970-1975), donde la escritora se reconoce “rama de árbol seco”, y se rebela contra el amor que desaparece o pierde, contra la negación de lo vivo, la quiebra del paraíso. Deja de cantar al árbol, para sentirse árbol, para decirse Naturaleza, para certificar la realidad de un paraíso, la tierra, que un día fue lugar de ensueño. No es ajena a una preocupación razonada y temporal por el deterioro del medio ambiente, mientras anota otras pérdidas, como el afecto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5107. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5108. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5109. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5110. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5111. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5112. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5113. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hubo un tiempo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5114. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5115. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el cual nuestros sueños&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5116. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5117. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;eran el paraíso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5118. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5119. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;……&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5120. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5121. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El viento ha envenenado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5122. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5123. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;doscientas gaviotas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5124. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5125. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la fuerza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5126. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5127. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ha partido en dos sus alas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5128. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5129. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;……&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5130. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5131. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Los montes,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5132. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5133. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;persisten aún verdes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5134. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5135. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Las gaviotas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5136. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5137. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;los corcones,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5138. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5139. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;velan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5140. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5141. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;con sus redondos ojos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5142. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5143. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;agonizantes;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5144. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5145. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;desean,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5146. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5147. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ruegan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5148. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5149. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que de ninguna manera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5150. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5151. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;alcance el invierno&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5152. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5153. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;su verdor. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5154. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5155. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5156. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5157. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5158. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5159. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5160. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El recurso del paraíso soñado volverá después al poema “Cierto día”, de &lt;i&gt;Días superpuestos&lt;/i&gt; (1990-1997), en el que la escritora afirma que aquel paraíso de los sueños de antaño, para la mujer, se entrevé en un proceso en el que percibe y asume otras referencias culturales. En línea con la afirmación de Hölderlin (“El hombre es un Dios cuando sueña y un mendigo cuando reflexiona”), cita que recoge Lasa al principio del poema anterior, la escritora se dirige a la hierba que crece, audaz, en el territorio de la piedra, parábola de la vida misma, en otro poema de &lt;i&gt;Raíz entera&lt;/i&gt;, de este modo:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5161. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5162. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5163. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5164. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5165. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5166. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5167. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Vives&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5168. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5169. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mientras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5170. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5171. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sueñas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5172. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5173. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5174. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5175. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5176. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5177. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5178. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En el poema “Palabras confusas” (con este título se publicó originalmente su libro &lt;i&gt;Raíz entera&lt;/i&gt;, en 1977) Lasa vuelve a considerar la ensoñación:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5179. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5180. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5181. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5182. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  5183. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5184. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5185. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nadie ha tocado el fondo del mar,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5186. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5187. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nadie ha sofocado la imaginación del poeta;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5188. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5189. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y no hay poemas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5190. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5191. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;no somos fantasía.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5192. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5193. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Han mutilado al poeta de ensueño,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5194. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5195. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;han tiznado la visión del poeta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5196. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5197. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  5198. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5199. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5200. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5201. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5202. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En &lt;i&gt;Horas heridas&lt;/i&gt; (1976-1978), el ser que un día se figuró y creyó paloma, cuando era gaviota, ve cómo el amor construido se disipa, cómo sus alas heridas, limitadas, no hacen vuelo. La sensualidad, la erótica, se muestra aquí con la misma fuerza, aunque con nuevos tonos, como lo hiciera ya en otro poema de &lt;i&gt;El rostro del futuro&lt;/i&gt;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5203. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5204. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5205. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5206. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5207. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5208. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5209. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Como he perdido al hombre&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5210. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5211. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;me sumerjo en la naturaleza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5212. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5213. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para que mi corazón resurja.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5214. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5215. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Como he perdido la piedra de la naturaleza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5216. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5217. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;llenaré mis suspiros del viento de la tierra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5218. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5219. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para no ahogarme.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5220. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5221. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  5222. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5223. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5224. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5225. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5226. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Es el mismo ser que explora el sentido de otras culturas (Harlem), otros paisajes, y muestra en su poema “El sueño equivocado del hombre”, como sujeto del territorio donde se edificarán los nuevos sueños:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5227. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5228. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5229. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5230. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5231. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5232. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5233. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nosotras somos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5234. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5235. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;las vencedoras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5236. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5237. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de los sueños equivocados&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5238. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5239. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y crueles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5240. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5241. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Caminamos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5242. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5243. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;por las rutas del sol&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5244. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin-bottom: 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5245. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sedientas de luz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5246. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5247. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dueñas de la vida&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5248. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5249. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;amantes de la libertad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5250. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5251. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;inventoras de nuevas tierras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5252. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5253. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;edificando nuevos sueños.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5254. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5255. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5256. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5257. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5258. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5259. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5260. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Extinción de los colores&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5261. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5262. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5263. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Toda la poesía de A. Lasa expresa la noción y el sentimiento del ser que se dice en libertad. Advierte cómo en un trecho de la vida vio palomas donde sólo había gaviotas y caminó confundida, consciente de la confusión. Lo decía J. Supervielle en &lt;i&gt;Gravitations&lt;/i&gt;: “El exceso de espacio nos asfixia mucho más que su escasez”. Por eso tal vez, un día Lasa levó anclas, pero se llevó consigo el espacio primero, el pueblo donde le nacieron, que dice de mar, de gaviotas, de roca, la piedra que representa la solidez, porque todo aquel espacio que conforma su existencia, es un corsé de la libertad. El lenguaje es la casa del ser y no se conoce aún territorio más extenso. No hay universo mayor que el universo. Richter (&lt;i&gt;Teorías poéticas&lt;/i&gt; (1812) celebra esta aspiración universal: “El universo es la palabra más atrevida y más elevada del idioma; es el más sublime de los pensamientos, porque la mayor parte de los hombres no ven en el universo sino el teatro de su vida mezquina, y en la historia de la eternidad la de la pequeña población donde nacieron”. Richter celebra al mismo tiempo cómo los griegos tradujeron la vida y la historia en los colores y, desde los colores, explicaron el sentido del universo. Lasa invoca la parábola del color en diversos pasajes, con el acierto de este poema de &lt;i&gt;Raíz entera&lt;/i&gt;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5264. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5265. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5266. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5267. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5268. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5269. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5270. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5271. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5272. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que han extinguido los colores.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5273. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5274. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Amarillo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5275. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5276. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;blanco,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5277. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5278. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;azul,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5279. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5280. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;rojo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5281. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5282. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;morado,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5283. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5284. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5285. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5286. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cómo los han anulado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5287. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5288. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Quienes somos mar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5289. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5290. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y vivimos en él,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5291. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5292. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;percibimos esa angustia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5293. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5294. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mientras tanto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5295. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5296. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;danzamos con la historia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5297. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5298. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5299. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5300. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;bailamos su compás.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5301. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5302. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sé&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5303. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5304. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que han extinguido los colores.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5305. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5306. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;... &lt;br /&gt;
  5307. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5308. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5309. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5310. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5311. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Bailamos al compás de la historia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5312. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5313. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;obligados &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5314. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a bailar la misma historia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5316. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5317. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mañana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5318. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5319. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nuestros colores&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5320. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5321. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;serán pálidos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5322. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  5324. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5325. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5326. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5327. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5328. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Olor de tierra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5329. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5330. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Hay en buena parte de la poesía de A. L. una inmersión en la literatura de género, como hemos apreciado anteriormente. Lasa es, junto con Lurdes Iriondo y Arantxa Urretabizkaia, una de las jóvenes emergentes en la cultura vasca de los años sesenta del siglo XX. La poesía escrita por mujeres recoge en cierto modo el hálito psicologista, íntimo, interior, pero resuelve y supera en su expresión objetiva, en el poema, buena parte de las ataduras adheridas a las poéticas femeninas precedentes. Una sensualidad que recuerda la de Ángela Figuera Aymerich, la escritora vasca que se expresa en toda su obra como mujer de barro, sensualidad, sentimiento y pensamiento, que construye su libertad como ser, al tiempo que invoca su condición de madre, y siente al hijo como raíz de raíz. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5331. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5332. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La escritora se hace también solidaria de esa misma mujer en otros escenarios, en geografías lejanas aunque próximas. Expresa y afirma su condición de mujer que aspira a “soñar consciente”. Traza un lenguaje ventral y establece la base rítmica y la fecunda raíz de su obra. Vive su poesía en el corazón engendrado. Con el deseo y la memoria como referencia, interpreta el amor, como abrazo sin réplica, náufraga espera. En Lasa el amor es la agonía del amor. Recoge desnuda su voz y comienza a alzarse hasta su horizonte. Renace de su propio vientre como si volara. Sale de la tierra como si proviniera del cielo. Surge del mar cual si anunciara raíces. Se advierte una clara tendencia a la ensoñación como esperanza, no como ejercicio de nostalgia. Navega por los límites de la sugerencia, como poesía que refiere, que propone, que insinúa y denota, más que como afirmación solemne. La vida es la búsqueda del color final. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5333. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5334. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5335. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5336. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5337. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5338. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5339. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Geografía de la mirada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5340. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5341. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Estamos ante una poesía de imágenes directas, rotundas, sinceras. Unas veces será reclamación, y otras, oposición a tanta calumnia doméstica o global. Es poesía descriptiva, sin formalismos, escritura que siente y piensa como escribe. Pasa a la vida para restaurarla, ataviarla, acompañar su declive o nacimiento. Revela el secreto de su vida interior, las formas de su sueño. Cuando habla de cielo, habla de horizonte lleno de memoria que fenece. Cuando dialoga con las gaviotas, lo hace con el saludo y la despedida de su biografía, ave que arde como faro sobre tierra y mar. Es agua marina y raíz terrena que avanza contra el imposible. En el poema “Una fantasía”, de &lt;i&gt;Tierra transplantada&lt;/i&gt;, la escritora descubre la querencia del ser que vive cuando observa, que siente cuando mira, que cuando mira, ve.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5342. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5343. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  5344. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5345. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5346. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Cuando tomes el autobús&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5347. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5348. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;siéntate&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5349. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5350. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;siempre&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5351. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5352. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;junto a las ventanillas que dan al mar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5353. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5354. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para que lo cotidiano de tus días&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5355. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5356. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;se ahogue&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5357. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5358. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;entre las olas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5359. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5360. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5361. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5362. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  5363. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5364. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5365. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Su poesía atiende el canto del pájaro huésped de la mirada, ave interior que despliega las velas de la luz. Tierra escrita y presentido mar, nido donde advierte su propia historia. Su raíz es ancha como el horizonte: su patria es la geografía de la mirada. Piedra y viento, tierra y aire, mar y lejana estrella, cada verso de Amaia Lasa lleva un nido, y cada nido un cielo, y cada cielo un vientre de tierra.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5366. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  5367. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5368. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  5369. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;Detalles del producto&quot; class=&quot;productImage&quot; src=&quot;http://ecx.images-amazon.com/images/I/41wYaGC5umL._AA160_.jpg&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5370. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm;&quot;&gt;
  5371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5372. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm;&quot;&gt;
  5373. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5374. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-decoration: none;&quot;&gt;
  5375. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5376. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5377. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Geroaren
  5378. aurpegia / El rostro del futuro&lt;/i&gt; (1967-1969)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5379. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5380. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Sustraia
  5381. / Raíz entera&lt;/i&gt; (1970- 1975)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5382. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5383. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Ordu
  5384. minduak / Horas heridas&lt;/i&gt; (1976-1978)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5385. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5386. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Egunak
  5387. jarraiean / Días superpuestos&lt;/i&gt; (1990-1997)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5388. &lt;div style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5389. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Geroaren
  5390. aurpegia / El rostro del futuro: antología poética&lt;/i&gt;
  5391. (1967-1997)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5392. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5393. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  5394. &lt;o:OfficeDocumentSettings&gt;
  5395.  &lt;o:TargetScreenSize&gt;800x600&lt;/o:TargetScreenSize&gt;
  5396. &lt;/o:OfficeDocumentSettings&gt;
  5397. &lt;/xml&gt;&lt;![endif]--&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  5398. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  5399. &lt;w:WordDocument&gt;
  5400.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  5401.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  5402.  &lt;w:TrackMoves/&gt;
  5403.  &lt;w:TrackFormatting/&gt;
  5404.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  5405.  &lt;w:PunctuationKerning/&gt;
  5406.  &lt;w:ValidateAgainstSchemas/&gt;
  5407.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  5408.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  5409.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  5410.  &lt;w:DoNotPromoteQF/&gt;
  5411.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  5412.  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  5413.  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  5414.  &lt;w:Compatibility&gt;
  5415.   &lt;w:BreakWrappedTables/&gt;
  5416.   &lt;w:SnapToGridInCell/&gt;
  5417.   &lt;w:WrapTextWithPunct/&gt;
  5418.   &lt;w:UseAsianBreakRules/&gt;
  5419.   &lt;w:DontGrowAutofit/&gt;
  5420.   &lt;w:SplitPgBreakAndParaMark/&gt;
  5421.   &lt;w:EnableOpenTypeKerning/&gt;
  5422.   &lt;w:DontFlipMirrorIndents/&gt;
  5423.   &lt;w:OverrideTableStyleHps/&gt;
  5424.  &lt;/w:Compatibility&gt;
  5425.  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  5426.  &lt;m:mathPr&gt;
  5427.   &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
  5428.   &lt;m:brkBin m:val=&quot;before&quot;/&gt;
  5429.   &lt;m:brkBinSub m:val=&quot;--&quot;/&gt;
  5430.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  5431.   &lt;m:dispDef/&gt;
  5432.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  5433.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  5434.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  5435.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  5436.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  5437.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  5438.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  5439. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  5440. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  5441.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  5442.  LatentStyleCount=&quot;267&quot;&gt;
  5443.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  5444.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  5445.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  5446.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  5447.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  5448.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  5449.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  5450.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  5451.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  5452.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  5453.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  5454.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  5455.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  5456.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  5457.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  5458.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  5459.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  5460.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  5461.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  5462.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  5463.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  5464.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;footnote text&quot;/&gt;
  5465.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  5466.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  5467.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  5468.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  5469.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Body Text Indent&quot;/&gt;
  5470.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  5471.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  5472.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  5473.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  5474.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  5475.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  5476.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  5477.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  5478.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  5479.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  5480.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  5481.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  5482.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  5483.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  5484.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  5485.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  5486.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  5487.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  5488.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  5489.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  5490.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  5491.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
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  5495.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
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  5500.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  5501.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
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  5503.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  5504.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  5505.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  5506.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  5507.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
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  5510.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  5511.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  5512.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
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  5514.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
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  5519.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
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  5723. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=4918429101860145968#_ftnref1&quot; name=&quot;_ftn1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;span style=&quot;font-size: x-small;&quot;&gt;Toda la poesía de A. L., escrita originalmente en euskera, se recoge en el volumen &lt;i&gt;Geroaren aurpegia&lt;/i&gt; (El rostro del futuro, 1967-1977), publicado en la colección Gaur egungo euskal poesia, de &lt;st1:personname productid=&quot;la Universidad&quot; st=&quot;on&quot;&gt;la Universidad&lt;/st1:personname&gt; del País Vasco, en 2000. J. L. Padrón y Amaia Agirre tradujeron los poemas al castellano.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5724. &lt;/div&gt;
  5725. &lt;/div&gt;
  5726. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4918429101860145968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4918429101860145968'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/amaia-lasa-getaria-1948.html' title='Amaia Lasa (Getaria, 1948)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_f58A9Cchvk4/S1MqLD0nVII/AAAAAAAAADs/S-4f1axXJdQ/s72-c/La+poes%C3%ADa+entra%C3%B1ada+(Amaia+Lasa).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-4670151648786776949</id><published>2010-01-17T06:59:00.000-08:00</published><updated>2015-07-22T12:25:54.027-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década del 10"/><category scheme="http://www.blogger.com/atom/ns#" term="Javier de Bengoechea"/><title type='text'>Javier de Bengoechea (Bilbao, 1919)</title><content type='html'>&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;
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onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427724728486572178&quot; src=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1Mm4hwLsJI/AAAAAAAAADk/TzsAzaqCsZg/s320/Poes%C3%ADa+inoxidable+(Javier+de+Bengoechea).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 230px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  5728. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  5729.  
  5730.  
  5731. &lt;/span&gt;&lt;style type=&quot;text/css&quot;&gt;H1 { margin-top: 0.42cm; margin-bottom: 0.21cm; page-break-after: avoid; }H1.western { font-family: &quot;Times New Roman&quot;,serif; }H1.cjk { font-family: &quot;Droid Sans Fallback&quot;; font-size: 24pt; }H1.ctl { font-family: &quot;Lohit Hindi&quot;; font-size: 24pt; }P { margin-bottom: 0.21cm; }&lt;/style&gt;
  5732.  
  5733.  
  5734. &lt;br /&gt;
  5735. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  5736. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;Poesía
  5737. inoxidable&lt;span style=&quot;font-weight: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  5738. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  5739. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;(Rumor
  5740. clásico y aroma en los versos de Javier de Bengoechea)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  5741. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  5742. &lt;/h1&gt;
  5743. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  5744. &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;(Félix
  5745. Maraña)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  5746. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5747. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5748. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  5749. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5750. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  5751. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5752. &lt;style type=&quot;text/css&quot;&gt;H2 { direction: ltr; color: rgb(0, 0, 0); widows: 2; orphans: 2; page-break-after: avoid; }H2.western { font-size: 14pt; font-style: italic; font-weight: normal; }H2.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 14pt; font-style: italic; font-weight: normal; }H2.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; font-weight: normal; }P { margin-bottom: 0.21cm; direction: ltr; color: rgb(0, 0, 0); widows: 2; orphans: 2; }P.western { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.cjk { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }P.ctl { font-family: &quot;Times New Roman&quot;,serif; font-size: 12pt; }A:link { color: rgb(0, 0, 255); text-decoration: none; }&lt;/style&gt;
  5753.  
  5754.  
  5755. &lt;br /&gt;
  5756. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5757. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Tengo para mí que a Javier de Bengoechea (Bilbao, 1919)
  5758. le ha matado el tiempo, pero su poesía se resiste a morir. Pío
  5759. Muriedas, que fue el mejor cantor de la poesía del siglo XX –a
  5760. criterio de Lorca, entre otros– confesó que cuando recitaba los
  5761. versos del bilbaíno, éstos iban y volvían, del corazón del
  5762. público al rapsoda, con una ilimitada y desconcertante emoción.
  5763. Extraordinario efecto rebote. Bengoechea tuvo el privilegio y la
  5764. desgracia de que le confundieran, pronto, con Blas de Otero (Bilbao,
  5765. 1916), aspiración a la que hubieran opositado muchos poetas de su
  5766. tiempo y aún de hoy, pero que le marcó en exceso. Es posible que
  5767. ello explique que su poesía, herida en un ala, como el ángel de la
  5768. guarda de uno de sus poemas, no haya levantado el vuelo que merece,
  5769. pero su obra respira con hondura: su entidad es inequívoca, su decir
  5770. certero, su intención aguda y su resolución rayana en la exactitud.
  5771. Todo el timbre de la poesía de Bengoechea queda intervenido por un
  5772. aura de excelencia, como si el poeta dejara que la primera persona no
  5773. fuese sino el pincel que resuelve, con difuminado elemental y leve,
  5774. la composición poética. Por dentro, por fuera y por mucho más
  5775. adentro.&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5776. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  5777. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;Dos mozos de Bilbao&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5778. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  5779. &lt;/span&gt;&lt;/span&gt;
  5780. &lt;br /&gt;
  5781. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5782. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Su relación de amistad y complicidad con su paisano
  5783. Otero es no obstante una de las mejores inversiones de Bengoechea,
  5784. quien todavía hoy asegura humildemente haber recibido más de Blas
  5785. que lo que él pudo haberle trasmitido. Demasiada humildad para un
  5786. poeta. Sus largas horas de conversación sobre poesía, enriquecieron
  5787. a ambos jóvenes bilbaínos y sus obras respectivas. Todo escritor
  5788. que pretendiera algo en Bilbao nacía sabiendo que Bengoechea era,
  5789. por entonces, el único premio “Adonais” de nuestras letras. “Se
  5790. lo dieron –se decía– porque le confundieron –su obra– con
  5791. Otero”. Qué honorable confusión. Pero no se ha librado de
  5792. aquello. Mejor dicho: él no necesita librarse, sino los demás. Con
  5793. ingenio que explica su singularidad, Bengoechea resuelve aquella
  5794. relación dual en “Blas y yo” (1994):&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5795. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  5796.  
  5797.  
  5798. &lt;br /&gt;
  5799. &lt;div style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5800. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  5801. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;es-ES&quot;&gt;HABLO
  5802. de un tiempo que pasó de largo,&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5803. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5804. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;pecó
  5805. de corto, y no ha hecho penitencia,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5806. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5807. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;y
  5808. de un amigo mío con la ciencia &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5809. &lt;/div&gt;
  5810. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5811. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;infusa
  5812. del dolor, y sin embargo &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5813. &lt;/div&gt;
  5814. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5815. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5816. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5817. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;un
  5818. optimista terrenal, amargo &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5819. &lt;/div&gt;
  5820. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5821. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;porque
  5822. de Dios venía su dolencia. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5823. &lt;/div&gt;
  5824. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5825. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Con
  5826. un laico redoble de conciencia &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5827. &lt;/div&gt;
  5828. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5829. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;exorcizó
  5830. la fe, la fe de encargo. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5831. &lt;/div&gt;
  5832. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5833. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5834. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5835. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Por
  5836. su lejana y diaria compañía &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5837. &lt;/div&gt;
  5838. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5839. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;–&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;mucho
  5840. más ángel para mí que fiero– &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  5841. &lt;/div&gt;
  5842. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5843. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;sé
  5844. la historia de Blas, y algo la mía. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5845. &lt;/div&gt;
  5846. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5847. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5848. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5849. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;La
  5850. de un poeta a pie, de cuerpo entero, &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5851. &lt;/div&gt;
  5852. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5853. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;y
  5854. la de otro poeta que cogía &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5855. &lt;/div&gt;
  5856. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5857. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;los
  5858. versos que él dejaba en el tintero.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5859. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5860. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5861. &lt;div align=&quot;LEFT&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  5862. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Antologías de referencia, como la de la poesía amorosa
  5863. de López Gorgé (1966), la de la poesía religiosa de Leopoldo de
  5864. Luis (1969), la de López Anglada (1965), entre otras, consideraron
  5865. la poesía de Bengoechea, su puridad, la elegancia de la expresión,
  5866. sin limitar la hondura de la intención: el fondo de toda la poesía
  5867. de este escritor –educado en la música y las artes– no es asunto
  5868. de revelación o dogma, de afirmación del yo, sino de abierta
  5869. interrogación sobre la más íntima cuestión del mundo, del ser y
  5870. de las cosas: la declarada debilidad de nuestra existencia, su caída.
  5871. Gabriel Celaya, que tuvo olfato para reconocer dónde surgía un
  5872. poeta, nos dijo en una ocasión que la obra de “este chico”
  5873. –Gabriel llamaba chico sólo a quien estimaba– debió
  5874. considerarse más allá de aquel premio Adonais (1955), por su
  5875. excelente libro &lt;i&gt;Hombre en forma de elegía&lt;/i&gt;.
  5876. Y es que en algunos de sus poemas hay mucha crítica, una aguda
  5877. visión histórica y alguna sonada y audaz verónica a los mitos y
  5878. ritos hispánicos. &lt;/span&gt;&lt;/span&gt;
  5879. &lt;/div&gt;
  5880. &lt;/div&gt;
  5881. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  5882. &lt;/span&gt;&lt;/span&gt;
  5883. &lt;br /&gt;
  5884. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5885. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Si Boscán, Quevedo, Lope, si Arguijo, si los grandes,
  5886. hicieran hoy repaso a la poesía castellana del siglo XX, podrían
  5887. comparar los sonetos de Bengoechea a los suyos en valor, talento y
  5888. armonía. Tendrían que revisar al mejor Manuel Machado y al más
  5889. inspirado Gerardo Diego, incluso al más auténtico Miguel Hernández
  5890. o las mejores tardes de Rafael Morales. Hallarían en estos poemas
  5891. una dulce y penetrante ironía, ácida crítica –más de lo
  5892. aparente, ahí la sutileza–, y se preguntarían de dónde tal
  5893. aprendizaje. El poeta se inició de niño en las mejores lecturas de
  5894. la mano de su padre, consumado bibliófilo y lector. Posteriormente
  5895. recibió una sacudida de la poesía –la poesía no es otra cosa–
  5896. en la siempre famosa antología –que fueron dos, 1932 y 1935– de
  5897. Gerardo Diego, promotor de estos formatos editoriales.&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5898. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  5899. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;Ironía y memoria histórica&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5900. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  5901. &lt;/span&gt;&lt;/span&gt;
  5902. &lt;br /&gt;
  5903. &lt;div align=&quot;JUSTIFY&quot; class=&quot;western&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5904. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;No se ha señalado, en virtud de la escasa atención
  5905. dedicada a la poesía de este vasco ilustrado, la carga de ironía,
  5906. dulce sarcasmo, inteligencia en la visión en suma, de los versos de
  5907. Bengoechea. No se da en la poesía de los años cincuenta y sesenta
  5908. del siglo XX poesía de más carga irónica que la del bilbaíno. Es
  5909. más: aparece extrañamente y hay que hurgar demasiado para hallar
  5910. muestra. Parece también como si la forma de la expresión dominante
  5911. en su poesía –el soneto– y la primera fachada de algunas de sus
  5912. composiciones, de estructura tan clásica como exacta, hubieran
  5913. impedido el desvelo del rumor y el aroma de la sutileza, la
  5914. decantación y la armonía con que despacha algunos asuntos
  5915. trascendentes por otra parte. Pero, auxiliado por esa carga irónica,
  5916. con la que se atreve incluso en asuntos sublimes, Bengoechea ha
  5917. evolucionado en su lenguaje, atreviéndose a su vez, con natural y
  5918. certera mirada, con asuntos de la modernidad, incluso de la cultura
  5919. visual del último medio siglo. Lo podemos ver en &lt;i&gt;Pinturas
  5920. y escrituras&lt;/i&gt;, cuyo título no hace honor a la
  5921. profunda y original poética de sus versos. También se aprecia en
  5922. este poema de &lt;i&gt;Fiesta nacional&lt;/i&gt;,
  5923. finalista en el premio Boscán:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5924. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  5925. &lt;/span&gt;&lt;/span&gt;
  5926. &lt;br /&gt;
  5927. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5928. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5929. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  5930. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;NO
  5931. he querido tomar la alternativa &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5932. &lt;/div&gt;
  5933. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5934. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;como
  5935. una solución, la más prudente,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  5936. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5937. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;sino
  5938. seguro, y más, hasta valiente, &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5939. &lt;/div&gt;
  5940. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5941. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;afirmar,
  5942. concederme en exclusiva &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5943. &lt;/div&gt;
  5944. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5945. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5946. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5947. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;a
  5948. la verdad. En todo lo que escriba &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5949. &lt;/div&gt;
  5950. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5951. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;citaré
  5952. por la cara, iré de frente. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5953. &lt;/div&gt;
  5954. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5955. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Si
  5956. soy cogido en falta –el arte miente– &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5957. &lt;/div&gt;
  5958. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5959. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;salvadme
  5960. de mi error, para que viva. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5961. &lt;/div&gt;
  5962. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5963. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5964. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5965. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;He
  5966. brindado a la plaza. Yo he querido &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5967. &lt;/div&gt;
  5968. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5969. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;quedar
  5970. como los buenos. Quien no empeña &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5971. &lt;/div&gt;
  5972. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5973. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;con
  5974. fe su corazón, está perdido. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5975. &lt;/div&gt;
  5976. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  5977. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5978. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5979. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;No
  5980. todo sale tal como uno sueña. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5981. &lt;/div&gt;
  5982. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5983. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Yo
  5984. he escrito lo que sé, lo que he podido. &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  5985. &lt;/div&gt;
  5986. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  5987. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Y
  5988. que Dios me disculpe en su reseña.&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5989. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  5990. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;De aquella declarada angustia que trasmina los versos de
  5991. buena parte de &lt;i&gt;Hombre en forma de elegía&lt;/i&gt;
  5992. (1955) y &lt;i&gt;Fiesta nacional&lt;/i&gt;
  5993. (1959), el poeta recubre sus verbos de tristeza, a horadar los
  5994. límites en que se produce la melancolía, en &lt;i&gt;Pinturas
  5995. y escrituras&lt;/i&gt; (1994). Pero en los tres
  5996. poemarios –en otros versos en revistas y antologías, como aquí,
  5997. en &lt;i&gt;Pérgola&lt;/i&gt; (1991) o
  5998. &lt;i&gt;Cuadernos Hispanoamericanos&lt;/i&gt;
  5999. (Poemas a cuenta)– en Bengoechea se repite la representación de la
  6000. tristeza, que ya inventó –que la tristeza es un invento, un
  6001. hallazgo personal– en su primer libro, &lt;i&gt;Habitada
  6002. claridad&lt;/i&gt; (1951) –segundo en el Adonais, que
  6003. no se olvide. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6004. &lt;/div&gt;
  6005. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6006. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6007. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6008. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;(Si
  6009. me pudiera ahogar sin que se note&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6010. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6011. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;con
  6012. mi corbata de melancolía…)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6013. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6014. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6015. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6016. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Qué
  6017. triste está la luz, y mi alegría.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6018. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6019. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;(Yo
  6020. llevo un hondo mal y un ansia a flote.)&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6021. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6022. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Hay en los dos primeros poemarios (1951, 1955) una
  6023. considerable dosis de tritura amorosa, de calado romanticismo, de
  6024. erotismo sutil –erotismo que se abulta en poemas posteriores,
  6025. algunos de &lt;i&gt;Pinturas y escrituras&lt;/i&gt;
  6026. y bastantes de &lt;i&gt;Fiesta nacional&lt;/i&gt;.
  6027. Porque en &lt;i&gt;Pinturas&lt;/i&gt;…
  6028. hay también un lenguaje nuevo. Se compone de poemas escritos en
  6029. diversas etapas, pero recupera expresiones de acento cotidiano.
  6030. Humor, rubor, ironía, crítica, erotismo, sensualidad, gracia
  6031. personal en el acento, en suma, como en “Momentos estelares”:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6032. &lt;/div&gt;
  6033. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6034. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  6035.  
  6036.  
  6037. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  6038.  
  6039.  
  6040. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6041. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6042. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6043. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Cuando
  6044. el mejor periódico del mundo&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6045. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6046. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;me
  6047. publicó un soneto en su portada.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6048. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6049. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Cuando
  6050. de una magnífica estocada&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6051. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6052. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;tumbé
  6053. a aquel toro negro y tremebundo.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6054. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6055. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6056. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6057. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;O
  6058. cuando fui un filósofo profundo&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6059. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6060. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;conocedor
  6061. del ser y de la nada.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6062. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6063. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Y
  6064. cuando en la final más disputada&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6065. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6066. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;chuté
  6067. y marqué en el último segundo.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6068. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6069. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6070. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6071. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Cuando
  6072. ácrata de un mundo que declina&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6073. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6074. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;me
  6075. puse en pie contra cualquier escuela&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6076. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6077. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;pudiendo
  6078. estar sentado en mi doctrina.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6079. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6080. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6081. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6082. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Y
  6083. aunque me halague y a la vez me duela,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6084. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6085. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;cuando
  6086. se enamoró de mi Albertina&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6087. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6088. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;sin
  6089. que Proust ni me cite en su novela.&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6090. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6091. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Y
  6092. ese rumor erótico del poema “Piscina de David Hockney”:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6093. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6094. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt; Un
  6095. dibujante norteamericano&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6096. &lt;/div&gt;
  6097. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm;&quot;&gt;
  6098. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6099. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; de
  6100. gente americanamente rica,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6101. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6102. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; en
  6103. un New York insólito practica&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6104. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6105. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; el
  6106. gótico lineal y cortesano.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6107. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-left: 0.5cm; text-indent: 0.5cm;&quot;&gt;
  6108. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6109. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6110. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Colores
  6111. lisos con el sexo plano&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6112. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6113. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; que
  6114. el narciso pintor minia y rubrica.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6115. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6116. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Aunque
  6117. el amor seriado se fabrica,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6118. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6119. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;font-size: x-small;&quot;&gt; el
  6120. amor propio debe hacerse a mano&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;.&lt;/span&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6121. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6122. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;b&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;El
  6123. ruedo del mundo&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6124. &lt;/div&gt;
  6125. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  6126. &lt;/span&gt;&lt;/span&gt;
  6127. &lt;br /&gt;
  6128. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6129. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Porque, si Bengoechea es clásico en la forma –también
  6130. tiene versos libres en menor cuantía–, hay una renovada expresión
  6131. en el lenguaje. Los poemas dedicados al constructivismo y a otros
  6132. movimientos, autores y gestos del arte universal, son muestra de esa
  6133. celebrada renovación, amén de su cultura, de ácida y penetrante y
  6134. sutil crítica. De hecho, un libro como &lt;i&gt;Fiesta
  6135. nacional&lt;/i&gt;, cuyo título pudiera hoy parecer
  6136. antimoderno, es todo él un ejercicio parabólico de la cámara del
  6137. mundo: la vida, insinúa el poeta, es una lidia de contrarios y de
  6138. cornadas, un ruedo en el que hay muchos cuernos (“Un hombre contra
  6139. tantos toros”) que empitonan (“Mihura es el hombre para el
  6140. hombre, miura”): el individuo ante su propio miedo. El ser humano
  6141. en guerra, con los demás, consigo a un tiempo. Para el año en que
  6142. salió, es un poemario crítico y atrevido. En el poema “Examen de
  6143. conciencia”, por ejemplo, Bengoechea propone una recuperación de
  6144. la memoria, la de todas las cunetas, sin duda regadas por los muertos
  6145. de la guerra del 36: para que los muertos, escribe, sean libros de
  6146. texto. El humor cede sólo cuando se enfrenta a la tragedia con
  6147. mayúsculas:&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6148. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  6149. &lt;/span&gt;&lt;/span&gt;
  6150. &lt;br /&gt;
  6151. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; margin-left: 0.5cm; text-indent: 0.5cm;&quot;&gt;
  6152. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6153. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6154. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Dios
  6155. mío, desde ahora&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6156. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6157. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;yo
  6158. propongo a los muertos&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6159. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6160. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;de
  6161. todos, para siempre, &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;
  6162. &lt;/div&gt;
  6163. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6164. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;como
  6165. libro de texto.&lt;/i&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6166. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6167. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Extraordinario hallazgo poético e histórico. Tiene el
  6168. repetido libro más hallazgos de otro orden, construidos en
  6169. heptasílabos lorquianos, y en eneasílabos de dúctil ejecución.
  6170. Decía Francisco Umbral que el eneasílabo es el verso que inventó
  6171. José Hierro para la poesía en castellano, pero en este asunto debe
  6172. tenerse en cuenta también a Bengoechea.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6173. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Entre los varios libros inéditos, Bengoechea anunció
  6174. en su día uno, &lt;i&gt;El corazón y sus asuntos&lt;/i&gt;,
  6175. del que escurrió poemas en alguna antología, como la de López
  6176. Gorgé. En ella, el poeta asegura haber superado ya las &lt;i&gt;epilíricas&lt;/i&gt;
  6177. de su poesía amorosa y narcisista, y estar, por 1966, en la “poesía
  6178. crítica”: “Hacia la que ahora siento una más decidida
  6179. inclinación”. Convenimos en que esa crítica era sutil, cierta,
  6180. pero sin lastres, depurada, acentuada por la discreta operación de
  6181. este poeta, que esconde el yo, como asustado de tanta belleza cruel
  6182. –acertada expresión de Ángela Figuera–, con la conducta de
  6183. quien ha vivido y creado más hacia adentro de sí que para la
  6184. galería. &lt;/span&gt;&lt;/span&gt;
  6185. &lt;/div&gt;
  6186. &lt;/div&gt;
  6187. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  6188. &lt;/span&gt;&lt;/span&gt;
  6189. &lt;br /&gt;
  6190. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6191. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;
  6192. Una poesía que cautiva hasta el arrebato. Y basta:
  6193. poesía inoxidable. &lt;/span&gt;&lt;/span&gt;
  6194. &lt;/div&gt;
  6195. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6196. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6197. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;Detalles del producto&quot; class=&quot;productImage&quot; src=&quot;http://ecx.images-amazon.com/images/I/51StY9wnAQL._AA160_.jpg&quot; /&gt;&lt;/span&gt;&lt;br /&gt;
  6198. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6199. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  6200.  
  6201.  
  6202. &lt;br /&gt;
  6203. &lt;div style=&quot;margin-bottom: 0cm;&quot;&gt;
  6204. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6205. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6206. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6207. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6208. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Hombre
  6209. en forma de elegía&lt;/i&gt; (1955) &lt;/span&gt;&lt;/span&gt;
  6210. &lt;/div&gt;
  6211. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6212. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Fiesta
  6213. nacional&lt;/i&gt; (1959), &lt;/span&gt;&lt;/span&gt;
  6214. &lt;/div&gt;
  6215. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6216. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Pinturas
  6217. y escrituras&lt;/i&gt; (1994). &lt;/span&gt;&lt;/span&gt;
  6218. &lt;/div&gt;
  6219. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6220. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Habitada
  6221. claridad (1951)&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6222. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6223. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;
  6224. &lt;/span&gt;&lt;/div&gt;
  6225. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6226. &lt;/div&gt;
  6227. &lt;/div&gt;
  6228. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4670151648786776949'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4670151648786776949'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/javier-de-bengoechea-bilbao-1919.html' title='Javier de Bengoechea (Bilbao, 1919)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_f58A9Cchvk4/S1Mm4hwLsJI/AAAAAAAAADk/TzsAzaqCsZg/s72-c/Poes%C3%ADa+inoxidable+(Javier+de+Bengoechea).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-1683926636396816709</id><published>2010-01-17T06:44:00.000-08:00</published><updated>2015-07-22T12:25:34.852-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de 1900"/><category scheme="http://www.blogger.com/atom/ns#" term="Ángela Figuera Aymerich"/><title type='text'>Ángela Figuera Aymerich (Bilbao, 1902- Madrid, 1984)</title><content type='html'>&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1MkgMWcuoI/AAAAAAAAADc/9kxJZo4vtEc/s1600-h/Poemas+de+Barro+y+rabia+%28%C3%81ngela+Figuera+Aymerich%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427722111401376386&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1MkgMWcuoI/AAAAAAAAADc/9kxJZo4vtEc/s320/Poemas+de+Barro+y+rabia+(%C3%81ngela+Figuera+Aymerich).pdf+-+Adobe+Reader.bmp&quot; style=&quot;cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 206px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt; &lt;br /&gt;
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priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt; 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name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt; 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name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt; 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name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;; 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  6230. &lt;style type=&quot;text/css&quot;&gt;H1 { margin-top: 0.42cm; margin-bottom: 0.21cm; page-break-after: avoid; }H1.western { font-family: &quot;Times New Roman&quot;,serif; }H1.cjk { font-family: &quot;Droid Sans Fallback&quot;; font-size: 24pt; }H1.ctl { font-family: &quot;Lohit Hindi&quot;; font-size: 24pt; }P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  6231.  
  6232.  
  6233. &lt;br /&gt;
  6234. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  6235. &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;span style=&quot;text-decoration: none;&quot;&gt;Poemas
  6236. de barro y rabia&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  6237. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  6238. &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;(Ángela
  6239. Figuera Aymerich y la belleza cruel de la endosfera humana)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  6240. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  6241. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  6242. &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  6243. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  6244. &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;(Félix
  6245. Maraña)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  6246. &lt;div align=&quot;JUSTIFY&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6247. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6248. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6249. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt;&quot;&gt;
  6250. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6251. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6252. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6253. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6254. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La voz poética de la bilbaína Ángela Figuera Aymerich (1902-1984) está atravesada por una herida: haber sabido advertir que la belleza es cruel en ocasiones, sobre todo cuando desde la belleza no se advierte el mal del mundo, o se utiliza para esconderlo cobardemente. Ángela Figuera se aplicó a todo lo contrario: decir al mundo que la belleza es cruel si nos distrae o entretiene del camino de la dignidad e, incluso, para advertirle también, desde la poesía, que la belleza desaparece en el momento en que no sentimos la injusticia elemental. Y también nos dijo que la humanidad es esa contradicción de belleza y deterioro, que nos atrapa y nos vigila. Pero Ángela no fue una predicadora o una poeta que se sumó a moda alguna para reclamar la atención: aunque fue vencida por el ángel, en realidad, nunca derrotada, y la rebeldía de su verbo fue bien reconocida por aquella voz de la dignidad en el tiempo de la poesía, León Felipe; también lo hicieron otros, cual Max Aub o Pablo Neruda.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6255. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6256. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6257. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6258. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6259. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6260. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6261. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Las cosas como son&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6262. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6263. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Claro que el ángel que visitó a la mujer, a la poeta, no fue un cualquiera. El ángel venía a advertirle de la necesidad de comprender el mundo: era en realidad un arcángel, pero civil. Figuera acababa de leer el poemario de Gabriel Celaya &lt;i&gt;Las cosas como son&lt;/i&gt; (1950), unos versos y unos verbos que, como aseguró sin ningún inconveniente y con orgullo, le habían hecho cambiar el rumbo, licenciar la estética intimista, sensual y erótica de sus dos libros anteriores, &lt;i&gt;Mujer de barro&lt;/i&gt; (1948) y &lt;i&gt;Soria pura&lt;/i&gt; (1949). &lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6264. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6265. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6266. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6267. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6268. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6269. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6270. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sin espada, sin ruido, me ha vencido. En la entraña&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6271. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6272. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;me ha dejado clavada la raíz de la angustia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6273. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6274. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y ya siento en mi alma el dolor de los mundos.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6275. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6276. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6277. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6278. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6279. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6280. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6281. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y es que la escritora entiende que no podía seguir cerrándose al exterior, o, como dice en el prólogo de &lt;i&gt;Vencida por el ángel&lt;/i&gt; (1950), seguir apretando la puerta, con resistencia, para que no se adentrara “el sucio oleaje de las cosas”. No es cierto en cambio que Figuera hubiera sido ajena con anterioridad a los males del mundo, porque ella era el mundo: madre en la guerra, guerra en la guerra civil, desposeída, como todos los suyos, de su condición ciudadana por haber perdido la guerra, y en guerra contra el propio oleaje de las cosas. Tampoco es cierto que, por haber cambiado la estética, por fijar un lenguaje más incisivo y cierto, Figuera fuera atrapada por prosaísmos elocuentes para que los estudiosos le concedieran el título de poeta social. Fue éste un título poco afortunado y nada conveniente para la literatura, y con el tiempo desaparecerá: la poesía existencial de Figuera es la poesía existencial de la historia humana. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6282. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6283. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tampoco es verdad que el abandono del verso machadiano de los primeros libros se trucara en verso libre y desorientado de pronto. Como ha celebrado Leopoldo de Luis, Figuera escribió excelentes sonetos que retratan la endosfera humana en formas y aciertos. Ni le impide esta nueva temperatura descuidar los símbolos de su poesía de siempre: el fervor por la tierra, la naturaleza viva y tremenda, la elegía permanente de la maternidad, como sigue celebrando el erotismo, el yacimiento de los cuerpos “absortos en el hondo tableteo / de nuestros corazones”. Ocurre simplemente que Figuera ha sido llamada también desde dentro, desde el interior de su conciencia, para escribir un poemario definitivo: &lt;i&gt;Belleza cruel&lt;/i&gt; (1958).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6284. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6285. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6286. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6287. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6288. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6289. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6290. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Porque es lo cierto que me da vergüenza,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6291. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6292. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que se me para el pulso y la sonrisa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6293. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6294. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuando contemplo el rostro y el vestido&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6295. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6296. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de tantos hombres con el miedo al hombro,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6297. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6298. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de tantos hombres con el hambre a cuestas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6299. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6300. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de tantas frentes con la piel quemada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6301. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6302. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;por la escondida rabia de la sangre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6303. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6304. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;… … …&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6305. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6306. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Que me perdonen todo este lujo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6307. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6308. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;este tremendo lujo de ir hallando&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6309. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6310. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tanta belleza en tierra, mar y cielo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6311. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6312. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tanta belleza devorada a solas, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6313. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6314. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tanta belleza cruel, tanta belleza.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6315. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6316. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6317. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6318. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6319. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6320. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6321. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Un año antes, la escritora vasca se había ido a París con una beca intentando respirar, y llevando un fajo de apuntes y poemas rabiosos, según su propio testimonio. De ahí salió ese poemario breve, pero intenso y rotundo. Y vendrá luego los poemas de &lt;i&gt;Toco la tierra &lt;/i&gt;(1962), donde corona su madurez, aunque se haya señalado lo contrario. &lt;i&gt;El grito inútil&lt;/i&gt; (1952), &lt;i&gt;Víspera de la vida&lt;/i&gt; (1953) y &lt;i&gt;Los días duros&lt;/i&gt; (1953) completan su recorrido, que está recogido, junto con sus poemas y cuentos tontos para niños listos, su literatura de ternura infantil, en las &lt;i&gt;Obras completas&lt;/i&gt;, que publicó Jesús Munárriz en 1986.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6322. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6324. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6325. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6326. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6327. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6328. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Comulgar con la tierra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6329. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6330. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Ha querido verse también en la poesía de Figuera una literatura de género, en cuyo discurso ella no se introdujo deliberadamente. Desde luego, con María Teresa León en el exilio, Figuera fue la voz femenina más rotunda, clara y de más hondura intelectual y moral que se dio en nuestra poesía. Lo hizo con una natural discreción, afirmando su condición de mujer, su rebelde oficio de mujer, pero sin descuidarse, como hemos repetido, en concesiones menores al lenguaje o a la idea. Así, a sus poemas acudirán las gentes sin voz, las de tarea sencilla y digna, los obreros de las fábricas, los del pensamiento, las mujeres de la fregadera y del mercado, todas las gentes de todos los barrios del mundo. Hay en toda la poesía de Ángela Figuera un constante tono irreverente para lo establecido, para todas las religiones menores, y en sus poemas no sólo hay un pulso al poder del mundo, sino al poder de la fe. Contaba Julio Figuera que su mujer había perdido la fe, se supone la creencia en la dogmática religiosa aprendida, durante la Guerra civil de 1936. Pero si perdió esa fe nunca perdió la fe en la condición humana y, desde ésta, le habló de tú a tú a la propia idea de Dios. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6331. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6332. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y es que ella se da cuenta, y pasa a la acción. Increpa incluso a sus colegas, los poetas de la estética sin más resolución, para que se espoleen:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6333. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6334. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6335. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6336. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6337. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6338. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6339. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No puede verse el cielo desde el fondo del cáncer,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6340. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6341. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;desde el fondo más hondo del infierno más negro,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6342. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6343. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;desde el fondo de todos los que están en el fondo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6344. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6345. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;los que son tierra sucia que pisáis sin mirarla&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6346. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6347. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuando vais extasiados por las lírica nubes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6348. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6349. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6350. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6351. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6352. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6353. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6354. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Son varios los momentos de su poesía en los que Ángela increpa e incordia amorosamente a los poetas. Así, publica un poema en 1950, “Exhortación impertinente a mis hermanas poetisas”, en la revista leonesa &lt;i&gt;Espadaña&lt;/i&gt;, donde les pide que canten “todo eso que os aturde y asusta”, mientras les alienta a “comulgar con la tierra”, y dice:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6355. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6356. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6357. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6358. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6359. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6360. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6361. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No queráis ignorar que es el odio un cuchillo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6362. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6363. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de agudísimo corte que amenaza las venas;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6364. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6365. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y la envidia una torva dentadura amarilla&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6366. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6367. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que nos muerde rabiosa cada fruta lograda.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6368. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6369. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6370. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6371. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6372. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6373. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6374. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Gabriel Aresti, que le dedicó a Ángela poemas hermosos, afirma en uno de éstos que la escritora aún no había abrazado la causa. Aresti se refería a la militancia política. Pero Ángela estaba en una militancia más abierta. Ella misma azuzaba con su conciencia crítica a sus colegas masculinos, para hacerles despertar al viento de la realidad, como en el soneto “Poeta puro”:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6375. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6376. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6377. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6378. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6379. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6380. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6381. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tras de tu ensueño quieres esconderte&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6382. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6383. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;haciéndote agorero de lo oscuro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6384. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6385. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tu labio es joven, tu decir maduro;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6386. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6387. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pero es la vida un vino rojo y fuerte.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6388. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6389. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6390. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6391. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6392. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6393. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6394. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Has de beberlo al fin o has de perderte;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6395. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6396. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y has de pisar sin miedo barro impuro&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6397. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6398. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o, cuando creas verte más seguro,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6399. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6400. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;te asombrará el tamaño de tu muerte.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6401. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6402. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6403. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6404. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6405. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6406. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6407. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hombre serás si habitas con los hombres.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6408. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6409. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ven a llamar las cosas por sus nombres;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6410. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6411. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;no estés en soledad, entra en el corro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6412. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6413. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6414. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6415. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6416. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6417. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6418. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pon tierra, llanto y sangre en tu poesía;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6419. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6420. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;rima tu canto con la luz del día&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6421. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6422. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y se alzará más bello y más sonoro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6423. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6424. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6425. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6426. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6427. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6428. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6429. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;A pesar de esa militancia de la tierra, no hubo nunca en la poesía de Figuera una palabra que oliera a panfleto o burla vana: sí hubo ironía, irreverencia y exquisita y punzante crítica a todo lo rebelado, a lo aceptado por dogma del tiempo, a lo que no deja crecer el interior de lo humano. Y hubo siempre en su poesía, hubo y hay, un rumor de aliento de esperanza, que dibujan tiempos sin paraísos, pero hechos por las manos del hombre, como cuando se dirige a un muchacho:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6430. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6431. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6432. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6433. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6434. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6435. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6436. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Toca la tierra, hijo; con cuidado,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6437. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6438. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que tocas una ruina de alma o nido,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6439. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6440. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un útero de amor desposeído,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6441. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6442. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un torso de titán ametrallado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6443. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6444. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6445. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6446. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6447. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6448. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6449. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Toca la tierra que, de la lado a lado,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6450. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6451. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;es un muñón tascando su alarido,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6452. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6453. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;una prisión de muertos sin olvido,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6454. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6455. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un corazón de paz desconcertado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6456. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6457. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6458. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6459. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6460. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6461. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6462. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Toca esta tierra, hijo, y, de rodillas, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6463. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6464. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sigue un vía crucis lento de esperanza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6465. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6466. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hasta secar su llanto sin orillas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6467. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6468. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6469. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6470. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6471. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6472. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6473. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Clava un arado aquí y allá una lanza;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6474. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6475. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lluévele amor; derrama tus semillas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6476. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6477. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;A ver si la cosecha nos alcanza.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6478. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6479. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6480. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6481. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6482. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6483. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6484. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Levantar la voz está mal visto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6485. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6486. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra de Figuera se comprende mejor si advertimos que toda ella es un pronunciamiento amoroso, pues no toda la poesía viene de ese surco. La escritora vasca brinda su poesía como acto de servicio a la humanidad: levantó su voz sin contenerse, prestándosela al mundo para advertir el dolor del mundo, su interior demudado. Y ya sabemos que levantar la voz está muy mal visto. La sociedad, el tiempo oscuro, el poder prefiere el silencio, la mutilación de las conciencias. Figuera prestó la suya, derramando en su poesía toda la angustia humana, pero con una virtud raramente apreciada y nunca señalada o destacada en su obra: la escritora vasca hace en todos sus poemas un esfuerzo por afirmar esa angustia, por denunciar el dolor, de los demás: como si su servicio al tiempo y la historia del mundo quisiera estar más en ser puente que protagonista, más en ser portavoz y mensajera que mensaje. Todo ello lo hace desde un lenguaje rotundo, pero sin sonoridades efectistas, antes al contrario, cuidando la palabra decantada como herramienta la más eficaz para retratar las angustia o proclamar el dolor o denunciar la injusticia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6487. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6488. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6489. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6490. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6491. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6492. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6493. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Mujer y mediadora&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6494. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6495. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;No le impide en cambio esa aparente distancia, que es inteligencia aplicada, mostrar el desgarro personal con que otros poetas vascos por ella muy queridos, Unamuno o Blas de Otero, expresaron el mismo sentimiento trágico del mundo. Hay, sin embargo en toda la poesía de Figuera un aliento que parece inclinarse más por la acentuación alentadora en el futuro abierto por que aquello cuanto se denuncia pueda corregirlo, si no la historia, sí la conciencia individual. Parece como si la poesía de Ángela Figuera pusiera más acento en la belleza que en la crueldad de la belleza, sin dejar por ello de ver la crueldad o desentenderse. Aparece así toda su lírica como un servicio que a la historia de la condición humana hace esta mediadora. Pues en ella todo es corriente por la que discurre la vida, por la que, como madre, pare, lo que le identifica con la tierra, a la que abraza, y a la que se encara, para afirmar su conciencia de mujer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6496. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6497. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y hay otras dos circunstancias mediadoras, que le hacen a Figuera protagonista de la historia cultural: por su poesía, por &lt;i&gt;Belleza cruel&lt;/i&gt;, León Felipe y todos los poetas del exilio errante, comprendieron que, a pesar del franquismo, la poesía se desvelaba en el interior del país con acento rotundo y rebelde. En el exilio intelectual republicano –prácticamente todos los intelectuales de tal condición que no quedaron en la cuneta tuvieron que partir al exilio–, tal vez por desesperación, había cundido la idea de que en el interior nada podía crecer. Poetas como Figuera vendrían a demostrar lo contrario. El prólogo que León Felipe escribe para &lt;i&gt;Belleza cruel&lt;/i&gt; es un documento de reconciliación auténtica, no de la reconciliación política que predicaron otros. Y Figuera, por las mismas razones, y enseñando a Neruda los poemas de todos los poetas emergentes y que también habían sido “vencidos por el ángel”, logra que el chileno escriba y le entregue en París (1957), su “Carta a los poetas españoles”, evocación del pasado y deseo de reencuentro en la poesía. Tuvo esta mujer de acento cálido y rostro auténtico una visión del mundo y de las cosas, que predice que su obra no será enterrada por el tiempo. Porque ella es autora del mejor salmo y la mejor canción, como dijo León Felipe.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6498. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;style type=&quot;text/css&quot;&gt;H1 { margin-top: 0.42cm; margin-bottom: 0.21cm; page-break-after: avoid; }H1.western { font-family: &quot;Times New Roman&quot;,serif; }H1.cjk { font-family: &quot;Droid Sans Fallback&quot;; font-size: 24pt; }H1.ctl { font-family: &quot;Lohit Hindi&quot;; font-size: 24pt; }P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  6499.  
  6500.  
  6501. &lt;br /&gt;
  6502. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6503. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6504. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  6505. &lt;/span&gt;&lt;/span&gt;
  6506. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6507. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6508. &lt;/div&gt;
  6509. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  6510. &lt;/span&gt;&lt;/span&gt;
  6511. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6512. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Mujer
  6513. de barro: poemas&lt;/i&gt; (1948. 1949)
  6514. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6515. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6516. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6517. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6518. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Soria
  6519. pura&lt;/i&gt; (1949)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6520. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6521. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6522. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6523. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;El
  6524. grito inútil&lt;/i&gt; (1952)
  6525. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6526. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6527. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6528. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6529. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Víspera
  6530. de la vida&lt;/i&gt; (1953)
  6531. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6532. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6533. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6534. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6535. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Los
  6536. días duros&lt;/i&gt; (1953).
  6537. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6538. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6539. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6540. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6541. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Vencida
  6542. por el ángel&lt;/i&gt; (1953)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6543. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6544. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6545. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6546. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Belleza
  6547. cruel&lt;/i&gt; (1958)
  6548. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6549. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6550. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6551. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6552. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Toco
  6553. la tierra: letanías&lt;/i&gt; (1962)
  6554. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6555. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6556. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6557. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6558. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Cuentos
  6559. tontos para niños listos&lt;/i&gt; (1980)
  6560. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6561. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;
  6562. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  6563. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  6564. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #444444;&quot;&gt;&lt;i&gt;Canciones
  6565. para todo el año&lt;/i&gt; (1984)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6566. &lt;h1 align=&quot;LEFT&quot; class=&quot;western&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  6567. &lt;/h1&gt;
  6568. &lt;/div&gt;
  6569. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6570. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6571. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1683926636396816709'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1683926636396816709'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/angela-figuera-aymerich-bilbao-1902.html' title='Ángela Figuera Aymerich (Bilbao, 1902- Madrid, 1984)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1MkgMWcuoI/AAAAAAAAADc/9kxJZo4vtEc/s72-c/Poemas+de+Barro+y+rabia+(%C3%81ngela+Figuera+Aymerich).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-4075401638099418921</id><published>2010-01-17T06:30:00.000-08:00</published><updated>2015-07-22T12:28:09.919-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 40"/><category scheme="http://www.blogger.com/atom/ns#" term="Julio Villar"/><title type='text'>Julio Villar (San Sebastián, 1943)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
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unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-ansi-language:ES;  mso-fareast-language:ES;} p.MsoFooter, li.MsoFooter, div.MsoFooter  {mso-style-unhide:no;  mso-style-link:&quot;Pie de página Car&quot;;  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  tab-stops:center 212.6pt right 425.2pt;  font-size:12.0pt;  font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-ansi-language:ES;  mso-fareast-language:ES;} span.PiedepginaCar  {mso-style-name:&quot;Pie de página Car&quot;;  mso-style-unhide:no;  mso-style-locked:yes;  mso-style-link:&quot;Pie de página&quot;;  mso-ansi-font-size:12.0pt;  mso-bidi-font-size:12.0pt;  mso-ansi-language:ES;  mso-fareast-language:ES;} .MsoChpDefault  {mso-style-type:export-only;  mso-default-props:yes;  font-size:10.0pt;  mso-ansi-font-size:10.0pt;  mso-bidi-font-size:10.0pt;} @page Section1  {size:595.3pt 841.9pt;  margin:70.85pt 3.0cm 70.85pt 3.0cm;  mso-header-margin:35.4pt;  mso-footer-margin:35.4pt;  mso-paper-source:0;} div.Section1  {page:Section1;} &lt;/style&gt; &lt;br /&gt;
  6573. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6574. &lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1MfqPBqSrI/AAAAAAAAADU/UFxe-ZDtO24/s1600-h/Poes%C3%ADa+para+animales+%28Julio+Villar%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427716786360044210&quot; src=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1MfqPBqSrI/AAAAAAAAADU/UFxe-ZDtO24/s320/Poes%C3%ADa+para+animales+(Julio+Villar).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 187px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
  6575. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía para animales&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6576. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;(Julio Villar: De peces, sextantes y palabras)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6577. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6578. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6579. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6580. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6581. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6582. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6583. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  6584.  
  6585.  
  6586. &lt;br /&gt;
  6587. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6588. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  6589. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;i&gt;Teniendo
  6590. todos los caminos, sin camino marcha hacia ningún lugar, dondequiera
  6591. que vaya.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6592. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6593. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;
  6594. &lt;span lang=&quot;es-ES&quot;&gt;&lt;b&gt;Sófocles&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6595. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6596. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6597. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6598. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;El
  6599. apego es fabricante de ilusiones; quien quiera conocer lo real, debe
  6600. estar desapegado.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6601. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  6602. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;span lang=&quot;es-ES&quot;&gt;&lt;b&gt;Simone
  6603. Weil&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6604. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  6605. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6606. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6607. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6608. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6609. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6610. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La extensión del cuerpo de un hombre apenas alcanza poco más del recorrido acostumbrado por sus saludables rutinas; el mapa de mis pasos en todas sus tentativas de repetido encuentro en las congregaciones para el trabajo, o a una misma hora en las plazas públicas, donde poder vernos, parcialmente enteros en el cuerpo de los otros. Los lugares y cuerpos que nos nombran con esa cordial contundencia de las llamadas. Pertenezco a todo aquello que me llama con un nombre y siempre el mismo, ante el que poder girarme y ver cumplida la trama de los reconocimientos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6611. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6612. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En 1968 y tras un accidente en la arista de Peuterey del Mont-Blanc que lo alejaría de las grandes ascensiones de montaña, Julio Villar emprende a bordo del Mistral, un velero de apenas siete metros de eslora y poco más de 1200 kilos, un viaje de ida que no contempla destino ni retorno. Sin el auxilio de conocimientos técnicos, con su sola y limpia disposición animal, “soy un bicho, no soy mucho más, soy un bicho para sobrevivir, me guía mi instinto… no me dejo ganar por miedos ni por razones”. Tras cinco años de lenta travesía, Julio Villar completa su particular vuelta al mundo. Sus notas de abordo, precipitados líricos, apuntes de bitácora y deriva, momentos en su decidida huida del hombre, quedaron registrados en su libro &lt;i&gt;¡Eh, petrel!&lt;/i&gt; (Editorial Juventud, Barcelona, 1974). Años más tarde, la experiencia de otra intimidad, esta vez con la tierra, la vivencia de su creciente despoblación, la desvalida vida de los hombres a la intemperie, su incapacidad para habitarse, verá la luz en &lt;i&gt;Viaje a pie&lt;/i&gt; (Editorial Juventud, Barcelona, 1986).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6613. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6614. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6615. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6616. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcS97BIbkCMbYC9oe8NOlg2qW1hSUVtIJv-ZIRAg3DrQBVyf9zKX&quot; data-sz=&quot;f&quot; name=&quot;FHwBIBCbY75neM:&quot; src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcS97BIbkCMbYC9oe8NOlg2qW1hSUVtIJv-ZIRAg3DrQBVyf9zKX&quot; style=&quot;height: 175px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 214px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6617. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6618. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6619. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Viaje sin nombres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6620. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6621. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En ambos libros, lo grande y lo pequeño, la insignificancia de todo cuanto cabe en una mano y los prodigios de los inventarios del cosmos, trenzan su posibilidad en los mismos cuencos, en una indistinta conformación de la belleza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6622. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6623. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6624. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6625. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6626. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6627. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6628. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En mi viaje no he visitado grandes ciudades, ni tan siquiera pueblos prósperos; no he subido ni a altas ni a difíciles montañas ni he entrado en castillos o en museos célebres. Mi ruta la he trazado sobre la dura, modesta e ingrata tierra… con la simpleza del animal…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6629. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6630. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6631. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6632. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;una araña lanza su seda al viento. Yo pienso que lo que estoy viendo es algo tan grande como el paso por el firmamento de un planeta errante.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6633. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6634. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6635. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6636. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6637. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6638. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6639. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Su viaje es un viaje sin nombres. El hombre Julio Villar no es un coleccionista de itinerarios, no hay lugar al que dirigirse ni identidad de las cosas o el hombre antes de encontrarlas o encontrarse a cada paso, antes de divisarlas o señalarlas. Asistir a una realidad sin sombras, sin dobleces, palabras elementales para una realidad primaria, idéntica a sí misma desde el principio de los tiempos, un mundo abierto esperando a ser nuevamente pronunciado. Como un niño en la expedición de su lenguaje, el testimonio de su travesía por mar y tierra carece de épica, la aventura no es la de un héroe, no hay destino que asediar y cumplir. Tampoco ejercicios de paisajismo, el registro directo, simple, de lo vivido desprovee al viaje de conquistas, asaltos e invasiones de todos los otros lugares que no soy. En las drizas de Julio Villar no se tensa promesa alguna sino la constatación de la honda condición del errático; un presente donde depositar todos los pequeños gestos, la ceremonia que la limpia atención confiere a cada acto, cada acción en su respiración consciente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6640. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6641. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La extensión del cuerpo del hombre Julio Villar son exactamente 38.000 millas marinas, “el equivalente a algo más de una vuelta y media a la tierra”. En esta lenta medición “mi cuerpo atraviesa el tiempo”. Abandona así el errático a los hombres en el tiempo de las tramas y se adentra sin terror en el tiempo de las tonsuras. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6642. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6643. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6644. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6645. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6646. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6647. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6648. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Me voy. Largo amarras. La vida es mía y la tomo por mi mano para irnos por ahí. Dejo atrás todas las cosas que no me gustan. Las cosas absurdas. Los señores que prometen con gestos paternales. Los sistemas que envuelven y que hipotecan las alegrías de la vida. Y tomo el camino que bebo tomar, para conocer la tierra; esta tierra que es mía.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6649. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6650. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6651. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6652. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Voy conmigo. Voy conmigo. Voy a través de mí y nadie me molesta y nada me distrae. Yo soy mi camino. Y mis océanos. Y mis montañas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6653. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6654. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mi viaje no lo podré explicar. Yo no he estado en ningún sitio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6655. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6656. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcSaEJb5iDY_jluOcpKDFc7g35aBU99BMOg3VkV2-2HSNpYAFpj8&quot; data-sz=&quot;f&quot; name=&quot;a2IbO11znxGzOM:&quot; src=&quot;https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcSaEJb5iDY_jluOcpKDFc7g35aBU99BMOg3VkV2-2HSNpYAFpj8&quot; style=&quot;height: 188px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 149px;&quot; /&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6657. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6658. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;El errático.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6659. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6660. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo viaje rebasa al hombre, lo enfrenta a su real confinamiento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6661. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6662. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6663. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6664. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6665. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6666. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6667. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Estoy solo. Demasiado lejos de todo. ¿Qué hago yo aquí?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6668. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6669. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El barco es una prisión. Una prisión temible, y la bóveda del cielo son sus muros. Unos muros inmensos, de dolorosas resonancias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6670. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6671. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Imposible esconderme.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6672. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6673. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6674. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6675. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El espejo que es este universo me da una imagen demasiado detallada de mí. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6676. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6677. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6678. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6679. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6680. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6681. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6682. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El viaje pone la vida en marcha, la percute. La aventura, si es un viaje sólo de ida, agarra entera la vida y la arroja contra sus límites. Su vibración nos dirá de qué estamos hechos, de qué están hechos los otros hombres. &lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6683. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6684. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En su confinamiento, el errático vacía de sentido y dirección cada posible camino, todos le pertenecen por igual, todos son cualquier camino. Confundido en la corteza del mar o de la tierra todo comienza de nuevo: El juego infantil de las rayas gigantes, olvidadas de su corpulencia, cambiando con sus vientres blancos el color de la superficie del mar. Su curiosidad asfixia a los buzos y echa a perder los barcos arrastrando los fondeos lejos de las ensenadas. El errático asiste perplejo al anuncio de la invasión de la luna y se lamenta por la profanación de ese espacio íntimo, el de la callada mirada de cada hombre a su satélite. Miles de medusas vibran en las corrientes de las medias aguas, emergen de la hondura como constelaciones. La oscuridad, la ira de los elementos en el rostro. La estatura de las vértebras de la tierra, la insondable distancia. Los descensos de la conciencia en los callados rituales de la ingesta del kawa en los bosques de Nuevas Hébridas. El mundo cierto en su letargo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6685. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6686. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y entre todos esos prodigios las ballenas y la luz de los cuerpos en su bóveda celeste enhebrando todas las edades de la tierra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6687. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6688. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El errático no pretende camino, su lugar en el mundo está a la distancia de un solo paso. Al errático lo asiste la mayor de las ambiciones; “presta atención a las voces de las cosas pequeñas”, nunca se distrae, nunca se dispersa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6689. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6690. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El errático tampoco conoce el tiempo. Su cuerpo, una vez habitado, no prescribe. Traspasado el umbral de los diez días, el errático ya no espera nada, todo es ya presente y cabe en un solo golpe de pulmón. En la mar en calma o a favor de los vientos propicios, su posición será ya siempre la misma. Pasado el umbral de los diez días ningún horizonte guarda una nueva luz, nada en la tierra es promesa, declinan los destinos, depone su ira el héroe, en la vida ya no cabe el laberinto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6691. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6692. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;A los diez días, el tiempo desaparece y con él el número, la fractura que introduce en lo real el acontecimiento. Queda clausurado en el hombre su centinela; todos los Giovanni Drogo ante los desiertos de los Tártaros, todos los Diego de Zama en cualquier selva, aguardando el amor o cualquiera de las otras formas que los hombres acostumbran a dar a su asedio y ocupación. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6693. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6694. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Después de diez días de intemperie, un hombre no tiembla, y todo cuanto le resta es simple realidad. Esa que el azar dispone y ya ningún acontecimiento modifica. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6695. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6696. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El viaje de Julio Villar es un proceso de vaciado de todos los hombres innecesarios que habitan al errático. Villar criba el ruido, esa oscura urgencia en la felicidad de sus semejantes, suspende el habla, las acciones para todo en la inconsciencia de las ciudades, y ya las cosas son definitivamente su pulso. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6697. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6698. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6699. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-style: italic;&quot;&gt; &lt;br /&gt;
  6700. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;  &lt;br /&gt;
  6701. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6702. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Veo las cosas desde fuera, desde mi yo repleto de noches solitarias. Y creo descubrir que a casi toda esta gente le falta valor.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6703. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6704. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Valor de ser como saben que quieren ser.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6705. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6706. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Valor de ser sinceros. Y sencillos. Y fuertes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6707. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6708. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Valor de construir. Y de devastar. Y de destruir.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6709. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6710. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Coraje de dejar que los instintos les salgan del cuerpo…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6711. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6712. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6713. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6714. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6715. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6716. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6717. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cuando el centinela desaparece, lo real deja de reproducirse en los márgenes inasibles de su doble, deja de ser posible y moral. El errante encuentra entonces a cada paso –tal como nos advierte Clément Rosset–, la exultante determinación de todas las realidades, su vivificante insignificancia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6718. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6719. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En Julio Villar las palabras y los sextantes marcan una inamovible posición en el presente. Y el presente está fuera de la deriva del tiempo, carece de significado. En él el mundo produce una imperceptible resonancia, un mismo tono monocorde. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6720. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6721. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6722. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6723. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6724. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6725. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6726. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tengo miedo del viento que traerá el movimiento y unirá el pasado con el futuro. Temo el momento en que empezará a soplar. Uno olvida demasiado pronto…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6727. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6728. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6729. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6730. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  6731. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6732. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6733. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Una vez recuperado para los días, devuelto al ruidoso tiempo de las tramas, el errático advierte a los hombres de lo único aprendido tras cinco años de deserción. Mi viaje ha sido la discreta conquista de la quietud y el cuerpo, “Mi viaje no lo puedo explicar. Yo no he estado en ningún sitio”. Y para sí, como una inconfesable evidencia, suscribirá las palabras del innominado personaje de Antonio Di Benedetto, ese otro “hacedor de silencios”: “De día pensé que me faltaba, hasta en el sueño, dones o ambición de héroe”.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6734. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6735. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6736. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6737. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6738. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6739. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6740. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6741. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6742. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6743. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6744. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6745. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6746. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6747. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6748. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6749. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6750. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6751. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6752. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6753. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6754. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6755. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6756. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6757. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6758. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6759. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6760. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6761. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6762. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6763. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  6764. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6765. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6766. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6767. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6768. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6769. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6770. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6771. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6772. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6773. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6774. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6775. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6776. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6777. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6778. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6779. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6780. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6781. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6782. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6783. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6784. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6785. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6786. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6787. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6788. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6789. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6790. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6791. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6792. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6793. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6794. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6795. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  6796. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6797. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&quot; style=&quot;height: 192px; margin-left: -2px; margin-right: -1px; margin-top: 0px; width: 146px;&quot; /&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img src=&quot;http://ecx.images-amazon.com/images/P/8426121985.01._SL130_SCLZZZZZZZ__.jpg&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6799. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6800. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  6801. &lt;o:OfficeDocumentSettings&gt;
  6802.  &lt;o:TargetScreenSize&gt;800x600&lt;/o:TargetScreenSize&gt;
  6803. &lt;/o:OfficeDocumentSettings&gt;
  6804. &lt;/xml&gt;&lt;![endif]--&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  6805. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  6806. &lt;w:WordDocument&gt;
  6807.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  6808.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  6809.  &lt;w:TrackMoves/&gt;
  6810.  &lt;w:TrackFormatting/&gt;
  6811.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  6812.  &lt;w:PunctuationKerning/&gt;
  6813.  &lt;w:ValidateAgainstSchemas/&gt;
  6814.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  6815.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  6816.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  6817.  &lt;w:DoNotPromoteQF/&gt;
  6818.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  6819.  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  6820.  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  6821.  &lt;w:Compatibility&gt;
  6822.   &lt;w:BreakWrappedTables/&gt;
  6823.   &lt;w:SnapToGridInCell/&gt;
  6824.   &lt;w:WrapTextWithPunct/&gt;
  6825.   &lt;w:UseAsianBreakRules/&gt;
  6826.   &lt;w:DontGrowAutofit/&gt;
  6827.   &lt;w:SplitPgBreakAndParaMark/&gt;
  6828.   &lt;w:EnableOpenTypeKerning/&gt;
  6829.   &lt;w:DontFlipMirrorIndents/&gt;
  6830.   &lt;w:OverrideTableStyleHps/&gt;
  6831.  &lt;/w:Compatibility&gt;
  6832.  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  6833.  &lt;m:mathPr&gt;
  6834.   &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
  6835.   &lt;m:brkBin m:val=&quot;before&quot;/&gt;
  6836.   &lt;m:brkBinSub m:val=&quot;--&quot;/&gt;
  6837.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  6838.   &lt;m:dispDef/&gt;
  6839.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  6840.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  6841.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  6842.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  6843.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  6844.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  6845.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  6846. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  6847. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  6848.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  6849.  LatentStyleCount=&quot;267&quot;&gt;
  6850.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  6851.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  6852.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  6853.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  6854.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  6855.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  6856.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  6857.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  6858.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  6859.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  6860.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  6861.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  6862.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  6863.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  6864.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  6865.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  6866.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  6867.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  6868.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  6869.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  6870.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  6871.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;footnote text&quot;/&gt;
  6872.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  6873.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  6874.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  6875.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  6876.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Body Text Indent&quot;/&gt;
  6877.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  6878.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  6879.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  6880.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  6881.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  6882.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  6883.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  6884.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  6885.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  6886.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  6887.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  6888.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  6889.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  6890.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  6891.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  6892.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  6893.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  6894.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  6895.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  6896.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  6897.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  6898.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  6899.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  6900.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  6901.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  6902.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  6903.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  6904.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  6905.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  6906.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  6907.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  6908.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  6909.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  6910.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  6911.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  6912.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  6913.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  6914.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  6915.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  6916.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  6917.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  6918.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  6919.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  6920.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  6921.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  6922.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  6923.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  6924.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  6925.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  6926.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  6927.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  6928.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  6929.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  6930.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  6931.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  6932.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  6933.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  6934.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  6935.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  6936.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  6937.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  6938.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  6939.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  6940.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  6941.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  6942.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  6943.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  6944.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  6945.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  6946.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  6947.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  6948.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  6949.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  6950.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  6951.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  6952.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  6953.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  6954.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  6955.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  6956.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  6957.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  6958.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  6959.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  6960.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  6961.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  6962.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  6963.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  6964.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  6965.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  6966.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  6967.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  6968.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  6969.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  6970.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  6971.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  6972.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  6973.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  6974.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  6975.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  6976.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  6977.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  6978.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  6979.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  6980.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  6981.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  6982.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  6983.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  6984.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  6985.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  6986.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  6987.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  6988.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  6989.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  6990.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  6991.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  6992.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  6993.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  6994.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  6995.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  6996.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  6997.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  6998.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  6999.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  7000.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  7001.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  7002.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  7003.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  7004.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  7005.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  7006.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  7007.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  7008.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  7009.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  7010.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  7011.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  7012.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  7013.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  7014.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  7015.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  7016.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  7017.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  7018.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  7019.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  7020.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  7021.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  7022.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  7023.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  7024.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  7025.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  7026.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  7027.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  7028.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  7029.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  7030.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  7031.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  7032.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  7033.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  7034.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  7035.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  7036.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  7037.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  7038.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  7039.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  7040.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  7041.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  7042.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  7043.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  7044.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  7045.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  7046.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  7047.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  7048.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  7049.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  7050.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  7051.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  7052.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  7053.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  7054.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  7055.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  7056.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  7057.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  7058.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  7059.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  7060.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  7061.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  7062.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  7063.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  7064.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  7065.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  7066.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  7067.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  7068.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  7069.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  7070.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  7071.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  7072.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  7073.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  7074.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  7075.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  7076.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  7077.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  7078.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  7079.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  7080.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  7081.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  7082.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  7083.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  7084.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  7085.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  7086.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  7087.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  7088.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  7089.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  7090.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  7091.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
  7092.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
  7093.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
  7094.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
  7095.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
  7096.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  7097.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
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  7099.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
  7100.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
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  7102.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
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  7122.  
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  7124. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  7125.  
  7126.  
  7127. &lt;br /&gt;
  7128. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  7129. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7130. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm; text-decoration: none;&quot;&gt;
  7131. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7132. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  7133. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;¡Eh,
  7134. petrel!&lt;/i&gt; (1974)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7135. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  7136. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Viaje
  7137. a pie&lt;/i&gt; (1986) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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  7139. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  7140. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7141. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4075401638099418921'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/4075401638099418921'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/julio-villar-san-sebastian-1943.html' title='Julio Villar (San Sebastián, 1943)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_f58A9Cchvk4/S1MfqPBqSrI/AAAAAAAAADU/UFxe-ZDtO24/s72-c/Poes%C3%ADa+para+animales+(Julio+Villar).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-1711807415494143669</id><published>2010-01-17T05:59:00.000-08:00</published><updated>2015-07-22T12:30:51.289-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><category scheme="http://www.blogger.com/atom/ns#" term="Jesús María Cormán"/><title type='text'>Jesús María Cormán (San Sebastián, 1966)</title><content type='html'>&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
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priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-ansi-language:ES;  mso-fareast-language:ES;} p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText  {mso-style-noshow:yes;  mso-style-unhide:no;  mso-style-link:&quot;Texto nota pie Car&quot;;  margin:0cm;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt; 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  7143. &lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Tabla normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  text-align:justify;  text-indent:14.2pt;  line-height:150%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-fareast-theme-font:minor-fareast;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:&quot;Times New Roman&quot;;  mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;
  7144. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7145. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1McGKL0HUI/AAAAAAAAADM/14nJldke1XM/s1600-h/Poes%C3%ADa+horizontal+%28Jesus+Mar%C3%ADa+Corm%C3%A1n%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427712868050279746&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1McGKL0HUI/AAAAAAAAADM/14nJldke1XM/s320/Poes%C3%ADa+horizontal+(Jesus+Mar%C3%ADa+Corm%C3%A1n).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 227px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7146. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Poesía horizontal&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7147. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7148. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;(Jesús María Cormán: Los lugares hábiles del linotipista)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7149. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7150. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7151. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7152. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7153. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7154. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt; &lt;/span&gt;&lt;br /&gt;
  7155. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7156. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  7157. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Soñamos con viajes a través del Universo; ¿el Universo no está en nosotros?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7158. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  7159. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; Novalis&lt;/span&gt;&lt;/b&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7160. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  7161. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7162. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  7163. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pinto como escribo. Para encontrar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7164. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: right; text-indent: 14.2pt;&quot;&gt;
  7165. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Henri Michaux&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7166. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7167. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7168. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7169. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7170. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7171. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7172. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7173. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7174. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El cuerpo poético de Jesús María Cormán (San Sebastián, 1966) está conformado por una materia blanda y mudable. La ductilidad de los elementos utilizados ha hecho de él un observador incisivo y versátil, capaz de desenvolverse con igual soltura en distintas disciplinas. A la manera de Montale, Cormán adivina un mismo sustrato poético que incide sobre la narrativa, la pintura y la música, en un inevitable juego de vasos comunicantes. &lt;i&gt;Dama del abanico rosado y otras damas, Judas, La diadema líquida, Bye bye Manchester&lt;/i&gt;, representan hasta la fecha su incursión en la novela y el relato corto; con &lt;i&gt;Poemas de octubre, Dioses de cardenillo&lt;/i&gt; y&lt;i&gt; Unidad del dolor, &lt;/i&gt;lo hace en la poesía. Así mismo son muchas sus colaboraciones como letrista de canciones, y una insondable banda sonora anima y fluye junto a su ya dilatada obra pictórica.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7175. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;img height=&quot;124&quot; id=&quot;irc_mi&quot; src=&quot;http://3.bp.blogspot.com/-e1xMp83tUl4/UY9t2PaQdQI/AAAAAAAAE_g/_DLCAWYouw0/s200/Seascape_by_Corman.jpg&quot; style=&quot;margin-top: 73px;&quot; width=&quot;200&quot; /&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7176. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  7177. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  7178. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; height=&quot;123&quot; name=&quot;z4i4Uj97Mnl72M:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;margin-left: 0px; margin-right: 0px; margin-top: -3px;&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7179. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7180. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7181. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7182. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7183. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7184. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7185. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La mirada de Friederich&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7186. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7187. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El cuerpo poético de Cormán se alimenta del rastro de lo sublime; ese estrato último del asombro y el espanto instaurado por el sentir romántico y sus depuradas técnicas de drenaje. Sus composiciones pictóricas son cómplices de aquella absorta mirada de la que fueron víctimas los anónimos personajes de Friederich; presencias detenidas en la nostalgia o el vértigo, de espaldas a las sedantes certezas de la razón cartesiana, cielos desatados a ras de hombre invitando al precipicio. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7188. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7189. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Nada en todas estas turbadoras atmósferas, sin embargo, se resuelve con la romántica tentativa de la caída, donde al precio de la lucidez el yo vería desvanecerse su ansiada y quimérica unidad. Todo cuanto en esta intensa obra salta seducido por la inercia del abismo, permanece en plácida y desconcertante suspensión; ahora sólo importa el prodigio. Si los estragos de una naturaleza al fin despierta tan solo dejaron indemne en el sujeto romántico un airado gesto, custodiado desde entonces por los simulacros y figuraciones de la razón, el yo que Cormán construye se disipa sin estridencias dramáticas en los cielos cuánticos que ya tantearan las variaciones místicas del expresionismo abstracto. La escisión romántica deviene recogimiento, abismado presente al que se le ha extirpado el tiempo; ahora las manifestaciones azarosas del paisaje se contemplan a sí mismas en los espejos del hombre. El yo deja de ser tentativa para cumplirse en la duración. Si todo en Rothko es muda quietud, Cormán vierte movimiento y azar en el silencio abierto de sus cuadros, para que todos los rincones de lo que aún tiene un nombre abjuren de él.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7190. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7191. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7192. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7193. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7194. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7195. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7196. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Lógica de los fluidos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7197. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7198. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las composiciones pictóricas de Cormán se traducen en serenos e inquietantes ensayos de nubes, mansas temperaturas, apenas destempladas atmósferas, lentos rigores de la tierra que ve desvanecerse los consoladores límites, pautada respiración de las estratosferas. Algunas de sus variaciones cromáticas contenidas en “&lt;i&gt;Avalanche&lt;/i&gt;” o “&lt;i&gt;Celsius vs. richter&lt;/i&gt;” recuerdan el tiempo posterior a los violentos diluvios de William Turner. El discurrir sosegado de los cúmulos y la lenta precipitación de una orgánica orografía nos habla del descanso consciente de todas las tormentas. Una naturaleza todavía admirada de su propia capacidad devastadora y generativa que culminará en “&lt;i&gt;Gravedad Cero&lt;/i&gt;” con refinadas series en las que el paisaje se repliega sobre sí mismo en busca de un imposible reposo. &lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7199. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7200. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo el cuerpo poético de Cormán es pausada incubación de realidades posibles, precipitado de mónadas, polinización de universos sometidos a la incierta lógica de los fluidos. Este singular pintor de placentas asume sin dolor las formas de un sujeto dinámico, fugaz y contingente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7201. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7202. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tal como ocurriera en el expresionismo abstracto estadounidense, con la introducción de una nueva superficie pictórica se rehabilita un discurso trascendente que excluye toda posibilidad de distanciamiento e ironía. Es este el punto de inflexión donde la pintura de Cormán toma distancia con respecto a su poesía. A propósito de la obra poética, ha señalado Félix Maraña que, “junto a rasgos conceptuales, se revela siempre imaginativa e inclinada al humor profundo, con gestos sarcásticos, ingeniosos y grotescos incluso.”&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftn1&quot; name=&quot;_ftnref1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7203. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7204. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7205. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7206. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7207. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7208. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7209. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Me obligaron a creer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7210. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7211. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; que todos teníamos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7212. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7213. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un lugar en el vientre &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7214. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7215. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; de la misma madre,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7216. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7217. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pero hoy tengo la sensación&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7218. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7219. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; de que mis pies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7220. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7221. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;llevan demasiado tiempo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7222. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7223. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; fuera.&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftn2&quot; name=&quot;_ftnref2&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;[2]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7224. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7225. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7226. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7227. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7228. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7229. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7230. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7231. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;img alt=&quot;&quot; src=&quot;http://manse.es/s/cc_images/thumb_2433459269.jpg?t=1383303069&quot; id=&quot;image_2433459269&quot; /&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img alt=&quot;&quot; src=&quot;http://manse.es/s/cc_images/thumb_2432897165.jpg?t=1381250938&quot; height=&quot;122&quot; id=&quot;image_2432897165&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/span&gt;  &lt;br /&gt;
  7232. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7233. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7234. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7235. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;El pensamiento del ojo&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7236. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7237. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo cuanto en la obra poética de Cormán acontece lo hace por sedimentación; poso de sutiles gestos y fracciones de vida, rumor de inasibles huellas de todo cuanto al tiempo se le desprende en su deriva. Cormán abre pequeños paréntesis en el anónimo e inconsciente devenir, pequeñas grietas, huecos amables, lugares hábiles en la duración de insignificantes acontecimientos para inventar una entraña al mundo. Las composiciones de Cormán son la crónica callada de jardines domésticos, cenadores, parques, conocidas estancias; interrogan al silencio en el rumiar de las cocinas a media noche, en las salas de urgencia, en la quimera infranqueable de los puentes, en el fondo de las manos donde todo cuanto decimos conocer deja de ser aprehensible.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7238. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7239. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7240. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7241. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7242. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7243. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7244. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…a escuchar la lluvia bajo el cenador de rayas antes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7245. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7246. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que el café se despierte y toque palmas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7247. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7248. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en los dormitorios,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7249. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7250. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a escuchar el derribo, la tala&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7251. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7252. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;silenciosa de mayo y su fragmentación&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7253. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7254. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al otro lado del muro,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7255. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7256. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;antes que la radio desate a todas las bestias dormidas,&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftn3&quot; name=&quot;_ftnref3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;[3]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7257. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7258. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7259. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7260. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7261. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7262. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7263. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Una espesa calina habita en las cosas, una lluvia apretada amenaza siempre con difuminar el brillo de los nombres; la pérdida, el olvido, el frío, una fractura irreparable aguarda en los rincones de estas composiciones que remontan los estériles ríos “que ponen nombre a todos los regresos de la tierra”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7264. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7265. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Es tarea del poema dar cuenta de los fragmentos y las huellas, fijar los “lugares hábiles, yermos lugares donde desaparecer”. El mundo se despliega a la manera de las planchas de cobre de William Blake, en ellas el ojo de Cormán ensaya su particular “método infernal” de impresión, aplica trementinas, secativos de cobalto y demás resinas de la palabra; corrosivos que disipan las rebabas y templan las superficies hasta hacerlas precisas, por un instante ciertas, a salvo de tanta instrumental concreción. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7266. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7267. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7268. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7269. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7270. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7271. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7272. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;NO ME CABE LA MENOR DUDA:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7273. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7274. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La sombra es feroz porque el sol está oculto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7275. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7276. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El niño&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7277. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7278. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;golpea la superficie del charco sólo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7279. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7280. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para que el agua no se esté quieta, para que no&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7281. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7282. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;se detenga el miedo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7283. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7284. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y pase de largo, como un viento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7285. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7286. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;alto, risco y rapaz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7287. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7288. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7289. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7290. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7291. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7292. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7293. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No me cabe la menor duda:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7294. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7295. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la sombra se acerca y caerá sobre nosotros&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7296. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7297. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tarde o temprano.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7298. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7299. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Un nuevo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7300. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7301. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;golpe , una nueva ráfaga&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7302. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7303. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;atomiza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7304. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7305. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el reflejo del niño y nos contamina a todos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7306. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7307. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de esperanza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7308. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7309. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7310. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7311. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7312. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7313. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7314. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Inclinado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7315. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7316. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sobre el mundo, palo en mano, mirar ausente de tango, el niño&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7317. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7318. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;espera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7319. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7320. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7321. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7322. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7323. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7324. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7325. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En estas composiciones de corte narrativo el ojo de Cormán repliega el mundo en un plano continuo en el que pequeñas anécdotas se trenzan conformando un tejido inconsistente, el manto como una piel de escamas donde las cosas se reconcilien con su originaria fragilidad. Cormán nos exhorta a mirar sin nombrar, a amar la muda y fuga de todo acontecimiento. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7326. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7327. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;A la manera de Raymond Carver, fugaces sucesos hacen las veces de deshilachadas hebras por las que el mundo se revela. Todo cuanto acontece lo hace en la superficie, y es tarea del poema habitar las texturas, colonizar la grieta, dominar la falla, dar razón de los desplazamientos tectónicos de todos los planetas posibles. “Un hombre solo golpea una pelota contra un muro” para ver así renovarse con cada batida la esperanza; un niño esgrime un palo, “aguarda a que el cielo respire” para espantar al miedo detenido en un charco; “el grumete oye el mar con una caracola y así sabe que existe”, que al igual que la tierra también tres cuartas partes de él son agua; “bajo la marquesina de la línea 13, un chico punk duerme dentro de una camiseta de Tom Verlaine iluminando la tristeza, Tom buscando a Paul desesperadamente en un pecho demasiado pequeño”. Desde un trampolín, un niño dormido rumia en sueños una intima caída. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7328. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7329. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tal vez no haya misterio más allá de la evidencia de nuestros gestos. Por ello para Carlos Aurtenetxe “la obra de Cormán es el pensamiento del ojo, función poética, ojo del pensamiento que traslada. Estaréis, con él, siempre en otra parte de todo”, “Cormán dice, pinta, compone, descompone, transcribe las materias, los aluviones del hombre que sobrepasan al hombre, su dèpassement, su pura trasgresión, transfusión, su pura trascendencia en conversión de los materiales de derribo en sueño, en imagen…El dramatismo subyacente en su obra, nos acerca al centro de lo fronterizo, de lo periférico en nosotros.”&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftn4&quot; name=&quot;_ftnref4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7330. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7331. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los personajes que pueblan los poemas de Cormán son “ocupantes, pasajeros que viajan con él, colonos”, y al igual que el ocasional lector, cómplices, testigos mudos sumados al registro minucioso de los indicios, aquí en el fondo a ras de suelo. Todos nos asomamos a estas cajas abiertas, sin costuras, depositamos una imagen, la observamos con sed de alquimia, despacio, aguardando a que precipite el mundo al latido de la trementina, y el ojo adivine al fin una entraña o un horizonte. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7332. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7333. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Esas cajas que ideara Carver donde el fondo aguarda un relieve; en las que el rostro del mundo es invariablemente: una red en la que un hombre manco despliega su infructuosa trama; La humanidad abierta, aferrada a esas manos que tan solo los estudiantes de medicina en prácticas comprenden; el mayor esturión del que jamás se tuvo noticia: en uno de los extremos del sedal un tiro de caballos mantiene el simulacro de la rendición en suspenso; la manga alzada de un traje, una mortaja recién lustrada por los técnicos procedimientos, la depurada química e industrias de la limpieza en seco, el hueco dejando al descubierto los catálogos del mundo, dando razón de la lucidez, mostrando el otro lado del silencio después de los gruesos cedazos de todos los sudarios. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7334. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7335. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;También Cormán espera un ámbito amable, un lugar hábil, algo de comprensión allí en el fondo, donde todos seguimos absortos las evoluciones de nuestro nombre en el añorado vértigo de las placentas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7336. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7337. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7338. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7339. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7340. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7341. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7342. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;EN EL ÚLTIMO TRIMESTRE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7343. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7344. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el viento ha sacado un diez en Física y Química &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7345. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7346. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y los puños de mi camisa un siete y medio en Historia de la&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7347. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7348. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Carnicería.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7349. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7350. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mientras esperamos ansiosos la noticia del calor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7351. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7352. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la dentadura del delfín&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7353. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7354. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;repasa&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7355. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7356. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a un costado de la pizarra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7357. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7358. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el nombre exacto de las cosas. mientras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7359. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7360. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ese chico,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7361. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7362. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el segundo chico por la derecha, en la primera fila,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7363. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7364. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;bombardea con bolitas de Matemáticas al crucifijo de madera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7365. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7366. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tal vez ignorante&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7367. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7368. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de que será el primero de nosotros en morirse&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7369. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7370. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el brillo de su planeta.&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftn5&quot; name=&quot;_ftnref5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;[5]&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7371. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &lt;img src=&quot;http://www.euskonews.com/0376zbk/argazkiak/book03.jpg&quot; height=&quot;200&quot; id=&quot;irc_mi&quot; style=&quot;margin-top: 80px;&quot; width=&quot;128&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; height=&quot;200&quot; name=&quot;v6A2-tL03aSHCM:&quot; 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&quot; style=&quot;margin-left: 0px; margin-right: 0px; margin-top: -11px;&quot; width=&quot;120&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7372. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  7373. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcSnfhVwnuaQnqtmEYxrIwJQKAgZLhwzauATp7Ock79pmNkGvqcH&quot; data-sz=&quot;f&quot; name=&quot;tgYqFaFHGWolPM:&quot; src=&quot;https://encrypted-tbn2.gstatic.com/images?q=tbn:ANd9GcSnfhVwnuaQnqtmEYxrIwJQKAgZLhwzauATp7Ock79pmNkGvqcH&quot; style=&quot;height: 207px; margin-left: -6px; margin-right: -5px; margin-top: 0px; width: 139px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7374. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  7375. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7376. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  7377. &lt;o:OfficeDocumentSettings&gt;
  7378.  &lt;o:TargetScreenSize&gt;800x600&lt;/o:TargetScreenSize&gt;
  7379. &lt;/o:OfficeDocumentSettings&gt;
  7380. &lt;/xml&gt;&lt;![endif]--&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  7381. &lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  7382. &lt;w:WordDocument&gt;
  7383.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  7384.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  7385.  &lt;w:TrackMoves/&gt;
  7386.  &lt;w:TrackFormatting/&gt;
  7387.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  7388.  &lt;w:PunctuationKerning/&gt;
  7389.  &lt;w:ValidateAgainstSchemas/&gt;
  7390.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  7391.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  7392.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  7393.  &lt;w:DoNotPromoteQF/&gt;
  7394.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
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  7711. de octubre&lt;/i&gt; (1985)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7712. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
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  7714. de cardenillo&lt;/i&gt; (2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7715. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  7716. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Unidad
  7717. del dolor / Ejercicios de calentamiento&lt;/i&gt; (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7718. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
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  7720. (2007)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7721. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
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  7723. de crisis&lt;/i&gt; (2008) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  7724. &lt;/div&gt;
  7725. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
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  7727. canibal &lt;/i&gt;(2008)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7728. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  7729. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Bajo
  7730. cero &lt;/i&gt;(2010)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  7740. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftnref1&quot; name=&quot;_ftn1&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;i&gt;Vasca y joven. Poesía y Futuro&lt;/i&gt;, Félix Maraña y Felipe Juaristi. Diputación Foral de Guipúzcoa, colección “Miniatura poética” (2000); Pág. 29.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7741. &lt;/div&gt;
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  7743. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  7744. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftnref2&quot; name=&quot;_ftn2&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[2]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;i&gt;Dioses de cardenillo&lt;/i&gt;, Jesús María Cormán.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7745. &lt;/div&gt;
  7746. &lt;div id=&quot;ftn3&quot;&gt;
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  7748. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftnref3&quot; name=&quot;_ftn3&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[3]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;“Lugares hábiles”, &lt;i&gt;Unidad del dolor&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;, Bermingham Edit. (2005); Pág. 41. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7749. &lt;/div&gt;
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  7752. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftnref4&quot; name=&quot;_ftn4&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[4]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;“Paisaje cruzado”, prólogo de Carlos Aurtenetxe a &lt;i&gt;Unidad del dolor&lt;/i&gt;, &lt;span lang=&quot;ES&quot;&gt;Bermingham Edit. (2005); Pág. 16, y “Parábola de la lejanía”, prólogo a “Digital”, catálogo de la exposición pictórica de Cormán (1991). &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7753. &lt;/div&gt;
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  7756. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://www.blogger.com/post-edit.g?blogID=6244994537032806996&amp;amp;postID=1711807415494143669#_ftnref5&quot; name=&quot;_ftn5&quot; title=&quot;&quot;&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if !supportFootnotes]--&gt;&lt;span class=&quot;MsoFootnoteReference&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;[5]&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;i&gt;Vasca y joven. Poesía y Futuro&lt;/i&gt;, Félix Maraña y Felipe Juaristi. Diputación Foral de Guipúzcoa, colección “Miniatura poética” (2000); Pág. 29.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7757. &lt;div class=&quot;MsoFootnoteText&quot;&gt;
  7758. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7759. &lt;/div&gt;
  7760. &lt;/div&gt;
  7761. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1711807415494143669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1711807415494143669'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/jesus-maria-corman-san-sebastian-1966.html' title='Jesús María Cormán (San Sebastián, 1966)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1McGKL0HUI/AAAAAAAAADM/14nJldke1XM/s72-c/Poes%C3%ADa+horizontal+(Jesus+Mar%C3%ADa+Corm%C3%A1n).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-3555814050072884842</id><published>2010-01-17T05:49:00.000-08:00</published><updated>2015-07-22T12:30:34.320-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><category scheme="http://www.blogger.com/atom/ns#" term="Josu Montero"/><title type='text'>Josu Montero (Bilbao, 1962)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; 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unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;
  7762. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1MWK8_uZUI/AAAAAAAAADE/0R3j0OjB65g/s1600-h/Poemas+para+desp%C3%A9s+de+las+palabras+%28Josu+Montero%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427706353339491650&quot; src=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1MWK8_uZUI/AAAAAAAAADE/0R3j0OjB65g/s320/Poemas+para+desp%C3%A9s+de+las+palabras+(Josu+Montero).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 158px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx&quot; rel=&quot;themeData&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml&quot; rel=&quot;colorSchemeMapping&quot; style=&quot;font-family: times new roman;&quot;&gt;&lt;/link&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;ES-TRAD&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val=&quot;Cambria Math&quot;&gt;    &lt;m:brkbin val=&quot;before&quot;&gt;    &lt;m:brkbinsub val=&quot;--&quot;&gt;    &lt;m:smallfrac val=&quot;off&quot;&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val=&quot;0&quot;&gt;    &lt;m:rmargin val=&quot;0&quot;&gt;    &lt;m:defjc val=&quot;centerGroup&quot;&gt;    &lt;m:wrapindent val=&quot;1440&quot;&gt;    &lt;m:intlim val=&quot;subSup&quot;&gt;    &lt;m:narylim val=&quot;undOvr&quot;&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate=&quot;false&quot; defunhidewhenused=&quot;true&quot; defsemihidden=&quot;true&quot; defqformat=&quot;false&quot; defpriority=&quot;99&quot; latentstylecount=&quot;267&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Normal&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;heading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footer&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;35&quot; qformat=&quot;true&quot; name=&quot;caption&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;page number&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;br /&gt;
  7763. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7764. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;Poemas para después de las palabras&lt;/span&gt;
  7765. &lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7766. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7767. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;(Josu Montero: El camino de las desapariciones)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7768. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7769. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7770. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7771. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7772. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7773. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7774. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;Te traigo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7775. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7776. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;las pocas palabras que conozco…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7777. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7778. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Jerome Rothenberg&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7779. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7780. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7781. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7782. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7783. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7784. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7785. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía no es inefable, inexplicable; hunde sus raíces en la realidad concreta y en la relación que –en mí– ésta establece con el lenguaje.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7786. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7787. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Josu Montero&lt;/span&gt;&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7788. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7789. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7790. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7791. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7792. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7793. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7794. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Acaso el orden que dictan los días, los usos acreditados de las palabras, sus confortables disposiciones, no sean suficientes para apaciguar y cumplir a un hombre. Cuántas veces a lo largo de un solo día, en nuestros puestos fronterizos de trabajo, en los reclamos de la vida feliz, mientras la luz eufórica de los televisores, en las tramas apenas de nuestras conversaciones, y demás tormentas de partículas que sitian nuestra complicidad, tiene de repente lugar el eclipse y no está ya el hombre. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7795. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7796. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Acaso el hombre esté entonces atendiendo a otras llamadas, procurándose él mismo auxilio, asomado al fin a su lento desorden, intuyendo tal vez que la vida entre los otros no basta, que nada de lo hecho es suficiente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7797. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7798. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía preserva estos silencios, interrupciones en las sinapsis de nuestras ciudades, combate sus órdenes y preceptos, eleva a la última potencia el absurdo de sus leyes, restablece en cada uno de nosotros al hombre que calla, después de haber hecho íntima la vida. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7799. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7800. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En este no estar la realidad se propaga, crece el hombre en el simple adiestramiento de la escucha y la negación de lo dado. En este silencio el lenguaje, la palabra, sana de sus corrupciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7801. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7802. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;De la mano de Jerome Rothenberg o John Berger, Josu Montero hace suyo este empeño ético por el que “la finalidad de la poesía no puede ser sino ofrecer resistencia al lenguaje. La poesía debe inquietar al lenguaje, eliminar su bárbara indiferencia. Para cumplir el anhelo de más realidad es preciso hablar contra las palabras”, inaugurar una reveladora ceguera. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7803. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7804. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7805. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7806. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7807. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7808. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7809. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;“Tomar hasta el fin el camino de las cosas”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7810. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7811. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Alentada por la proclama de Francis Ponge, la versátil poesía de Josu Montero lleva a cabo su particular inmersión en la realidad. Una realidad hecha de cosas con sus pedazos de nombres adheridos; de hombres, solos, simultáneos a veces, semejantes siempre en el dolor; paisajes de naturalezas domesticadas o intervenidas, edulcoradas por el esperma de las ciudades, y otros materiales de deriva. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7812. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7813. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Como si el tiempo fuera una efigie, la poesía de Josu Montero reproduce todas las formas y caras del instante. Decursos discursivos y narrativos, anecdotario de instantes comunes, experiencias simples, interrumpidos por precipitados filosóficos, voces de textos leídos, cribas intelectuales. Prosas líricas, también, amplio aliento para una respiración en la duración del instante. Poesía telegráfica, en ocasiones, ejercicios de destilación en la palabra mínima, impresiones de tiempo en la concreción de las cosas. Poemas que emulan los destierros de los funcionarios de la dinastía Tang, el empeño de los hombres solos de Beckett por conferir forma a su confusión, impresiones que hagan habitable el extrañamiento. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7814. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7815. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Con idéntica habilidad Josu Montero reproduce cercos urbanos con la rabia alucinada de Ginsberg, o esos otros espacios para un extravío sereno que reprodujera José Antonio Muñoz Rojas en la prosa poética de &lt;i&gt;Las cosas del campo&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7816. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7817. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7818. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7819. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7820. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7821. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7822. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Por los solitarios caminos &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7823. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7824. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Un dorado atardecer&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7825. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7826. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Seguimos a los bueyes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7827. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7828. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hasta los lentos pueblos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7829. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7830. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Olvidados más allá del poniente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7831. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7832. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Allí donde mora el dulce dolor de las tapias&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7833. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7834. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El amarillo abandono de los almiares&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7835. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7836. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Donde hasta la muerte es pequeña&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7837. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7838. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Como en un sueño &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7839. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7840. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7841. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7842. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7843. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7844. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7845. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Naturaleza dócil, ajena al devastador latido, a la distancia y el deseo que es el hombre, recolector de ausencias; desiertos fértiles, campos para la siembra, cielos diluyendo un improbable horizonte, nubes sin edad, el tiempo inconsciente de los ríos, naturaleza mansa, como un perro a los pies pronunciando mientras nos mira el amor de los tontos, ese en el que todavía es posible “olvidar el vivir”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7846. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7847. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7848. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7849. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7850. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7851. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7852. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sólo extraviados en los caminos de la noche&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7853. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7854. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Alcanzamos esas tierras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7855. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7856. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Que fulgen en la maravilla de la mañana&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7857. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7858. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y desaparecen luego para siempre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7859. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7860. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7861. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7862. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7863. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7864. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7865. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Ante la voracidad de las palabras, su sed de límite y concreción, salvaguardar la experiencia de lo vivo, su sorprendente emergencia, su mudo presente. Las palabras paralizan, desecan la vida de las cosas, enturbian su amigable indiferencia. Josu Montero camina, porque “no debemos detener esta violenta corriente que nos arrastra”, pisa sin ruido, sin pronunciar la extensión de la tierra que nos ignora, y celebra este don de las desapariciones. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7866. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7867. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En ocasiones al caminante lo acompaña un cómplice en la huida, los cuerpos se convierten entonces en otro paisaje que es preciso no descifrar. La experiencia amorosa, “esa práctica del exterminio”, se suma a esa experiencia del extravío, otra forma de desposeimiento y vida a la intemperie, la desolada serenidad de los materiales de derribo, otra práctica de imposible concreción, “... en ese infinitamente dilatado instante qué evidente el ser breve, inaccesible, de las cosas en la luz”. Otra sed que en vano remonta “el camino de los manantiales”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7868. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7869. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La poesía de Josu Montero reproduce la coreografía de los hombres que no están. Decididos autómatas con su pernicioso segundo de lucidez a cuestas, de repente confundidos, sin la urgencia ya a la que el otro obliga, ese instante en que alguien mira a otro alguien que mira no se sabe a dónde. Se produce así el contagio, fecunda el mundo la extrañeza, la vida toda calla, nos da la espalda el árbol, la intermitencia del mar, la acción de los hombres cumple su inercia ajena a toda convicción, se interrumpe por un instante la voluntad; se hace presente, físico, ese otro lugar donde el hombre al fin cesa. El mundo es entonces una danza de gestos limpios, ausentes, simultáneos. Erige Hopper su monumento a las desapariciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7870. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7871. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7872. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7873. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7874. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7875. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7876. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;“Caminar se ha vuelto una difícil tarea”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7877. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7878. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La reproducción de la realidad al margen de las prácticas paralizadoras del intelecto, tiene su máxima expresión en la figura de Huai-Su, pintor y calígrafo de la dinastía Tang, cuya travesía al mar en las costas de Ise antes de morir reproducirá en primera persona Josu Montero, en la serie &lt;i&gt;Recuerdo de las cosas antiguas &lt;/i&gt;incluida en su primer libro &lt;i&gt;Sendas del Camino Antiguo&lt;/i&gt; que le valiera el premio “Arcipreste de Hita” en 1988.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7879. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7880. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7881. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7882. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7883. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7884. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7885. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…había conseguido obtener en caracteres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7886. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7887. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;todos los objetos inanimados y aun todas las formas vivientes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7888. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7889. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Signos rectos como agujas suspendidas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7890. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7891. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o retorcidos como el relámpago que estalla,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7892. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7893. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;signos redondos como gotas de rocío que caen&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7894. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7895. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o inclinados como aves emprendiendo el vuelo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7896. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7897. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;signos ligeros como alas de saltamontes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7898. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7899. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o pesados como nubes pesadas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7900. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7901. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;signos majestuosos como una cigüeña sostenida por una solo de sus patas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7902. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7903. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o abruptos como escarpados roquedales de la montaña,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7904. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7905. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;signos en fin como hombres danzantes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7906. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7907. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o árboles mojados.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7908. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7909. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7910. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7911. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;… desconfiad del tórax de avispa, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7912. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7913. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;evitad la cola de ratón,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7914. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7915. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;huid de la cabeza de buey,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7916. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7917. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuidado con la rama rota,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7918. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7919. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ojo con la pata de cigüeña. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7920. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7921. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7922. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7924. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7925. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7926. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Este arte del caminar en derrota a cada paso y caligrama salvaje tal como lo ensayara Huai-Su, colma en Josu Montero la necesidad de una palabra que no intervenga la realidad, ajena al ser mudable y apacible de las cosas; la vida “sorprendida en movimiento”. En estos poemas la concreción es una amenaza. Mirar, decir el mundo, consignar colores, formas, contornos, son ejercicios de la distancia que pronunciamos en las cosas y los hombres; en la palabra se aviva la violencia de la naturaleza, el paisaje se define fatalmente, adopta el irreparable semblante de los cuerpos inertes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7927. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7928. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7929. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7930. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7931. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7932. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Retiraron las telas que me cubrían los ojos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7934. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7935. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y desapareció el mundo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7936. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7937. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7938. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Aunque tuvieran&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7940. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el don de la vista mis ojos sólo distinguirían un&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7942. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7943. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;vasto amarillo desierto inhabitado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7944. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7945. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7946. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7947. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7948. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7949. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7950. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Extrañando la belleza la vida se propaga en los márgenes, ajena al vano empeño de ser. Transparencia, invisibilidad, movimiento perpetuo, no quedarse mucho tiempo en nada de cuanto amamos para que todo acontezca. La caligrafía es la palabra en movimiento, las cosas al fin vivas, las huellas en el camino que evitan que la tierra se paralice, que se deseque el hombre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7951. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7952. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En los objetos y los cuerpos entretiene su noche el hombre al fin ciego, “calcando sobre ellos la forma arrugada de mis manos, de mi cerebro”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7953. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7954. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7955. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7956. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7957. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7958. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7959. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En las laderas el tomillo silvestre ha desaparecido,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7960. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7961. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y ahora sólo vemos Eléboro Negro,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7962. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7963. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al que los lugareños llaman Rosa de Fuego;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7964. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7965. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;su raíz negra aferra las entrañas de la tierra, la paraliza&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7966. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7967. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de igual forma que paralizaría nuestro corazón si nos detuviésemos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7968. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7969. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;¡Y este frío no acaba nunca!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7970. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7971. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7972. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7973. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  7974. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7975. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7976. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Frente a los caligramas de la tradición Tang que reproducen las sendas de una naturaleza amable en la que poder desaparecer, la palabra adquiere su vertiente más voraz en la poesía urbana de Josu Montero. Palabra que pronuncia con determinación las tiránicas formas de la verdad y la belleza. “Las leyes están en contra de la expedición”. En las palabras se pronuncia la muerte, “lo que hay entre nosotros y todo aquello que no alcanzamos”. “La muerte acaba cuando renunciamos al misterio, cuando ahogamos nuestras palabras”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7977. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7978. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los poemas de Josu Montero se proveen del extravío como si de un oscuro don se tratara. Cómplices del empeño de Francis Ponge por ver propagarse la realidad: “La presencia de los objetos, su evidencia concreta, su espesor, sus tres dimensiones, su lado palpable, indudable, su existencia de la que estoy más seguro que de la mía, todo eso es mi única razón de ser, mi pretexto propiamente dicho; y la variedad de las cosas es en realidad lo que me construye”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7979. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7980. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7981. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  7982. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;i&gt;&lt;br /&gt;
  7983. &lt;/i&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  7984. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;
  7985.  
  7986.  
  7987.  
  7988.  
  7989. &lt;/i&gt;
  7990.  
  7991.  
  7992. &lt;/span&gt;&lt;/span&gt;&lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;&lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  7993.  
  7994.  
  7995. &lt;br /&gt;
  7996. &lt;div style=&quot;font-style: normal; line-height: d%; margin-bottom: 0cm;&quot;&gt;
  7997. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  7998. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-decoration: none; text-indent: 0.5cm;&quot;&gt;
  7999. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8000. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8001. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Sendas
  8002. del Camino Antigua &lt;/i&gt;(1989)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8003. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8004. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Nubes
  8005. &lt;/i&gt;(1990)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8006. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8007. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Un
  8008. lugar extraño&lt;/i&gt; (1997)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8009. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8010. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Los
  8011. caminos de la sed &lt;/i&gt;(1988-98)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8012. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8013. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Punk&lt;/i&gt;
  8014. (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8015. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8016. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Cuatro
  8017. miradas para un estremecimiento &lt;/i&gt;(2000)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8018. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8019. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Cuaderno
  8020. de la vendedora&lt;/i&gt; (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8021. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8022. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8023. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;
  8024.  
  8025. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8026. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8027. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8028. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8029. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8030. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3555814050072884842'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3555814050072884842'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/josu-montero-bilbao-1962.html' title='Josu Montero (Bilbao, 1962)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_f58A9Cchvk4/S1MWK8_uZUI/AAAAAAAAADE/0R3j0OjB65g/s72-c/Poemas+para+desp%C3%A9s+de+las+palabras+(Josu+Montero).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-3111162574443787387</id><published>2010-01-17T05:42:00.000-08:00</published><updated>2015-07-22T12:32:41.340-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 70"/><category scheme="http://www.blogger.com/atom/ns#" term="José Luis Padrón"/><title type='text'>José Luis Padrón (Urretxu, 1970)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  8031. &lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml&quot; rel=&quot;File-List&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx&quot; rel=&quot;themeData&quot;&gt;&lt;/link&gt;&lt;link href=&quot;file:///C:%5CUsers%5CPORTATIL%5CAppData%5CLocal%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml&quot; rel=&quot;colorSchemeMapping&quot;&gt;&lt;/link&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:hyphenationzone&gt;21&lt;/w:HyphenationZone&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;ES-TRAD&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val=&quot;Cambria Math&quot;&gt;    &lt;m:brkbin val=&quot;before&quot;&gt;    &lt;m:brkbinsub val=&quot;--&quot;&gt;    &lt;m:smallfrac val=&quot;off&quot;&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val=&quot;0&quot;&gt;    &lt;m:rmargin val=&quot;0&quot;&gt;    &lt;m:defjc val=&quot;centerGroup&quot;&gt;    &lt;m:wrapindent val=&quot;1440&quot;&gt;    &lt;m:intlim val=&quot;subSup&quot;&gt;    &lt;m:narylim val=&quot;undOvr&quot;&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate=&quot;false&quot; defunhidewhenused=&quot;true&quot; defsemihidden=&quot;true&quot; defqformat=&quot;false&quot; defpriority=&quot;99&quot; latentstylecount=&quot;267&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Normal&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;heading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;35&quot; qformat=&quot;true&quot; name=&quot;caption&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman; 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  8032. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8033. &lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&lt;a href=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1MUcaPc5gI/AAAAAAAAAC8/Dmmux89IG6w/s1600-h/Poemas+del+no+lugar+%28Jos%C3%A9+Luis+Padr%C3%B3n%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427704454224602626&quot; src=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1MUcaPc5gI/AAAAAAAAAC8/Dmmux89IG6w/s320/Poemas+del+no+lugar+(Jos%C3%A9+Luis+Padr%C3%B3n).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 208px;&quot; /&gt;&lt;/a&gt; &lt;/span&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-size: small;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
  8034. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poemas del no lugar&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8035. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;(José Luis Padrón: Los soles del náufrago)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8036. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8037. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8038. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8039. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8040. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8041. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8042. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No es necesario quizás decir&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8043. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8044. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que ninguna duración sale&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8045. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8046. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de las catástrofes diarias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8047. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8048. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Peter Handke&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8049. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8050. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8051. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: left; text-indent: 14.2pt;&quot;&gt;
  8052. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8053. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8054. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8055. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética de José Luis Padrón (Urretxu, 1970), está traspasada por una honda emoción de la imagen. Ésta ha ido encontrando su lugar en las formas musicales que reproducen las voces clásicas del romance y la canción popular, el verso sensitivo y la secuencia discursiva de sus primeros libros: &lt;i&gt;De la manera de vivir más humilde y callada&lt;/i&gt;,&lt;i&gt; profundos senderos de niebla y carne &lt;/i&gt;y&lt;i&gt; Vida al margen de todo&lt;/i&gt;. Libros en los que el deslumbramiento del joven poeta reproduce sin complejos su deuda para con Antonio Machado o la poesía del veintisiete. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8056. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8057. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Con distintos acentos y estilos se va cumpliendo la voz elegiaca de estos poemas, hasta conquistar una poesía concentrada, de fragmento rotundo y árido que no precisa ya del auxilio de adjetivo alguno: &lt;i&gt;Los ojos deseados&lt;/i&gt;,&lt;i&gt; La memoria extendida&lt;/i&gt; son una suerte de epílogo en el que se cumple el tránsito que va desde una poesía de la contemplación hacia la digestión de lo contemplado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8058. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8059. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los poemas de Padrón son, en su conjunto, una llamada de socorro. Muestran a un hombre expuesto, agónico, incapaz de conformar maneras que hagan hábil la vida; cada libro es la crónica de un nuevo naufragio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8060. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8061. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8062. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8063. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8064. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8065. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8066. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;El náufrago.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8067. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8068. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Si para esa otra voz en la zozobra, que fue Rimbaud, la vida estaba en otra parte, para José Luis Padrón apenas sí queda lugar alguno capaz de contener la vida. Cada poema recoge “la derrota al final de la jornada” y reproduce un paisaje exhausto por la ingrata tarea de llevar la vida a cuestas. “Nubes vacilantes”, “verano en sombras”, “cisnes rotos sobre la lluvia”, y ese omnipresente astro que vive como un tímido dios de espaldas a todo cuanto el hombre nombra. “El sol que no arde, que se esconde disfrazado en un resplandor de piedra”, “sol resquebrajándose”, “sol mendigo”, “sol que apenas tiene significado”, “sol que se aleja”. Queda entonces un universo sin temperatura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8069. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8070. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Si no hay luz, tampoco la tierra conoce su contorno; desfallece el náufrago, todo es ya extensión, distancia, horizonte, superficie sin voz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8071. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8072. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8073. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8074. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8075. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8076. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8077. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Un cielo negro que devora nuestros nombres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8078. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8079. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en estos parques, en estas calles, en este mismo lugar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8080. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8081. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;bajo un atardecer tranquilo y azul que ya es historia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8082. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8083. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y silencio.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8084. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8085. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8086. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8087. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8088. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8089. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8090. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Queda una suerte de destemplado almario, un “hueco de la memoria” donde albergar tanto espectro, simulacros de vida huida, y ese gusto árido de los desiertos a ratos en que todavía es feliz el recuerdo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8091. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8092. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al hombre en estos poemas se le ha acabado la tierra, vive en un continuo despojamiento. Para él vivir es caer sin interrupción, y en la caída se funda el vértigo de todos los abrazos al número de las cosas, nombres que no duran. No hay canto ni vuelo capaz de remontar la vida: “las palabras ya no sirven”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8093. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8094. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El náufrago se recorta contra los horizontes, deja extenderse su memoria igual que crecen los mares, los bosques, las noches, sin poder con ello conjurar todo cuanto amenaza al hombre solo. En ocasiones clama por ese tiempo en el que débiles indicios le recuerdan haber estado habitado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8095. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8096. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8097. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8098. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8099. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8100. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8101. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Vuelan en mí, temblorosas, mis esperanzas o flores muertas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8102. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8103. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Arrasadas metáforas de infancia y las primeras hogueras&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8104. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8105. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dentro de la sangre. He procurado no despertar a los monstruos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8106. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8107. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;anhelando al fondo del poema. Escribir: las sombras tímidamente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8108. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8109. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;próximas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8110. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8111. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8112. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8113. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8114. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8115. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8116. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;b&gt;La duración.&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8117. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8118. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Porque “Sólo la soledad se gana a cada momento. Soledad que no es ausencia, sino razones perdidas”, al náufrago le hubiera gustado escribir el poema a la duración, ese que pretendiera Peter Handke bajo los presupuestos de Henri Bergson. Duración que no niega el tiempo escindido, ni es su suspensión ni el éxtasis, tampoco el milagro. La duración tiene lugar en la convergencia de las imágenes cotidianas que he sido y soy. “La duración –asegura Handke– como un acontecimiento que consiste en estar atento, percatarse, ser abrazado, ser atrapado por un sol suplementario… que pone de acuerdo todas las disonancias… La duración no es algo que se viva con otros. No forma ningún pueblo. Y, sin embargo, en el estado de gracia de la duración, al fin no soy yo simplemente y nadie más. La duración es mi relevo, me deja marchar y me deja ser. Animado por la duración, soy también aquellos otros… Al posarse sobre mí la mano de la duración, se cierra la herida de la que por primera vez soy consciente, al cerrarse… La duración no desplaza, me coloca donde debo estar. Saliendo de la luz de foco del diario acontecer, huyo decidido al incierto campo de la duración… La duración no está nunca en la piedra imperecedera de tiempos remotos, sino en lo temporal en lo maleable”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8119. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8120. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Lo fugaz y cambiante, el tiempo que “deshace la vida”, “las horas que derriban los lugares y los instantes”, termina por cristalizar, adquiere formas duras, rigores de cadáver.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8121. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8122. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;José Luis Padrón se detiene y contempla cada porción de paisaje, teme por todo cuanto lo amenaza. Por que también el paisaje se detenga, lo gane la quietud y se cumpla en cada árbol, en cada pájaro, en todos los cielos la fractura. Teme que el mundo no dure, que se rompan y quiebren las cosas de que está hecho.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8123. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8124. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Se duelen estos poemas por todas las formas de la destrucción. No hay extinciones amables en estos versos, tránsito y transformación de unas cosas en otras. Los días simplemente se precipitan y dejan en su carrera simas, abismos de una existencia intermitente entre lo irrecuperable y su emoción de un día.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8125. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8126. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo ha sido y será demolido, tan sólo el anhelo enciende la fiebre en mi nombre. El deseo se hace con las maneras de las “aves heridas” y “flores ciegas”. Maneras del vuelo y lo posible que en ocasiones nos trae la brisa, alguna estación amable, el viento como “un temblor en la memoria de la calle”, “suavidad de las tardes siempre de septiembre”, que no logran edificar a un hombre, salvar la ruina, sostener el cielo y la mañana. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8127. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8128. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Todo es desecho, se vuelca en la memoria y arde. La memoria no es un caudal de acontecimientos vividos, el tiempo ido nos desteje, nos deshabita. Avanzan como un miasma las horas, los inviernos, el frío, bosques, tierras desoladas, desiertos a desecar la vida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8129. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8130. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al término del día toda contemplación ha servido de poco, queda “el triunfo del inútil color de aquella luz nocturna” y el anhelo intacto, esa familiar, continua esperanza en que perpetuarnos mientras la herida crece. “Ya no hay luz en el horizonte disecado del mar”&lt;i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8131. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8132. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8133. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8134. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8135. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8136. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8137. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El calor detiene el tiempo,&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8138. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8139. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;las calles, la distancia en el interior de los frutos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8140. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8141. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8142. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8143. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8144. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8145. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8146. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Frente a la duración, el tiempo amenaza ruina, hielos perpetuos, herrumbre de jardines. Los cielos solidifican y una luz tamizada derrama su ausencia de dioses sobre la tierra quieta, o muere pálida en las estancias. El tiempo erige “estatuas de nubes que sostienen la mañana”, “instala las columnas del silencio”, una “arquitectura de la niebla”. Formas rígidas que amenazan siempre con quebrarse. “En mí se van muriendo tantas cosas como nacen”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8147. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8148. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Nada se puede nombrar en un mundo sin contorno. Por ello, al náufrago sólo le resta el auxilio de la noche, el amor y la memoria. Son ellos sus lugares para la duración. En la convergencia de sus imágenes, el náufrago siente cierto consuelo ante tanta fractura de astros y hombres rotos, por ellas se deja vivir y ya encuentra a su lado indicios del hombre entero, de un astro entero que no se estremezca, que supla a “este sol inseguro y vencido en los espejos”. Una forma de conciencia y de ser que no pida una presencia estratificada en el tiempo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8149. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8150. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada uno de los poemas del náufrago es una mano extendida que pide un tiempo que no sea de arena. Algo vivo aún, el amor todavía, al otro lado de mi naufragio, que no se parezca tanto a este esqueleto de los días, a este letargo bajo el mundo frío, a tanta memoria de estatua en “nuestras vidas de piedra”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8151. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8152. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El náufrago tantea el mundo con los ojos y “no siente las palabras que han de llevarle a otra parte”. “Todo es inmediato”, en las orillas de la enunciación, y sólo resta una palabra: “aquí”, y ese “aquí” es el centro del mundo a su lado, vida al margen de todas las catástrofes que el tiempo instaura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8153. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8154. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8155. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8156. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8157. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8158. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8159. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Qué quieto lo verdadero.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8160. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8161. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Qué dentro de mí el viento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8162. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8163. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Vida sin adjetivos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8164. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8165. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Nada más.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8166. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8167. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Las palabras repasan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8168. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8169. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; la memoria extendida.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8170. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8171. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8172. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8173. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8174. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8175. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8176. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria, la noche y el amor, son el reverso de las horas, la consciencia, y el mundo quieto. Son también su motor, el frágil engranaje al que atienden estos poemas para que puedan permanecer de acuerdo todas las disonancias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8177. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8178. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En este no lugar el náufrago levanta y mantiene en pie el sol de la duración.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8179. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8180. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8181. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8182. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  8184. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  8188.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  8189.  &lt;w:TrackMoves/&gt;
  8190.  &lt;w:TrackFormatting/&gt;
  8191.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  8192.  &lt;w:PunctuationKerning/&gt;
  8193.  &lt;w:ValidateAgainstSchemas/&gt;
  8194.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  8195.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  8196.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  8197.  &lt;w:DoNotPromoteQF/&gt;
  8198.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  8199.  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
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  8201.  &lt;w:Compatibility&gt;
  8202.   &lt;w:BreakWrappedTables/&gt;
  8203.   &lt;w:SnapToGridInCell/&gt;
  8204.   &lt;w:WrapTextWithPunct/&gt;
  8205.   &lt;w:UseAsianBreakRules/&gt;
  8206.   &lt;w:DontGrowAutofit/&gt;
  8207.   &lt;w:SplitPgBreakAndParaMark/&gt;
  8208.   &lt;w:EnableOpenTypeKerning/&gt;
  8209.   &lt;w:DontFlipMirrorIndents/&gt;
  8210.   &lt;w:OverrideTableStyleHps/&gt;
  8211.  &lt;/w:Compatibility&gt;
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  8217.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
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  8221.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  8222.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  8223.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  8224.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  8225.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
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  8228.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
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  8244.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
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  8246.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  8247.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  8248.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  8249.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  8250.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
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  8253.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
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  8259.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; Name=&quot;Hyperlink&quot;/&gt;
  8260.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
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  8262.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  8263.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  8264.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
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  8266.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  8267.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  8268.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  8269.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8270.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  8271.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8272.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  8273.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8274.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  8275.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8276.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  8277.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8278.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  8279.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8280.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  8281.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8282.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  8283.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8284.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  8285.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8286.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  8287.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8288.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  8289.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8290.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  8291.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8292.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  8293.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8294.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  8295.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8296.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  8297.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8298.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  8299.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8300.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  8301.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8302.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  8303.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8304.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  8305.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8306.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  8307.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8308.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  8309.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  8310.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  8311.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  8312.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  8313.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  8314.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  8315.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  8316.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8317.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  8318.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8319.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  8320.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8321.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  8322.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8323.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  8324.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8325.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  8326.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8327.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  8328.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8329.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  8330.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8331.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  8332.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8333.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  8334.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8335.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  8336.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8337.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  8338.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8339.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  8340.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8341.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  8342.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8343.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  8344.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8345.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  8346.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8347.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  8348.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8349.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  8350.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8351.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  8352.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8353.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  8354.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8355.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  8356.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8357.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  8358.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8359.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  8360.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8361.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  8362.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8363.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  8364.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8365.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  8366.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8367.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  8368.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8369.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  8370.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8371.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  8372.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8373.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  8374.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8375.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  8376.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8377.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  8378.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8379.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  8380.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8381.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  8382.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8383.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  8384.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8385.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  8386.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8387.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  8388.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8389.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  8390.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8391.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  8392.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8393.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  8394.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8395.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  8396.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8397.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  8398.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8399.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  8400.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8401.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  8402.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8403.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  8404.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8405.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  8406.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8407.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  8408.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8409.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  8410.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8411.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  8412.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8413.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  8414.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8415.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  8416.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8417.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  8418.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8419.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  8420.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8421.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  8422.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8423.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  8424.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8425.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  8426.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8427.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  8428.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8429.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  8430.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8431.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  8432.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8433.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  8434.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8435.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  8436.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8437.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  8438.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8439.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  8440.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8441.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  8442.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8443.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  8444.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  8445.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  8446.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  8447.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  8448.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  8449.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  8450.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  8451.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  8452.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  8453.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  8454.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  8455.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  8456.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  8457.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  8458.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  8459.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  8460.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  8461.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  8462.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  8463.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  8464.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  8465.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  8466.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  8467.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  8468.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  8469.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  8470.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  8471.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
  8472.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;19&quot; SemiHidden=&quot;false&quot;
  8473.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Emphasis&quot;/&gt;
  8474.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;21&quot; SemiHidden=&quot;false&quot;
  8475.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
  8476.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;31&quot; SemiHidden=&quot;false&quot;
  8477.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  8478.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
  8479.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
  8480.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
  8481.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
  8482.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;37&quot; Name=&quot;Bibliography&quot;/&gt;
  8483.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
  8484. &lt;/w:LatentStyles&gt;
  8485. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
  8486. &lt;style&gt;
  8487. /* Style Definitions */
  8488. table.MsoNormalTable
  8489. {mso-style-name:&quot;Tabla normal&quot;;
  8490. mso-tstyle-rowband-size:0;
  8491. mso-tstyle-colband-size:0;
  8492. mso-style-noshow:yes;
  8493. mso-style-priority:99;
  8494. mso-style-parent:&quot;&quot;;
  8495. mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
  8496. mso-para-margin:0cm;
  8497. mso-para-margin-bottom:.0001pt;
  8498. mso-pagination:widow-orphan;
  8499. font-size:10.0pt;
  8500. font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;}
  8501. &lt;/style&gt;
  8502. &lt;![endif]--&gt;
  8503.  
  8504. &lt;br /&gt;
  8505. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  8506.  
  8507.  
  8508. &lt;br /&gt;
  8509. &lt;div style=&quot;font-style: normal; line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8510. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8511. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8512. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8513. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8514. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://eu.wikipedia.org/w/index.php?title=Ilargirik_gabeko_kalea&amp;amp;action=edit&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Ilargirik
  8515. gabeko kalea&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #666666;&quot;&gt;
  8516. (&lt;a href=&quot;http://eu.wikipedia.org/wiki/1987&quot;&gt;1987&lt;/a&gt;) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  8517. &lt;/div&gt;
  8518. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8519. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Antioju
  8520. borobilduen kristaletan zehar&lt;/i&gt; (1991)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8521. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8522. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Profundos
  8523. senderos de niebla y carne&lt;/i&gt; (1991)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8524. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8525. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;De
  8526. la manera de vivir más profunda y callada&lt;/i&gt; (1991)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8527. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8528. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://eu.wikipedia.org/w/index.php?title=Egunez_egun_jendetzaren_kiratsa&amp;amp;action=edit&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Egunez
  8529. egun jendetzaren kiratsa&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;
  8530. &lt;a href=&quot;http://eu.wikipedia.org/wiki/1993&quot;&gt;(1993&lt;/a&gt;) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  8531. &lt;/div&gt;
  8532. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8533. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Vida
  8534. al margen de todo&lt;/i&gt; (1995)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8535. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8536. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Itzal
  8537. Izotzezkoan Bildurik&lt;/i&gt; (1997)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8538. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8539. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Los
  8540. ojos deseados&lt;/i&gt; (1997)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8541. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8542. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Txori
  8543. Erratuen Bilera&lt;/i&gt; (1998)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8544. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8545. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Ibaia
  8546. Eurierasotan Bezala&lt;/i&gt; (1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8547. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8548. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  8549. memoria extendida&lt;/i&gt; ( 1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8550. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8551. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://eu.wikipedia.org/w/index.php?title=Bihotzak_planto&amp;amp;action=edit&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Bihotzak
  8552. planto&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #666666;&quot;&gt;
  8553. (&lt;a href=&quot;http://eu.wikipedia.org/wiki/2001&quot;&gt;2001&lt;/a&gt;) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  8554. &lt;/div&gt;
  8555. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8556. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://eu.wikipedia.org/w/index.php?title=Hitz-erraietan&amp;amp;action=edit&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Hitz-erraietan&lt;/i&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #666666;&quot;&gt;
  8557. (&lt;a href=&quot;http://eu.wikipedia.org/wiki/2001&quot;&gt;2001&lt;/a&gt;) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  8558. &lt;/div&gt;
  8559. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8560. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Zure
  8561. bila itsasoa bidaliko dut&lt;/i&gt; (2002)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8562. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8563. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8564. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8565. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8566. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8567. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8568. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3111162574443787387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/3111162574443787387'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/jose-luis-padron-urretxu-1970.html' title='José Luis Padrón (Urretxu, 1970)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_f58A9Cchvk4/S1MUcaPc5gI/AAAAAAAAAC8/Dmmux89IG6w/s72-c/Poemas+del+no+lugar+(Jos%C3%A9+Luis+Padr%C3%B3n).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-1469393715401996508</id><published>2010-01-17T05:17:00.000-08:00</published><updated>2015-07-22T12:33:27.679-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alfonso Pascal Ros"/><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><title type='text'>Alfonso Pascal Ros (Pamplona, 1965)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  8569. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8570. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1MOz9iBobI/AAAAAAAAAC0/qYFseAamsC4/s1600-h/Poemas+del+Agua+%28Alfonso+Pascal+Ros%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427698261764972978&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1MOz9iBobI/AAAAAAAAAC0/qYFseAamsC4/s320/Poemas+del+Agua+(Alfonso+Pascal+Ros).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 197px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  8571. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8572. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poemas del agua&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8573. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Los hombres solos de Alfonso Pascal Ros)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8574. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8575. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8576. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8577. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;span style=&quot;font-size: x-small;&quot;&gt;Duro es hallarse solo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8578. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8579. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;en medio de los cuerpos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8580. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8581. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; Luis Cernuda&lt;i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8582. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8583. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8584. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  8585. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; El mar y tú sois mis cosas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-style: normal;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8586. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot; style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Alfonso Pascal Ros&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8587. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8588. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8589. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8590. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Hay escritores que no confunden su labor con un oficio. Que sobre cualquier otra consideración pretenden conservar la extrañeza ante ese primer surco que abre un verso, mantener indemne su dificultad primera: “Poetas que se escriben”, que diría Karmelo C. Iribarren. A estos autores la palabra les acompaña siempre prendida en los bolsillos o percutiendo su respiración. Con el tiempo esos “álbumes con desquicios de vida columpiando” componen la ruidosa voz del doble a nuestro costado. La obra poética de Alfonso Pascal Ros (Pamplona, 1965) reproduce el diálogo íntimo y cercano con ese otro que sitia nuestra palabra, cada uno de nuestros gestos, que en comunión se reparte nuestros humores.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8591. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8592. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8593. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8594. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;A veces una extraña sangre fría&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8595. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8596. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;manda lo que hago&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8597. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8598. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;aunque alguien diga&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8599. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8600. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que la sangre no es extraña nunca.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8601. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8602. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8603. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8604. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…generaciones de sombras trashumantes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8605. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8606. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;han pasado bajo mis piernas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8607. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8608. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8609. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8610. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Oigo tantas voces llamándome a distancia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8611. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8612. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Que temo que mi nombre pueda arder&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8613. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8614. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En medio de los gritos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8615. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8616. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8617. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8618. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pascal Ros despliega un universo verbal elusivo; trazos contundentes y gruesos acotan pedazos de vida, anécdotas, biografías, episodios mínimos de muchas y variadas voces. Con ellas compone un mosaico de piezas sueltas al dictado de todos “los &lt;i&gt;nosotros&lt;/i&gt; que nos ascienden”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8619. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8620. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Porque la poesía es un defecto...&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8621. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8622. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Desde la metáfora extensa y dinámica de los primeros libros –donde se congregan con cierta plasticidad surreal la nómina de bestiarios cósmicos, elementos telúricos, partículas elementales, partes sueltas con las que se ensambla un hombre, con ese su pulso de lo sagrado, un dios latiendo en cada órgano–, el tono discursivo de las composiciones de Pascal Ros ha ido creciendo en contención y arquitectura, en orden expositivo, en sencilla y explícita formulación; ha ido afilando su ironía sin menoscabo de la espontaneidad de los primeros versos, siempre lejos de ornamentos y cultismos, de “la excesiva poesía en poesía”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8623. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8624. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pascal Ros no pretende poemas perfectos; más atraído por los riesgos de un diálogo en la intimidad de sus deseos, pasiones y contradicciones que por la contemplación de eficaces arquitecturas, se aventura en una búsqueda de la belleza a través de la indagación, auscultación y atento tamizado de sus diversos estados del ánima. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8625. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8626. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8627. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8628. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Desprecio la palabra precisa,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8629. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8630. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Transmitida artificiosamente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8631. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8632. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y desde lejos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8633. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8634. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8635. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8636. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Inventario de voces&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8637. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8638. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética de este autor alcanza ya una veintena de títulos. Con una frescura y naturalidad no exenta de riesgos se levantan estos edificios que responden a tentativas estéticas diferentes. Diversidad e inquieta búsqueda. Desde los tonos decididamente confesionales y elegíacos de &lt;i&gt;Poeta de un tiempo imaginario&lt;/i&gt; (El Paisaje, 1987), &lt;i&gt;Convite de abalorios&lt;/i&gt; (UGT, Juventud, 1987) o &lt;i&gt;Supe de ti tu incertidumbre&lt;/i&gt; (El Paisaje, 1990), a las construcciones biográficas de &lt;i&gt;Nocturnos sin protocolo&lt;/i&gt; (Medialuna, 1991), &lt;i&gt;La quema de Van Gogh y otras visiones&lt;/i&gt; (Juan Pastor editor, 1992), &lt;i&gt;Modales de los cuerpos desolados&lt;/i&gt; (Ediplus, 1993) o &lt;i&gt;Un hombre ha terminado de escribir&lt;/i&gt;. Contemplamos después el tierno distanciamiento en las depuradas personificaciones de &lt;i&gt;De aquellos mares, estos sueños&lt;/i&gt; (Adonais, 1993); algún poema en prosa; las vertientes experimentales de &lt;i&gt;Once poemas de cosas&lt;/i&gt; (separata de la revista Archione, 1994), donde aborda el poema conceptual, el automatismo o la poesía visual; los tonos irónicos en &lt;i&gt;Los poemas del apátrida&lt;/i&gt; (El Paisaje, 1990), &lt;i&gt;Mares bajo noches&lt;/i&gt; (Bilaketa, 2000), o &lt;i&gt;Principio de Pascal&lt;/i&gt;. También, los sentidos homenajes a los maestros y la decantación religiosa en &lt;i&gt;Modus facendi&lt;/i&gt; o la formulación y el aforismo en &lt;i&gt;Tirones&lt;/i&gt; (Medialuna, 1991). No ha sido ajeno tampoco a incursiones en la poesía infantil, &lt;i&gt;La huerta de ana&lt;/i&gt; (Hiparión, 2004), que recoge la improvisada frescura de las canciones de corro, poemas para cantar y bailar al ritmo del arrullo de una naturaleza domesticada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8639. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  8640. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;A esta inquieta exploración de tonos y voces poéticas le alienta una férrea voluntad ética. Al decir del propio autor es el humanismo el hilo conductor de esta extensa obra: “Yo no les voy a hablar de puestas de sol, la lluvia en la clepsidra o la sombra del chopo. Si fuera una piedra les hablaría de las cosas que les pasan a las piedras pero soy una persona y cuento las cosas, propias o ajenas, que les pasan a las personas”. Es esta preocupación por el hombre la que lo emparienta con autores como Gabriel Celaya, Blas de Otero, Cesar Vallejo o Luis Cernuda. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8641. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8642. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8643. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8644. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Bajo el ala de Luis Cernuda&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8645. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8646. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;De entre todos ellos es a Cernuda a quien Pascal Ros debe más; deudor de ese su diálogo en la intimidad al acecho del deseo; su palabra indolente, estrechamente vinculada a la naturaleza y la disposición de los cuerpos; la honda y declarada búsqueda de una belleza inmediata de carácter sensual y afectivo; la romántica alianza de esa búsqueda con el dolor y el conocimiento. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8647. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8648. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8649. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8650. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;No se hace un dolor grande con las manos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8651. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8652. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Todo el cuerpo lo dibuja,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8653. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8654. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;lo crece y estira&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8655. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8656. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hasta hacerlo tan grade como un hombre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8657. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8658. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8659. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8660. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Quería anochecer entre tus brazos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8661. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8662. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y despertar sabiendo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8663. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8664. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8665. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8666. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;A todo ello se unen afinidades formales y de concepto: Las personificaciones del mar; el pesimismo acerca del poder efectivo del poema: “Leve es la parte de la vida / que como dioses rescatan los poetas”, escribe Cernuda acuciado por los males de la guerra; fracaso que hace suyo Pascal Ros en los perdidos duelos del encuentro amoroso cuando afirma: “Cuánto me gustaría / rebajar a palabra / lo que no admite el pecho que se escriba”. También, cuando escribe: “Todas las noches / el mar y los poetas ven lo mismo, / estrellas indiferentes”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8667. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8668. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El ascendente romántico alcanza nuevamente a Pascal Ros en su concepción, si no divida tal como en Cernuda y Bécquer, sí trascendente de la condición del poeta, ese “hombre al otro lado de la vida”, al que acompaña un íntimo fracaso, condenado a la soledad de su estatura: “Para qué sirve sufrir / como esos hombres que sufren en la calle / y no hacen volver el rostro a nadie”. De igual modo se idealiza la figura del poeta en Cernuda, que ensalza la grandeza de un Larra frente a sus contemporáneos: “La tierra ha sido medida por los hombres… / No hay sitio en ella para el hombre solo”; “Nadie escucha una voz, tú bien lo sabes. / ¿Quién escuchó jamás la voz ajena / si es pura y está sola?...”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8669. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8670. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;También en su concepción del amor como tormento se asemeja a su maestro. Si en &lt;i&gt;Donde habite el olvido&lt;/i&gt; Luis Cernuda afirma: “No es el amor quien muere / somos nosotros mismos”, Pascal Ros asiente: “La muerte del amor, / como la muerte, / es un presente inmenso / donde nada se respira”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8671. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8672. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8673. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8674. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La piel de los océanos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8675. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8676. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En sus poemas son recurrentes las figuras del agua en todas sus mutaciones: lágrimas, lluvia, mares, ese páramo que no puede ser dicho en la entraña del poeta; el pulso del doble, ese &lt;i&gt;nosotros&lt;/i&gt; ignorado hecho de muchas pieles; fracciones del cuerpo: extremidades, manos, armas blancas de los hombres condenados al abrazo; el amor, el mayor de los ingenios improbables; la escasez de la palabra para soportar un pecho; denuncia de la vida dócil, memoria del niño y su paraíso: “Os traigo la condena al origen de las sombras. / No hallaréis más”. Todas esas cosas en definitiva de las que está hecha la soledad de los hombres, “su vocación de sueño”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8677. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8678. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8679. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8680. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Que soledad tan terrible la del centro de los Océanos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8681. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8682. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El sol se desdibuja en curvas de agua.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8683. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8684. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8685. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8686. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El mar emerge de un pasado de humo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8687. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8688. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8689. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8690. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ballenas blancas desvelan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8691. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8692. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;un letargo de siglos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8693. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8694. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Diviso un mar sin luz&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8695. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8696. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que calma su ayuno&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8697. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8698. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el vientre febril de las especies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8699. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8700. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8701. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8702. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Vuelvo a elegir tu pecho&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8703. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8704. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;encima de mis penas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8705. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8706. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8707. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8708. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la luz ha caído al agua.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8709. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8710. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Círculos terribles&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8711. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8712. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Convergen hacia el centro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8713. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8714. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8715. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8716. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra de Alfonso Pascal Ros se reconoce en las palabras de Luis Felipe Vivanco: “La poesía no es más que la piel del otro lado del alma. No de éste, en el que lloramos y reímos, envidiamos y amamos, sino del otro, al que se llega pasando por lo más hondo”. Se ve en este poema:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8717. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8718. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8719. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8720. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El mar quiso llorar al acordarse.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8721. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8722. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recordaba cosas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8723. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8724. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que habían pasado por sus aguas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8725. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8726. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Quería llorar como había visto tantas veces,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8727. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8728. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;como se agrandan los dolores&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8729. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8730. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;o como se merecen por el llanto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8731. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8732. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El mar puso en llorar todo su empeño.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8733. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8734. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Qué difícil llorar cuando se es agua.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8735. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8736. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8737. &lt;br /&gt;
  8738. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img alt=&quot;http://berminghamedit.com/resources/_wsb_272x362_BermRN05.jpg&quot; class=&quot;decoded&quot; src=&quot;http://berminghamedit.com/resources/_wsb_272x362_BermRN05.jpg&quot; height=&quot;200&quot; width=&quot;150&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;zXm7-js8VV0Z4M:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;height: 184px; margin-left: 0px; margin-right: 0px; margin-top: 0px; width: 125px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  8739. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  8740.  
  8741.  
  8742. &lt;br /&gt;
  8743. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;&lt;br /&gt;
  8744. &lt;div style=&quot;text-indent: 0.5cm;&quot;&gt;
  8745. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  8746.  
  8747.  
  8748. &lt;/div&gt;
  8749. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  8750. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8751. &lt;/div&gt;
  8752. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  8753. &lt;/span&gt;&lt;/span&gt;
  8754. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  8755. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;BIBLIOGRAFIA&lt;/span&gt;:&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8756. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8757. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8758. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8759. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Poeta
  8760. de un tiempo imaginario&lt;/i&gt; (1987)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8761. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8762. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Convite
  8763. de abalorios&lt;/i&gt; (1987)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8764. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8765. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Lo
  8766. que Hemingway contó de España&lt;/i&gt; (1987)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8767. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8768. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Supe
  8769. de ti tu incertidumbre / Los poemas del apátrida&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1990)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8770. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8771. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Nocturnos
  8772. sin protocolo / Tirones&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1991)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8773. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8774. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;La
  8775. quema de Van Gogh y otras visiones&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8776. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8777. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Modales
  8778. de los cuerpos desolados / De ti impaciencias&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1993)
  8779. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  8780. &lt;/div&gt;
  8781. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8782. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Los
  8783. vínculos del verdugo&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1993)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8784. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8785. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;De
  8786. aquellos mares, estos sueños&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1993)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8787. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8788. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Once
  8789. poemas de cosas&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;( 1994)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8790. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8791. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Primera
  8792. reunión, Antología poética 1985-1990&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1995)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8793. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8794. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Modus
  8795. faciendi&lt;/i&gt;&lt;/span&gt; &lt;span lang=&quot;es-ES&quot;&gt;(1999)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8796. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8797. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Mares
  8798. bajo noches&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;(2000)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8799. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8800. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Un
  8801. hombre ha terminado de escribir &lt;/i&gt;&lt;/span&gt;&lt;span lang=&quot;es-ES&quot;&gt;(2009)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8802. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8803. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;La
  8804. huerta de Ana,&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Poesía
  8805. infantil &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;(2004)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8806. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8807. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;i&gt;Principio
  8808. de Pascal &lt;/i&gt;&lt;/span&gt;&lt;span lang=&quot;es-ES&quot;&gt;(2013)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8809. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: 0.64cm; margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  8810. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8811. &lt;div style=&quot;text-indent: 0.5cm;&quot;&gt;
  8812. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8813. &lt;div style=&quot;text-indent: 0.5cm;&quot;&gt;
  8814. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8815. &lt;div style=&quot;text-indent: 0.5cm;&quot;&gt;
  8816. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8817. &lt;/div&gt;
  8818. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1469393715401996508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/1469393715401996508'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/alfonso-pascal-ros-pamplona-1965.html' title='Alfonso Pascal Ros (Pamplona, 1965)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1MOz9iBobI/AAAAAAAAAC0/qYFseAamsC4/s72-c/Poemas+del+Agua+(Alfonso+Pascal+Ros).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-2296043999776423893</id><published>2010-01-16T14:19:00.000-08:00</published><updated>2015-07-22T12:35:00.272-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><category scheme="http://www.blogger.com/atom/ns#" term="Gabriel Insausti"/><title type='text'>Gabriel Insausti (San Sebastián, 1969)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:&quot;Tabla normal&quot;;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-qformat:yes;  mso-style-parent:&quot;&quot;;  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:&quot;Calibri&quot;,&quot;sans-serif&quot;;  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:&quot;Times New Roman&quot;;  mso-fareast-theme-font:minor-fareast;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:&quot;Times New Roman&quot;;  mso-bidi-theme-font:minor-bidi;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;br /&gt;
  8819. &lt;h1 style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  8820. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1I8GqyBsFI/AAAAAAAAACs/OJQlq5wNhbE/s1600-h/Poemas+de+la+permanencia+%28Gabriel+Insausti%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427466586195865682&quot; src=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1I8GqyBsFI/AAAAAAAAACs/OJQlq5wNhbE/s320/Poemas+de+la+permanencia+(Gabriel+Insausti).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 182px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;
  8821. &lt;h1 align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  8822. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Poemas
  8823. de la permanencia&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  8824. &lt;h1 align=&quot;JUSTIFY&quot; class=&quot;western&quot; lang=&quot;es-ES&quot; style=&quot;font-weight: normal; line-height: d%; margin-bottom: 0cm; margin-top: 0cm;&quot;&gt;
  8825. &lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Gabriel
  8826. Insausti: Los cuerpos, sus horas, sus nombres)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  8827. &lt;h1 style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  8828. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  8829. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8830. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8831. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }&lt;/style&gt;
  8832.  
  8833.  
  8834. &lt;br /&gt;
  8835. &lt;div lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8836. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Tierra
  8837. indolente. En vano&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8838. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8839. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;resplandece
  8840. el destino.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8841. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8842. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Junto
  8843. a las aguas quietas&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8844. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8845. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;sueño
  8846. y pienso que vivo.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8847. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-left: 0.5cm; text-indent: 0.5cm;&quot;&gt;
  8848. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8849. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-left: 0.5cm; text-indent: 0.5cm;&quot;&gt;
  8850. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;Luis
  8851. Cernuda&lt;/b&gt;
  8852. &lt;/span&gt;&lt;/span&gt;
  8853.  
  8854. &lt;/div&gt;
  8855. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8856. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8857. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8858. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8859. &lt;div lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8860. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Y
  8861. hoy sabemos que las noches no son nuestras&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8862. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8863. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;y
  8864. es inmenso el mundo.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8865. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8866. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8867. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm; margin-left: 0.5cm; text-indent: 0.5cm;&quot;&gt;
  8868. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  8869. &lt;span lang=&quot;es-ES&quot;&gt;&lt;b&gt;Gabriel
  8870. Insausti&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8871. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  8872. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8873. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8874. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8875. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 23.15pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8876. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8877. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  8878. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8879. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Es recurrente en la obra poética de Gabriel Insausti (San Sebastián, 1969) cierto mal del caminante. Trasponer los pasos, salvar el paisaje que declina a los costados mientras se avanza, trazar una línea que enhebre el horizonte a ese tiempo ido que tenue, vacilante aún perdura a nuestra espalda. Para el caminante el paisaje es siempre interior y reproduce la extensión sin márgenes de un erial. A cada paso acuden los nombres de las cosas; huellas en la luz que salven el páramo, los desiertos de la noche, la intemperie. La palabra poética de Insausti es memoria de estas cosas, instantes de los cuerpos idos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8880. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8881. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8882. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8883. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Raíz de los cuerpos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8884. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8885. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria cerca la mirada, levanta setos, apacigua el crecimiento de la vida en huertos cerrados y jardines, escarba reductos, “casa apartada, casi torre / cercada por la escarcha y el silencio”. Desde la ventana de un estudio, apostado en la balconada con el mundo conocido a la espalda, tras una verja; dominios aparentemente a salvo desde donde poder auscultar el paisaje y su tiempo, el mundo bajo los efectos anestésicos de sus nombres, la fiebre de los bosques reducida al recuerdo de un solo árbol, el afuera al fin cercado, jardín del mundo donde poder transplantar, como afirma, “la eternidad fallida de las cosas”, su “rostro rutinario”, su presencia sin épica, cielos como huertos, “donde pueda la mañana contemplar su recuerdo como un ángel”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8886. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8887. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8888. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8889. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8890. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8891. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8892. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En cada una de esas cosas siento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8893. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8894. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la sombra que las niega, igual que un hado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8895. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8896. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;fatal que me hace ver como pasado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8897. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8898. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el eterno llover de este momento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8899. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8900. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8901. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8902. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8903. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8904. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8905. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La tentativa por la que la memoria pretende restaurar el tiempo ido no responde a una tímida reproducción de sus lejanos indicios. Los nombres que Insausti extiende sobre las cenizas de los cuerpos están llenos de manos abiertas, gestos, extremidades tendidas al abrazo. No se trata de rehabilitar la memoria embalsamada de los álbumes fotográficos, la distante mirada de los museos, la vida apenas en el fondo de muestrarios y urnas, sino de conferir cuerpo al tiempo, restituir su materia. Para ello Insausti tan solo parece reconocer un instrumento hábil: el lenguaje. Acaso no exista más materia para el cuerpo acontecido que el tiempo pronunciado. Muchos de los poemas de Insausti revelan esta voz de expedicionario a la realidad perdurable de los cuerpos, su mirada repasa la quietud de los objetos en las estancias, la rendida naturaleza de los huertos, la respiración detenida en los andenes de una estación amenazada por la fuga de los otros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8906. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8907. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8908. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8909. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8910. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8911. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8912. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Los nombres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8913. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8914. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Esta permanencia de los cuerpos en lo real a través de sus nombres no está exenta de una fértil complejidad. La memoria, ese tiempo pronunciado es una porción de tierra en el hueco de las manos, certeza de haber sido, lugar, trinchera escarbada en los cuerpos. El tiempo desteje la vida de los objetos, derrama su materia, su atenta contemplación nos hiere siempre, por ello tal vez sean más nuestros en el recuerdo, ese simulacro de sus imágenes perennes. La palabra de Insausti retrata este mundo evanescente bajo la urgencia de sus nombres. El lenguaje es la estrategia por la que nos asomamos fuera del tiempo a la promesa de ausencia de que el mundo está hecho.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8915. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8916. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8917. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8918. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8919. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8920. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8921. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Así , desde mi cuarto, la mañana&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8922. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;completa su recuento igual que un ángel &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8924. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8925. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el cielo de hoy. Y hay que mirarlo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8926. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8927. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en toda su extensión, como si fuese &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8928. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8929. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la única verdad que ahora salva,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8930. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8931. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mirarlo frente a frente hasta saber&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8932. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;quién dicta su inconstancia sobre el mundo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8934. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8935. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;cuál es su propio abril, qué significa.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8936. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8937. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8938. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8940. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8941. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8942. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Otra de las formas por las que el tiempo parece no alcanzarnos, estrategia recurrente en las composiciones de Gabriel Insausti, es la usurpación de otras vidas, la duplicación del tiempo propio en la escenificación de otras existencias contemplativas. Así, en un tono que en ocasiones recuerda el magnífico catálogo de epitafios en los que Edgar Lee Masters desentraña la historia subterránea de Spoon River, Insausti rescata el tiempo de otros expedicionarios. Bajo la forma del monólogo dramático, influencia de la poesía inglesa, y el endecasílabo, que es la respiración con la que el pensamiento rumia las imágenes del mundo, se atiende a los empeños de las soledades de Ockham, William Godwin o Wordsworth, en busca de una porción de realidad ontológica, política o poética. Publio Horacio Flaco extiende su voz desde su retiro del Tíber, testamento moral en &lt;i&gt;Últimos días en Sabinia&lt;/i&gt; (Premio Arcipreste de Hita 2000, Pre-textos, 2001).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8943. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8944. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Insausti muestra en un estrado, cuidadosamente dispuestos, cuerpos y objetos que aguardan cierto amparo en sus nombres; la escenografía de las horas calladas, episodios indolentes, vida vegetativa, contemplación del tiempo derramado en los márgenes de las cosas, urgencia del ángel, aquel que acaso sepa pronunciar las cosas en sus nombres, descifrar el viento en la enramada, el balbuceo del mundo, única voz cierta. “¡El alma de las cosas! Lo que copia / el agua con sus ondas temblorosas”. Proclama Insausti la vana permanencia de los cuerpos en su palabra, su descenso, su materia prendida a las secuencias de los minutos en los relojes de arena del cielo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8945. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8946. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8947. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8948. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8949. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8950. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8951. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Cuatro calles, un crucero&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8952. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8953. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;frente al atrio de la iglesia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8954. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8955. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y el cielo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8956. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8957. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que da las horas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8958. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8959. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;del río que pasa y queda.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8960. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8961. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8962. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8963. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8964. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8965. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8966. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El agua va tan despacio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8967. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8968. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que parece que me espera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8969. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8970. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8971. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8972. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8973. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8974. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8975. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;     Las manos &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8976. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8977. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sin embargo, los nombres ceden, el mundo reparte su presencia sabiéndose cierto, abierto y posible cada mañana; con las primeras luces la nómina de las cosas conocidas reconstruye sus límites en el vientre de los diccionarios, y no parecen de barro los cuerpos que la lluvia y la noche arrastran. En los silencios de la noche, arden las palabras, se extienden como un sudario los nombres incapaces de pronunciar cuanto amamos, y por eso, como escribe Insausti, “es triste morder este silencio, / que haya que cantar para estar vivo”, salvar la intemperie, la indiferencia de tanta noche de espaldas a nuestros gestos. Los nombres no pueden lo que acaso sí logren las manos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8978. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8979. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8980. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8981. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  8982. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8983. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8984. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Yo debería haber sido un puñado de tierra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8985. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8986. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;que supiese cada cosa en cada signo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8987. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8988. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Pero quiero acontecer sin más como la lluvia,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8989. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8990. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;demorarme en los instantes de mi tacto,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8991. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8992. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;fingir ya que es cierto el mundo que parece&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8993. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8994. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ante el género común del desacuerdo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8995. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8996. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Quiero llamar mío a todo lo que existe&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8997. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  8998. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hasta la estricta conformidad del alma con el aire.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  8999. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9000. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Es tan difícil decir lo que se ama,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9001. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9002. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;tan triste aún comer la propia sombra…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9003. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9004. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Si, el mar tiene su nombre, mar,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9005. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9006. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y lo he sabido siempre, sin saberlo,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9007. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9008. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dándome de bruces con las cosas que me hablaban.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9009. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9010. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Mas dónde ir en esta hora,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9011. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9012. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dónde el sitio de la cal para mis manos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9013. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9014. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;dónde hallar un gesto sin lugar que me desdiga.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9015. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9016. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9017. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9018. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9019. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9020. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9021. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En esta tentativa por desentrañar el sentido &lt;i&gt;De todo cuanto habla&lt;/i&gt; (Premio R. Tagore, 1993), las manos tienen la certeza de las cosas no dichas, están las manos en las cosas, son ellas mismas al fin pronunciadas. Las manos enhebran el aire a la tierra, se extienden como una raíz hasta la memoria de los cuerpos, confieren piel a todas las formas del agua. Estas composiciones reproducen la lucha agónica inscrita en la historia de todos los cuerpos. El rastro de su materia en nuestra experiencia y su posesión por sus simulacros, los nombres.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9022. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9023. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria es a un tiempo reducto donde salvar de la noche la huella del cuerpo acontecido y pasto, alimento para el olvido, construcción de la lejanía. En esta tierra de nadie los nombres y las manos se debaten por fundar la certeza de haber vivido y amado. Unos y otras son comunión, no aspiran a representar los vestigios del hombre, sino a mostrar enteramente el instante de la identificación amorosa: “…sólo esto pido: / que todo lo que dejo aquí se guarde”. En este empeño los nombres y las manos conjugan el mundo posible y se reparten jirones de vida destinados a un mismo fracaso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9024. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9025. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9026. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9027. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9028. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9029. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9030. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tendremos el idioma de la noche y el trabajo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9031. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9032. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de imitar lo que permita concebir nuestras presencias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9033. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9034. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9035. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9036. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9037. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9038. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9039. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y un lugar posible en donde baste abrir las&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9040. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9041. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;manos para hallar el cerco de silencio que nos nombra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9042. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9043. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9044. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9045. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9046. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9047. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9048. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Todas las paredes devuelven nuestros rostros.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9049. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9050. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Todos los caminos saben la mentira de este&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9051. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9052. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mundo de barro y lluvia muerta.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9053. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9054. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9055. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9056. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9057. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9058. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9059. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tendremos un rincón que diga cuánta dicha&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9060. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9061. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;es pervivir en las palabras que engendramos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9062. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9063. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9064. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9065. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  9066. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9067. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9068. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Estos cantos de la distancia y el extrañamiento en los cuerpos apenas hacen un puñado de arena, “tierra suficiente para hacer un nombre”; sólo una cosa tiene por cierta el poeta: el mar, la lluvia, el agua y demás formas de la noche “ha olvidado el sabor de esta carne”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9069. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9070. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;“Si (como afirma el griego en el Crátilo) –advierte Borges– el nombre es arquetipo de la cosa en las letras de la rosa está la rosa y todo el Nilo en la palabra Nilo”. A la luz de las pulsiones de Insausti, el nombre es una voz extensa, se llena de amplitud, crece más allá de los signos de la representación; no es ya ese tibio puñado de tierra del que pueda proveerse la memoria, es mostración y necesidad de “la certeza de encontrarse por entero en los lugares”, “nacer por la escritura de mi piel, abiertamente”. En las manos de Insausti prende la urgencia de nombrar de otra forma, donde el lenguaje no se agote en la realidad abarcada: “Pedir a las palabras la precisión del mar… las palabras pretenden la perfección del mar, / su eternidad redonda.” Asegura Miguel Florián en su libro &lt;i&gt;Lluvias&lt;/i&gt; (Ávila, 1995). En las colecciones e inventarios, en los jardines del paseante los nombres también son las cosas. &lt;br /&gt;
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  9073. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  9074. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  9076. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9077. &lt;h1 style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  9078. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;POÉTICA DEL PASEANTE&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
  9079. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9080. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9081. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9082. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Una honda formación clásica recorre la obra poética y ensayística de Gabriel Insausti. El recurso a estructuras, tonos e imaginarios heredados no restan originalidad y acierto a un discurso de pulsiones frías y elegantes al servicio de cierto objetivismo y emoción intelectual. El propio autor al repasar su trayectoria nos aclara: “He cultivado tanto el poema-imagen como el poema-discurso, la poesía onírica como la poesía estrictamente visual, el culturalismo y la mirada virgen y adánica. De todo tiene que haber, o al menos así me lo parece. ¿Eclecticismo? Más bien inquietud, que me lleva a una perpetua insatisfacción y, en consecuencia, a buscar siempre territorios por explorar. Cada libro pide una forma y un tono distintos”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9083. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9084. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;“Si echo una mirada –agrega Insausti–, encuentro mucho de ejercicio en los metros y estrofas tradicionales y de aprendizaje en maestros modernos, aunque también en los más coetáneos. &lt;i&gt;Últimos días en Sabinia &lt;/i&gt;y &lt;i&gt;Destiempo&lt;/i&gt; son libros en los que alguien intenta tocar distintas teclas, antes que afinar su propia voz. Lo que estoy haciendo desde hace poco más de un año es ya más testimonial: ahí si me interesa decir algo, y no simplemente construir un objeto. Veo en mi poesía una vertiente doble: poemas largos de tema “civil” o de reflexión sobre la Historia, por un lado; y poemas cortos, de contemplación de la naturaleza, por otro. En ambos acontece una suerte de epifanía: la aparición visible de una idea en la realidad física. Es la poética por la que me estoy decantando: un decidido objetivismo, el simulacro de una experiencia, con un espacio, un tiempo y un personaje... Una poesía de recorrido, del objeto a la idea, inteligible, dadora de sentido. Esa es mi idea de la poesía: más que un oficio, un modo de estar en el mundo, una actitud contemplativa que espera ese momento en que la realidad hace &lt;i&gt;clac&lt;/i&gt; y se atisba un sentido antes semioculto”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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  9087. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9088. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  9089. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;ultimos dias en sabinia-gabriel insausti herrero-velarde-9788481913774&quot; class=&quot;img-shadow&quot; src=&quot;http://image.casadellibro.com/libros/2/ultimos-dias-en-sabinia-9788481913774.jpg&quot; height=&quot;200&quot; title=&quot;ultimos dias en sabinia-gabriel insausti herrero-velarde-9788481913774&quot; width=&quot;131&quot; /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;Destiempo. Edición al cuidado de Abel Feu.&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788484/978848472102.gif&quot; height=&quot;200&quot; title=&quot;Destiempo. Edición al cuidado de Abel Feu.&quot; width=&quot;133&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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  9220.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
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  9429. (1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9430. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9431. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Vísperas
  9432. del silencio &lt;/i&gt;(1992)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9433. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9434. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;De
  9435. todo cuanto habla &lt;/i&gt;(1994)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9436. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9437. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Noche
  9438. a noche. &lt;/i&gt;(1995)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9439. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9440. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Últimos
  9441. días en Sabinia &lt;/i&gt;2001)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9442. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9443. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Destiempo
  9444. &lt;/i&gt;(2004&lt;i&gt;)&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9445. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9446. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Vida
  9447. y milagros &lt;/i&gt;(2007) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  9448. &lt;/div&gt;
  9449. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9450. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Cámara
  9451. oscur&lt;/i&gt;a (2012)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9452. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  9453. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  9774. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2296043999776423893'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/2296043999776423893'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/gabriel-insausti-san-sebastian-1969.html' title='Gabriel Insausti (San Sebastián, 1969)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_f58A9Cchvk4/S1I8GqyBsFI/AAAAAAAAACs/OJQlq5wNhbE/s72-c/Poemas+de+la+permanencia+(Gabriel+Insausti).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-8990961928562893060</id><published>2010-01-16T14:05:00.000-08:00</published><updated>2015-07-22T12:35:56.045-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 50"/><category scheme="http://www.blogger.com/atom/ns#" term="Kepa Lucas"/><title type='text'>Kepa Lucas (San Sebastián, 1959)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
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  9777. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1I483r7bEI/AAAAAAAAACk/oR_4Gpfacbs/s1600-h/Poemas+del+l%C3%ADmite+%28Kepa+Lucas%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427463119326374978&quot; src=&quot;http://3.bp.blogspot.com/_f58A9Cchvk4/S1I483r7bEI/AAAAAAAAACk/oR_4Gpfacbs/s320/Poemas+del+l%C3%ADmite+(Kepa+Lucas).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 177px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poemas del límite&lt;o:p&gt;&lt;/o:p&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  9778. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Kepa Lucas: El vértigo del agrimensor) &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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  9783. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;A mi poesía le gustan las mesas despejadas, las habitaciones vacías.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  9785. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Kepa Lucas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  9896. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  9897. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9898. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  9899. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En la antología poética &lt;i&gt;Vasca y joven: Poesía y Futuro&lt;/i&gt; (Diputación Foral de Guipúzcoa, Miniatura poética, 2000), realizada por Felipe Juaristi y Félix Maraña, éste último señala la versatilidad del autor que nos ocupa: “Kepa Lucas ha recorrido por múltiples registros poéticos y su poesía, en cambio, parece corregirle, al expresarse nítida y equilibrada… es uno de los primeros escritores vascos que se mostró, en la década de los ochenta, y en público, partidario de expresarse indistinta y libremente en una y otra lengua.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9900. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9901. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética de Kepa Lucas, sometida a una rigurosa exigencia, tan sólo abarca dos títulos en castellano: &lt;i&gt;Veinte minutos de nube rosa&lt;/i&gt; (2º premio “Villa de Pasaia”, 1984) y &lt;i&gt;Poemas de la liquidación&lt;/i&gt;, con el que también obtuvo el “Villa de Pasaia” en 1987, junto con otro poemario escrito en euskera: &lt;i&gt;Poemakumeak&lt;/i&gt;. Restos dispersos de su obra, poemas, apuntes y otras apreciaciones poéticas han ido apareciendo en numerosas revistas como &lt;i&gt;Zurgai&lt;/i&gt;, &lt;i&gt;La Galleta del Norte&lt;/i&gt; (Baracaldo), o en la Fundación JRJ. Moguer. Todos ellos recientemente compilados y traducidos al castellano en un volumen de edición propia y artesanal bajo el título &lt;i&gt;Cero de Mayo&lt;/i&gt; (Kepa Lucas, Donostia, 2006).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9902. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9903. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Kepa Lucas no se oculta detrás de sus composiciones, una recia voluntad ética anima su palabra; en ella comulga la conciencia desgarrada de la generación &lt;i&gt;beat &lt;/i&gt;y esa otra sensual y no menos crítica, la esperanzada voz de Auden. En sus composiciones el hombre cifra la esperanza de las ciudades, camina al encuentro de otro hombre o se detiene y, aferrado a las balaustradas que protegen el litoral, adivina la promesa de la desfiguración en los horizontes. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9904. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9905. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9906. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9907. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La extensión de un paso&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9908. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9909. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La ciudad es el espacio de lo posible, abierta, frágil, con sus cientos de hebras sueltas. La mirada enhebra, sigue el trazado de otros cuerpos con los que ensartar avenidas, pendientes, escaleras; cada paso inaugura un encuentro, una porción de esperanza en las plazas públicas. En las líneas y ángulos de su geometría está inscrito el único retorno posible al hombre. La estatura de un hombre es su ciudad, es ésta la arquitectura de su conciencia; &lt;/span&gt;“Altura de edificios que guardan mi nombre dentro”; “Este es el centro de toda mi amplitud”.&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9910. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9911. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9912. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9913. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;¿Son pentágonos o son exágonos&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9914. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9915. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;lo que la mosca dibuja con aire&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9916. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9917. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;encima de nuestro placer? &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9918. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9919. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9920. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9921. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;En su deambular por los rostros de la ciudad, Kepa Lucas recoge pequeños gestos inadvertidos en los que el hombre rehace y renueva su compromiso con lo humano. Con él, una naturaleza sin amenaza, a salvo de la tiranía de las estaciones, se solaza en un mayo perpetuo, siempre cómplice y testigo de los gestos mínimos: “El tronco húmedo de un fresno oculto tras una pareja”, “la hiedra en la que se apoyan los muros”. Expresión mínima de una naturaleza que extiende su manto amortiguando el ritmo con el que las escaleras salvan las alturas o los descensos: “Aquí crece el musgo cotidiano que protege la concordia”; pequeñas fracciones de naturaleza prendida a la espalda de las ciudades, acompañándola como el auxilio de una sombra donde mantenerse a resguardo y amansar su fiebre.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9922. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9924. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9925. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;¿Qué desencanto nos hace apoyar las manos&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9926. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9927. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;en la humedad de las barandillas?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9928. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9929. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;¿Por qué desde el centro del bienestar&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9930. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9931. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;miramos con confusión al horizonte?&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9932. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9933. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9934. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9935. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Olas blancas que coronáis la ciudad,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9936. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9937. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;vuestra tarea es renovar a quien os mira,&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9938. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9939. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;romper su satisfacción con el paisaje. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9940. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9942. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9943. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Contra esta naturaleza que se pretende amiga, que golpea los espigones y bate las partículas elementales del polvo y los hombres en las calzadas, que instaura una niebla que sólo el abrazo disuelve, que nos previene de las formas dadas de cuanto decimos conocer, que insta al hombre a que no olvide, se alza el dios de los manuales, de las prescripciones facultativas con sus contraindicaciones al dorso. Un dios donde se aplaca la rabia y se mitigan las conciencias, que “reniega del paseo de las riberas y compra la respuesta de los astros”. Un dios que da alcance a los hombres por la espalda, que gana su terreno mientras duermen.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9944. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9945. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9946. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9947. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;Un hechicero insomne guarda cosmogonías&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9948. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9949. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;en un tupido cofre de selva&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9950. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9951. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;y vuelve al poblado vacío.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9952. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9953. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9954. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9955. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poesía para la construcción de una conciencia, sin el quebradizo consuelo del panfleto, con toda la desolación digerida. No hay ejércitos, proclamas ni avanzadillas, un hombre solo camina y celebra modestos tránsitos a la piedad. Ningún rincón en las ciudades o los cuerpos vive ajeno a la presencia de quien los habita. De todos estos espacios Kepa Lucas pretende un pequeño templo con su dócil misterio: “El paisaje que a la ciudad le gusta contemplar”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9956. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9957. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Enumeración, paradoja, ironía, inversión de los valores asumidos, denuncia, conciencia y una decidida voluntad antiretórica conforman los resortes de esta poesía insurgente en continua pugna entre lo bello y lo real: &lt;span lang=&quot;ES&quot;&gt;“Si escribo poemas sobre jardines utópicos, besos eternos o calas desiertas, la Poesía me pide que no huya de la Realidad. Si en mis poemas aparecen cadáveres en las playas, hambrientos en el paraíso y armamento entre las hortensias, la Poesía me acusa de traición a la Belleza. El ciclo se repite y la Poesía nunca se calla”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9958. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9959. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9960. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9961. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Así es mi ciudad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9962. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9963. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ni siquiera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9964. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9965. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hay tregua&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9966. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9967. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en los meses de verano&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9968. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9969. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la gente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9970. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9971. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;defiende sus derechos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9972. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9973. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;con energía&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9974. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9975. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en las colas de las heladerías.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9976. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9977. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9978. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9979. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;La extensión de una mirada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9980. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9981. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Al igual que otros poetas de su generación o tiempo, como &lt;a href=&quot;http://poeticasdeixil.blogspot.com/search/label/Jes%C3%BAs%20Mar%C3%ADa%20Corm%C3%A1n&quot;&gt;Jesús María Cormán &lt;/a&gt;o &lt;a href=&quot;http://poeticasdeixil.blogspot.com/search/label/Emilio%20Varela%20Froj%C3%A1n&quot;&gt;Emilio Varela&lt;/a&gt;, Kepa Lucas desdobla su discurso poético en la práctica pictórica. Se trata, no obstante, asegura el autor, de pulsiones de distinto orden: “&lt;span style=&quot;color: black;&quot;&gt;La pintura supone una especie de descanso social. Cuando pinto sólo busco referencias visuales y me interesan, más que los colores, las composiciones de las formas. Mi pintura quisiera ser lo contrario de mi poesía. En mis cuadros me coloco siempre como espectador, siempre estoy fuera. Soy mirada. En la poesía, sin embargo, todo lo que vivo se refleja de alguna manera en las palabras”.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9982. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9983. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Frente a las ciudades, esos “jardines de la huida y el encuentro”, otras manifestaciones del templo encuentran su expresión pictórica en series de bosques de extraña e inquietante evanescencia. Paisajes de corte simbolista a menudo estilizados hasta la abstracción. El discurso pictórico de Kepa Lucas recuerda en ocasiones a Mondrian, quien aseguraba haber encontrado el sujeto de su obra “transformando los troncos de árboles en líneas y planos, expresando espontáneamente la horizontal apenas visible en la naturaleza para crear un equilibrio”. No en vano Kepa Lucas es también un magnífico pintor. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9984. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9985. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Decidida búsqueda de armonía y orden, espacio delimitado, coordenadas, “&lt;span style=&quot;color: black;&quot;&gt;límites –escribe Lucas– contra un posible cielo inmenso, contra una luz cegadora. Es mi pánico ante lo inmenso, ante lo ilimitado”.&lt;/span&gt; Diálogo entre la ciudad y sus límites del que dan cuenta sus series de “Hormas” y bosques en una equilibrada conjunción de quietud y desasosiego. Los bosques de Kepa Lucas son cuerpos fronterizos, en cada tronco aguarda una estación suspendida. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9986. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9987. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La extraña placidez y tensión de algunas de estas naturalezas y horizontes, ese vértigo del paisaje administrado por el doméstico consuelo de barandillas, pretiles, ventanas, paseos y avenidas en los márgenes de los ríos; muros todos ellos para la contención de la niebla y las mareas, tiene algo del inquietante misticismo de los árboles de Mondrian o los serenos desiertos de Cirilo Martínez Novillo, naturalezas que viven en el recuerdo de lo sublime, que aún aguardan y temen la promesa de pasadas devastaciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9988. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9989. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En esa aprensión y cuidado tienen su extensión los bosques y los hombres, con todo el pavor reunido, como si la callada niebla entre los troncos o más allá de los muros pudiera aún morderlos. Al igual que los hombres en la precaria organización de sus ciudades, también la naturaleza se encuentra amenazada por la inminente deserción de las formas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9990. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9991. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9992. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9993. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;¿La brisa transporta gemidos y lamentos?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9994. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9995. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;“Aquí sólo existe intimidad &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9996. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9997. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el envés de las hojas”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  9998. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  9999. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10000. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10001. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los poemas de Kepa Lucas buscan al otro entre las calles, siguen sus huellas de transeúnte, auscultan lo indescifrable en sus gestos cotidianos donde reafirmar el abrazo, la caricia fraterna, la esperanza, el gozo de ser hombre entre los hombres, lo humano al fin, a pesar del fracaso inscrito en nuestras frentes, porque para Kepa Lucas, como para &lt;a href=&quot;http://poeticasdeixil.blogspot.com/search/label/Carlos%20Aurtenetxe&quot;&gt;Carlos Aurtenetxe&lt;/a&gt;, “no son las ideas las que fracasan sino los hombres”. En este deambular por la ciudad el poeta reclama “la Salud Pública del Cariño y del Placer, la conquista de un Paraíso de Amantes Compartidos. Sin identidades ni circunstancias… Hace ya tiempo que paseamos nuestro amor entre la gente pero estuvimos en otros y en otros estamos latentes...”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10002. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10003. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Mientras Kepa Lucas camina, mira al hombre en la comprensión de su hábitat, y a la ciudad en el íntimo misterio de su porción de naturaleza a ella adherida. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10004. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10005. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En los jardines domésticos de estas composiciones, sólo las tentativas de desfiguración de la niebla y el hombre mediano son amenaza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10006. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10007. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10008. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10009. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Hagáis lo que hagáis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10010. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10011. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sólo el eco moribundo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10012. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10013. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de las largas ovaciones&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10014. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10015. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;llegará hasta el refugio&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10016. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10017. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;donde conspiran,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10018. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10019. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;ajenos a vuestra satisfacción,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10020. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10021. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;el viento, el tiempo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10022. &lt;div class=&quot;MsoBodyText&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10023. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y la intemperie.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10024. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10025. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La mirada inversa&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10026. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Jose Luis Padrón)&lt;/span&gt;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10027. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;Premiado y publicado por el Ayuntamiento de Pasajes en 1987, &lt;i&gt;Poemakumeak &lt;/i&gt;es en cierto modo una continuación del libro &lt;i&gt;Poemas de la Liquidación&lt;/i&gt;, aunque los versos originalmente en euskara aparecen con un carácter más contenido y objetivo que en el anterior poemario, y obedecen a un dictado creativo que se renueva en sí mismo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10028. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-right: 2.25pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10029. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Poemakumeak&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;, título que nos permitiría ser traducido como “Protopoemas”, pero que, a sugerencia del propio autor, también admitiría la incitante lectura de &lt;i&gt;Po-emakumeak&lt;/i&gt; (Mujeres-Po), es la obra de un escritor bilingüe que encuentra en el euskara un cuerpo poético sereno y explícito, una voz y música propias, y un camino en el que entra y sale con él en intimidad.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10030. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-right: 2.25pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10031. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En &lt;i&gt;Poemakumeak&lt;/i&gt;, donde el autor recopila sus primeros poemas escritos en euskara, Kepa Lukas patentiza la mirada, todos los tiempos de la mirada, todo lo que el instante de la mirada expresa y manifiesta dentro de sus confines. Recibir y darse en el amor, sentirse hoy en aquel barrio de la infancia, rebasar el futuro inalcanzable,…el poeta mira otros lugares para ver y para verse entero, otros territorios donde la vida transcurre pretérita, extraña y cotidiana.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10032. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-right: 2.25pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10033. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Kepa Lukas le da al poema sus ojos para revelarnos un más acá de la mirada, de donde nace, respirando hacia adentro, la palabra.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10034. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-right: 2.2pt;&quot;&gt;
  10035. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10036. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img src=&quot;http://www.euskalnet.net/kibaluk/Imagenes/Lehioa.JPG&quot; height=&quot;200&quot; width=&quot;156&quot; /&gt;&amp;nbsp;&amp;nbsp; &lt;img src=&quot;http://www.euskalnet.net/kibaluk/Imagenes/Gorri1.jpg&quot; height=&quot;200&quot; width=&quot;180&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10037. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10038. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10039. &lt;div class=&quot;MsoNormal&quot;&gt;
  10040. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  10041.  
  10042.  
  10043. &lt;br /&gt;
  10044. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  10045.  
  10046.  
  10047. &lt;br /&gt;
  10048. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10049. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10050. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm; text-indent: 0.5cm;&quot;&gt;
  10051. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10052. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10053. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Veinte
  10054. minutos de nube rosa&lt;/i&gt; (1984)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10055. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10056. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Poemas
  10057. de la liquidación&lt;/i&gt; (1987)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10058. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10059. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Poemakumeak&lt;/i&gt;
  10060. (1987)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10061. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10062. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Cero
  10063. de Mayo&lt;/i&gt; (2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10064. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10065. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Cielos
  10066. Miedos &lt;/i&gt;(2007)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10067. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10068. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Calor
  10069. y Eco, Poemas de amor&lt;/i&gt; (2007)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10070. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10071. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Bisuterriak&lt;/i&gt;
  10072. (2008) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  10073. &lt;/div&gt;
  10074. &lt;div align=&quot;JUSTIFY&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  10075. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Mínimo
  10076. Consenso&lt;/i&gt; (2008) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  10077. &lt;/div&gt;
  10078. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10079. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10080. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10081. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10082. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10083. &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/8990961928562893060'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/8990961928562893060'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/kepa-lucas-san-sebastian-1959.html' title='Kepa Lucas (San Sebastián, 1959)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_f58A9Cchvk4/S1I483r7bEI/AAAAAAAAACk/oR_4Gpfacbs/s72-c/Poemas+del+l%C3%ADmite+(Kepa+Lucas).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-837300354399321607</id><published>2010-01-16T13:55:00.000-08:00</published><updated>2015-07-22T12:36:42.908-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><category scheme="http://www.blogger.com/atom/ns#" term="Emilio Varela Froján"/><title type='text'>Emilio Varela Froján (San Sebastián, 1965)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
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  &lt;m:mathpr&gt;    &lt;m:mathfont val=&quot;Cambria Math&quot;&gt;    &lt;m:brkbin val=&quot;before&quot;&gt;    &lt;m:brkbinsub val=&quot;--&quot;&gt;    &lt;m:smallfrac val=&quot;off&quot;&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val=&quot;0&quot;&gt;    &lt;m:rmargin val=&quot;0&quot;&gt;    &lt;m:defjc val=&quot;centerGroup&quot;&gt;    &lt;m:wrapindent val=&quot;1440&quot;&gt;    &lt;m:intlim val=&quot;subSup&quot;&gt;    &lt;m:narylim val=&quot;undOvr&quot;&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate=&quot;false&quot; defunhidewhenused=&quot;true&quot; defsemihidden=&quot;true&quot; defqformat=&quot;false&quot; defpriority=&quot;99&quot; latentstylecount=&quot;267&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Normal&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;heading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;footer&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;35&quot; qformat=&quot;true&quot; name=&quot;caption&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;0&quot; name=&quot;page number&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;img src=&quot;//img2.blogblog.com/img/video_object.png&quot; style=&quot;background-color: #b2b2b2; &quot; class=&quot;BLOGGER-object-element tr_noresize tr_placeholder&quot; id=&quot;ieooui&quot; data-original-id=&quot;ieooui&quot; /&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face  {font-family:&quot;Cambria Math&quot;;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:roman;  mso-font-pitch:variable;  mso-font-signature:-1610611985 1107304683 0 0 159 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-unhide:no; 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  10085. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10086. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1I2ZeTCIKI/AAAAAAAAACc/-re1OGom7z8/s1600-h/Poemas+del+lado+en+sombra+de+la+ciudad+%28Emilio+Varela%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427460312192393378&quot; src=&quot;http://4.bp.blogspot.com/_f58A9Cchvk4/S1I2ZeTCIKI/AAAAAAAAACc/-re1OGom7z8/s320/Poemas+del+lado+en+sombra+de+la+ciudad+(Emilio+Varela).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 259px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &amp;nbsp;&lt;/span&gt;&lt;br /&gt;
  10087. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Poemas del lado en sombra de la ciudad&lt;o:p&gt;&lt;/o:p&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10088. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(Emilio Varela Froján: Cartografía del mundo menor)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10089. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10090. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10091. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10092. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10093. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10094. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10095. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Los antiguos llamaban al hombre un mundo menor, designación justa, porque está compuesto de tierra, agua, aire y fuego como el cuerpo terrestre, y a él se asemeja.&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10096. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Leonardo da Vinci&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10097. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10098. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10099. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10100. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10101. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10102. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10103. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;He preferido la oscuridad, que en un tiempo ya pasado descubrí como penumbra salvadora, que andar errante, sola, perdida, en los infiernos de la luz.&lt;/span&gt;&lt;/i&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10104. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; María Zambrano&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10105. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10106. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10107. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10108. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10109. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10110. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10111. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcQXeTPP4F_PkYeQrizYGqxBsOdoF66bYJ_BWJwod6d-yLltM6Cd&quot; data-sz=&quot;f&quot; name=&quot;PYpp3O0hVyjvXM:&quot; src=&quot;https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcQXeTPP4F_PkYeQrizYGqxBsOdoF66bYJ_BWJwod6d-yLltM6Cd&quot; style=&quot;height: 198px; margin-left: 0px; margin-right: 0px; margin-top: -2px; width: 255px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10112. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Paisaje nocturno. Técnica mixta sobre lienzo. 92 x 72,5 centímetros (1996)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10113. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10114. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;Acróbatas II&quot; src=&quot;http://www.espacioluke.com/2012/Marzo2012/images/acrobatasII.jpg&quot; height=&quot;198&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10115. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;Acróbatas II&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10116. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;br /&gt;
  10117. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10118. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10119. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Señala María Zambrano en su lúcido estudio &lt;i&gt;Filosofía y Poesía&lt;/i&gt; la rara ocasión en que poesía y pensamiento se traban en una sola forma expresiva, dada la gravedad con que ambos discursos enfrentan las dos mitades de un hombre. Una, nacida del asombro ante la inmediatez de las cosas del mundo y la violenta búsqueda de una palabra que lo salve en una unidad permanente y conciliadora; la otra, concreta e individual, enredada en el ya irremediable encuentro de lo presente, perdida en su número. Procura así el filósofo confeccionar un perfil a la medida del ser, permanecer indemne a su sombra, mientras el poeta, disperso, abriga la esperanza de un mundo sin límite y nombra con igual realidad las apariencias de todo y sus simulacros, cada cosa con su día y noche a cuestas. “El poeta –afirma Zambrano– saca de la humillación del no ser a lo que en él gime, saca de la nada a la nada misma y le da nombre y rostro”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10120. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10121. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética y plástica de Emilio Varela (San Sebastián, 1965) responde a un monolítico proyecto constructivo que, bajo el título &lt;i&gt;Mascara y Canto&lt;/i&gt; –título así mismo de su última exposición (sala Kutxa Boulevard, octubre de 2007)–, recoge junto a &lt;i&gt;Las fuentes de arena&lt;/i&gt; (Iparragirre Saria 2002. Bermingham, 2003), cuatro libros inéditos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10122. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10123. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Proyecto constructivo de una singular cartografía de la conciencia, animada por esta doble y agónica condición que señalara María Zambrano. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10124. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10125. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Si fuera posible distribuir los materiales de esta ambiciosa poética en un plano cartesiano, descubriríamos en su eje de ordenadas el desplazamiento vertical de una física que va de lo Natural a lo Real; de la luz detenida en los cuerpos, de la multiplicación del paisaje y sus imágenes, a la resolución de los contrarios por el Común pensar. Y en su parámetro horizontal, una política; el sabio gobierno del hombre que huye del símbolo en la ciudad y salva la palabra en los mudos desiertos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10126. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10127. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Crecen así los valores positivos de la conciencia conforme asciende y gana en lúcida realidad. Crece así también el hombre cuanto más se aleja de &lt;st1:personname productid=&quot;LA CIUDAD&quot; st=&quot;on&quot;&gt;la Ciudad&lt;/st1:personname&gt; y no atiende al luminoso clamor de las muchas voces de sus dioses.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10128. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10129. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Laboratorio experimental donde la palabra y la imagen adquieren la contundencia y rigurosa precisión de una herramienta estilizada hasta el mínimo necesario para no contaminar los productos de la lucidez y su enunciación.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10130. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10131. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;img border=&quot;0&quot; src=&quot;http://www.poetasvascos.org/_/rsrc/1269769913180/sala-de-exposiciones/mascaraycanto/MESA_CON_FRUTERO.tif&quot; height=&quot;146&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/span&gt; &lt;/div&gt;
  10132. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10133. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mesa con frutero (A Juan Gris). &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; Tinta sobre papel. 32x20 cms. 1997&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10134. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10135. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;imagen Valera&quot; src=&quot;http://www.espacioluke.com/2010/Mayo2010/images/valera3.jpg&quot; height=&quot;123&quot; width=&quot;200&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10136. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10137. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10138. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Mecánica del ojo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10139. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10140. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Señalaba A. E. Brinckmann en relación a las concepciones expresivas de Leonardo que éstas no eran de orden filosófico, sino artísticas, por emanar de una observación minuciosa y exacta. “a Leonardo –apunta Brinckmann– no le preocuparon nunca problemas de índole religiosa o trascendente, puesto que al trascender el mundo visible se salían de su campo de interés… yo lo denominaría como “esencialista” en el sentido medieval del término, porque recoge el &lt;i&gt;esse&lt;/i&gt;, el ser, y sobre todo la esencia que subyace a dicho ser. Leonardo nos ha legado la certeza de que el mundo es analizable con los ojos de la razón, sin mistificarlo por tanto…”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10141. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10142. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Hay en los procedimientos poéticos de Emilio Varela un empeño similar por hacerse con esta “nitidez de la visión”, por afilar su percepción directa de lo Natural y desentrañar así el mundo en su concreción.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10143. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10144. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Las calibradas composiciones de Varela, de una frágil y hermosa proporción siempre, salvan un doble riesgo. La imagen, concisa y mínima, se resuelve con esa extraña contundencia de las revelaciones y nunca envenena el poema. En su huida de toda ornamentación arde a su paso el símbolo en todos los paisajes. Por la imagen salva cada poema su propensión a lo abstracto. Varela insufla cuerpo a todas esas formas etéreas de las cosas que la filosofía ha imaginado. El ser, la nada, precipitan, tocan tierra sin por ello olvidar su vuelo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10145. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10146. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Es condición de la realidad mudar, huirse en las formas. Deja, sin embargo, tras cada desaparición, un extenso muestrario de escamas secas, cáscaras y sombras. Restan arenas, recuerdo del polvo en algún fondo, sólo la superficie fulminada de las cosas; el desierto al fin, que no es otra la ausencia que habitamos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10147. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10148. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada poema guarda y expone los restos de estos animales huidos. Varela atiende al riguroso registro de estos bestiarios y certifica que si bien la realidad estuvo allí, lo sigue estando ahora. Confiere cuerpo a la ausencia, entidad propia a las sombras de las cosas, a sus maneras de no ser. Es realidad todo cuanto ahora vemos desierto. El resto, como siempre se nos ha asegurado, no es silencio, sino el ruido estridente del símbolo con el que el hombre lanza contra un muro sus señales; “la máscara y el canto” donde celebrar el límite de todo cuanto se dice es. Así, Varela ausculta los signos: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10149. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10150. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10151. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10152. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10153. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10154. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10155. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Huella&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10156. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10157. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;En el lugar que fue antes de la piedra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10158. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10159. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Arde el signo cóncavo de un sol negro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10160. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10161. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La flor abierta sobre la arena calcinada&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10162. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10163. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recibe en su fondo el peso del sol de piedra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10164. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10165. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10166. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10167. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10168. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10169. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10170. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada pieza es una atípica inversión fotográfica. Como si de las primeras tentativas de la daguerrotipia se tratara, mira a los cuerpos en negativo y recompone los juegos del ser con “los ritmos de la luz”. Así, el rostro de un hombre sólo se reconoce en su máscara, en ese volcado de la inasible realidad de los cuerpos sobre la materia de un molde; una impresión en la piedra. En el canto están inscritas las formas de la celebración, la estrategia del hombre para hacer significativa dicha huella. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10171. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10172. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sólo sobre la expresión del Límite se hacen perceptibles las sombras. La materia no es sino una cuestión de grado entre la luz y la sombra, el mayor o menor acierto de sus nombres, su concreción y su realidad imaginada. “¡Cuánta diferencia – advertía Leonardo– entre imaginar la luz en el cerebro y verla efectivamente fuera de las tinieblas”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10173. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10174. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10175. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10176. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10177. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10178. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10179. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;A cierta distancia los objetos coinciden con sus nombres&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10180. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10181. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;alejándose son completas figuras de sombra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10182. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10183. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;con más aire en los ojos se silencian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10184. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10185. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y van perdiendo peso y medida&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10186. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10187. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;hasta reposar en sí mismos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10188. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10189. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y en la palabra justa:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10190. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10191. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;nada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10192. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10193. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10194. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10195. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10196. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10197. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10198. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Tentativa para una veladura ya recogida en su propuesta de 2003 para una exposición en &lt;st1:personname productid=&quot;la Galer■a DV&quot; st=&quot;on&quot;&gt;&lt;st1:personname productid=&quot;la Galer■a&quot; st=&quot;on&quot;&gt;la Galería&lt;/st1:personname&gt; DV&lt;/st1:personname&gt;: “Fragmentos de la memoria DV/Diagramas Vacíos”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10199. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10200. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10201. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10202. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10203. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10204. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10205. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://www.poetasvascos.org/_/rsrc/1269769621332/sala-de-exposiciones/mascaraycanto/DENHAM.tif&quot; height=&quot;107&quot; width=&quot;320&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10206. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;Denham (a Ben Nicholson). Técnica mixta sobre papel. 60x20 cms. 1996&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10207. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10208. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10209. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10210. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Mecánica de la palabra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10211. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10212. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En este laboratorio experimental los poemas son pequeñas composiciones estructurales, arquitecturas mínimas confeccionadas a partir de la combinación de formas elementales que encierran sin embargo la solución de lo monumental.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10213. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10214. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Su fuerza expresiva es la de un monólogo fragmentado en el que, tal como pretendía Paul Valéry, se busca fijar “la esencia del ser vivo, y la vida filosófica en la medida en que esta vida puede ser percibida por uno mismo, y expresada poéticamente”, “concebir en un mundo en el que no tengo órganos, mientras me muevo en otro en el que no veo”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10215. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10216. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Llevado por ese mismo propósito de “hacer una mente, mientras los demás hacen libros”, de construir una voz “pura” a la que le ha sido extirpada toda imaginación literaria –literatura &lt;i&gt;empírica&lt;/i&gt;, dirá Valéry–, ese hombre sin historia que es también Emilio Varela se muestra como un escritor en estado salvaje. Es su práctica poética una suerte de autopsia por la que confiere a los conceptos propios de la filosofía la luz viva y descarnada de las primeras intuiciones, del primer entendimiento.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10217. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10218. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El tono grave, cercano a la sentencia; la forma precisa y carente de ornamentación a que reduce la imagen; así como la identificación Logos-Physis que defienden –el poeta semeja un demiurgo asombrado de ver crecer el mundo en su mente–, hacen de estas composiciones enigmáticos fragmentos presocráticos. Sin duda recuerdan a la incandescente Razón común de Heráclito piezas como la que siguen:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10219. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10220. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10221. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10222. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El Pozo&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10223. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10224. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Aun siendo el cielo de todos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10225. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10226. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sin orillas que lo partan&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10227. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10228. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Es único en lo profundo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10229. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10230. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Y se toma distinta luz de su fondo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10231. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10232. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10233. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10234. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10235. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10236. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10237. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y al igual que el efesino, muchas de sus composiciones reproducen una misma figura en forma de hélice, un desplazamiento de sus elementos que, sin embargo, nunca es en el tiempo. El poema compone un estudiado equilibrio; recorre el espacio mínimo que va de un concepto a su contrario; se interroga cada elemento allí donde no es y encuentra en este leve distanciamiento y retorno restaurada su naturaleza.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10238. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10239. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada pieza muestra la traslación infinita de un péndulo que es el recorrido de un conocimiento resuelto entre contrarios.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10240. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10241. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10242. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10243. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10244. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10245. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &lt;img border=&quot;0&quot; src=&quot;http://www.poetasvascos.org/_/rsrc/1269859578607/sala-de-exposiciones/mascaraycanto/PIEDRA%20DE%20SOL.%20Tinta%20sobre%20papel.%2021%2C5x21%20cms.tif&quot; height=&quot;192&quot; width=&quot;200&quot; /&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10246. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;Piedra de sol. Tinta sobre papel. 21,5 x 21 cms. 2001&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10247. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10248. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img border=&quot;0&quot; src=&quot;http://www.poetasvascos.org/_/rsrc/1269859093975/sala-de-exposiciones/mascaraycanto/PALACIO.tif&quot; height=&quot;200&quot; width=&quot;137&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10249. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;Palacio. Tinta sobre papel 14,5x21 cms. 1997&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10250. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10251. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10252. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10253. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Mecánica de la ciudad&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10254. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10255. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Si es cierto, tal como asegura Valente, que la poesía es la palabra que no es de la ciudad, Varela y sus maestros en el silencio: Edmond Jabés, Bernard Nöel, Robeto Juarroz, están en lo cierto. Pues su fría palabra, se asegura, viene de las zonas en sombra de todo cuanto decimos conocer. De los desiertos, del mundo fulminado en sus formas, de las fuentes de arena “en la zona fría de la memoria”, allí donde las cenizas no olvidan los cuerpos que han sido. “Sobre el cuerpo de la palabra la luz medita la forma del silencio”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10256. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10257. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En &lt;st1:personname productid=&quot;LA CIUDAD&quot; st=&quot;on&quot;&gt;la Ciudad&lt;/st1:personname&gt; despierta el símbolo, se administra su accidente y catástrofe, se le confiere apariencia de necesidad para que no sepan los hombres qué contamina su pensamiento, inflama sus pasiones y los arroja y pierde en una promesa de feliz identidad. “Hay que impedir que las ideas tropiecen con las formas”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10258. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10259. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10260. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10261. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10262. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10263. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10264. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Ídolo&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10265. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10266. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;La pobre piedra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10267. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10268. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;quemada por el sol&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10269. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10270. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;con su pequeña sombra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10271. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10272. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;mata la luz.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10273. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10274. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  10277. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En &lt;st1:personname productid=&quot;LA CIUDAD&quot; st=&quot;on&quot;&gt;la Ciudad&lt;/st1:personname&gt; viven los hombres al amparo consolador de la identificación de los nombres con las cosas, de esa visión ciega de una realidad sin transparencia sobre la que saltó el ojo de Leonardo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10278. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10279. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;¿Qué puede un cuerpo?, acaso se pregunte Valéry, “entre la lámpara y el sol”, mientras compone su particular cartografía de la conciencia en 25.000 páginas. También Leonardo, mientras sigue la huella de la nítida visión del mundo menor. Quizás, se lo pregunte también Oteiza en su propósito experimental para un cuerpo de ausencia, a pesar de saber que un hombre fracasa siempre en su tentativa de ser hombre, aunque le quede el consuelo de “acabarse como el ascua: en si misma, en su propia luz”. ¿Qué puede un cuerpo?, el propio Varela, mientras disecciona al Ser en el lado en sombra de las ciudades, “repletas de criaturas de nadie”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10283. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10285. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10289. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10291. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10293. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10295. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10296. &lt;div class=&quot;MsoNormal&quot;&gt;
  10297. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  10299. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10300. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  10301. &lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  10302. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img alt=&quot;Las fuentes de arena&quot; src=&quot;http://www.espacioluke.com/2012/Abril2012/images/fuentesdearena.jpg&quot; height=&quot;143&quot; width=&quot;200&quot; /&gt; &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10303. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10304. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&lt;a href=&quot;http://www.slideboom.com/presentations/496910/12-02-10--FUENTES-DE-ARENA&quot; target=&quot;_blank&quot;&gt;http://www.slideboom.com/presentations/496910/12-02-10--FUENTES-DE-ARENA&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  10305. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  10306. &lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  10307. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10308. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;
  10309. &lt;/div&gt;
  10310. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10311. &lt;br /&gt;
  10312. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Máscara
  10313. y Canto:&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10314. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10315. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10316. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10317. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Las
  10318. fuentes de arena&lt;/i&gt; (2003)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10319. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10320. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;La
  10321. nada. Los silencios&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10322. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10323. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Las
  10324. soledades reunidas&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10325. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10326. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Los
  10327. cantos de la nada&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10328. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10329. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Máscara
  10330. y Canto&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10331. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10332. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10333. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt; &lt;br /&gt;
  10334. &lt;/span&gt;&lt;/span&gt; &lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel="related" href="http://www.espacioluke.com/resultados.html?cx=014919260235861939512%3Atid0bhrqg1o&amp;cof=FORID%3A9&amp;ie=UTF-8&amp;q=emilio+varela&amp;sa=Buscar" title="Emilio Varela Froján (San Sebastián, 1965)"/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/837300354399321607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/837300354399321607'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/emilio-varela-frojan-san-sebastian-1965.html' title='Emilio Varela Froján (San Sebastián, 1965)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_f58A9Cchvk4/S1I2ZeTCIKI/AAAAAAAAACc/-re1OGom7z8/s72-c/Poemas+del+lado+en+sombra+de+la+ciudad+(Emilio+Varela).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-6059456707613625639</id><published>2010-01-16T13:44:00.000-08:00</published><updated>2015-07-22T12:37:23.549-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 70"/><category scheme="http://www.blogger.com/atom/ns#" term="Pablo Casares"/><title type='text'>Pablo Casares (San Sebastián, 1972)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  10441. &lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10442. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10443. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10444. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poemas del cinematógrafo&lt;o:p&gt;&lt;/o:p&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10445. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;(&lt;a href=&quot;http://poetasvascos.blogspot.com/search/label/Pablo%20Casares&quot;&gt;Pablo Casares&lt;/a&gt;: música para desaparecidos)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10446. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify;&quot;&gt;
  10447. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10448. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10449. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;… y esta discreta libertad... ¿para hacer qué?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10450. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10451. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Javier Salvago&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10452. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10453. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10454. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10455. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pablo Casares (San Sebastián, 1972) ha publicado recientemente&lt;i&gt;&lt;span style=&quot;color: black;&quot;&gt; Fingiré que estoy de paso&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black;&quot;&gt; (Ayuntamiento de Granada, 2006), libro galardonado con el Premio Internacional Javier Egea. Su obra se nos ofrece en las &lt;i&gt;plaquettes &lt;/i&gt;de poesía &lt;i&gt;Callejón sin salida&lt;/i&gt; (San Sebastián, 2003) y &lt;i&gt;Madrugada&lt;/i&gt; (Asociación del Diente de Oro, Granada, 2004). También, el cuaderno de poesía&lt;i&gt; Tiempo muerto&lt;/i&gt; (Ediciones del 4 de agosto, 2005). Sus poemas han sido recogidos a su vez en la antología &lt;i&gt;Poemas para cruzar el desierto&lt;/i&gt; (Línea de Fuego, Oviedo, 2004).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10456. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10457. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10458. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10459. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;BSO.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10460. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10461. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La labor poética de Pablo Casares se resuelve en pequeñas partituras, una delgada banda sonora para cada ración de vida retratada. Cada espacio repetido y común, cada fracción de obvia realidad, precisa el auxilio de ese ritmo tibio y acompasado con el que se suceden estos fotogramas. Sólo después de la emulsión de los proyectores el instante se transforma en acontecimiento, todo gesto encuentra distinción, cualquier horizonte procura al ojo una instantánea, no hay puñado de arena que no diga una fracción de mundo, ni porción de mundo que al amparo de una música no se transfigure en paisaje, cualquier fugaz tránsito se torna huella. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10462. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10463. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Gershwin, Nina Simona, Jimmy Scott, John Coltrane, empujan, levantan, salvan momentáneamente la vida. El roer continuo del vinilo, sin embargo, nos recuerda a cuarenta y cinco revoluciones por minuto que el mundo ahí fuera es un animal que aún duerme en la árida digestión de nuestros días. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10464. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10465. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Cada una de estas instantáneas recoge una idea, una ácida reflexión que en ocasiones estilizan el poema, hasta adquirir la forma del enunciado o el aforismo donde precipita la rabia ante la uniforma y mansedumbre a la que obliga el tiempo, la amarga constatación de su insalvable capacidad de derribo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10466. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10467. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10468. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10469. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;UNA COLINA EN IOWA&lt;br /&gt;
  10470. Suena bien:&lt;br /&gt;
  10471. Un campo de trigo resplandeciendo&lt;br /&gt;
  10472. con toda la luz del mundo. &lt;br /&gt;
  10473. El cálido sonido de las espigas &lt;br /&gt;
  10474. mecidas por el viento. &lt;br /&gt;
  10475. Escindida del horizonte &lt;br /&gt;
  10476. una colina y en su cima una granja. &lt;br /&gt;
  10477. En el interior una mujer &lt;br /&gt;
  10478. haciendo café y por toda la casa ese olor &lt;br /&gt;
  10479. a pastel de manzana y canela. &lt;br /&gt;
  10480. En el cobertizo, junto a un viejo Ford,&lt;br /&gt;
  10481. un hombre acaricia un perro &lt;br /&gt;
  10482. Me acercaré. &lt;br /&gt;
  10483. Pediré que me alojen &lt;br /&gt;
  10484. por una noche. &lt;br /&gt;
  10485. Fingiré que estoy de paso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10486. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10487. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10488. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10489. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Compañía.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10490. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10491. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los poemas de Pablo Casares están llenos de criaturas que aguardan una pequeña porción de prodigio asomados a otros cuerpos. Algo que perderemos pronto nos está esperando al otro lado de nosotros mismos. Ajenos a sus nombres propios, estos seres miran algo que desconocemos apostados en una ventana, en las empalizadas frente al mar, en las barras de los bares. En ocasiones despiertan en nuestra cama con todo el vértigo del tiempo futuro entre las piernas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10492. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10493. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los personajes de Pablo Casares están condenados a amar, y se entregan con resignada indolencia mientras aguardan alguna forma de indulto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10494. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10495. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10496. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10497. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Esperarte cariño&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10498. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10499. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;fue como dejar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10500. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10501. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de fumar:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10502. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10503. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10504. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10505. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Todo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10506. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10507. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;a mi alrededor &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10508. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10509. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;se convirtió&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10510. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10511. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en una&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10512. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10513. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;pálida &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10514. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10515. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;y ordinaria&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10516. &lt;div class=&quot;MsoFooter&quot; style=&quot;line-height: 18pt; margin: 0cm 0cm 0.0001pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10517. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sala de espera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10518. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10519. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10520. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10521. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Estos poemas quieren entender de qué mimbres están hechos nuestros abrazos, que impostura, de repente, hace real el encuentro. Disecar el antes y el después, porque en medio no ha pasado nada, nunca pasa nada. Acaso sea eso lo que realmente somos, el lugar donde no estamos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10522. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10523. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Mientras tanto, miramos sin contemplar, nos enredamos en ese terrible encanto de lo que no salva. No salva el otro, las ya conocidas palabras. No salva el hombre, no salvan sus gestos, no salva cuanto amamos. Administramos con prudente discreción el páramo en nuestras ciudades. Cualquier racimo de arena nos hará imaginadas presencias, espejismos para el asombro de cualquier otro perdido semejante. Músicas que apenas componen la figura de un hombre al otro lado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10524. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10525. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En estos poemas cada encuentro inaugura una catástrofe, poesía de pequeños y anónimos derribos, voladuras tras las que “la vida comienza de nuevo a jadear”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10526. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10527. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pablo Casares escribe como si preguntara, y la incógnita que le persigue no es sino la que instaura siempre&lt;span style=&quot;color: black;&quot;&gt; la compañía; su necesidad y, a cada empeño, renovado fracaso. Cada poema sigue el rastro de pequeños indicios con voluntad de presencia completa. Impresiones, huellas que dejamos olvidadas, que otros recogen con idéntica inconsciencia. Compañía, más allá de la trama amorosa a la que los personajes asisten como incrédulos testigos de sí mismos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10528. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10529. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;Los poemas de Casares podrían ser las crónicas íntimas de los locos de Felipe Alfau, aparecidos, fantasmas, existencias intermitentes que recorren sin descanso las mismas avenidas, fieramente aferrados a la inconsecuencia de sus huellas dactilares, componiendo una inasible comedia de gestos. “Personajes que –tal como asegura Alfau– tienen visiones de la vida real… sueñan realidad y luego se pierden.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10530. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10531. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10532. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10533. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Apuntes del natural. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10534. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10535. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;Todos los lugares en los que se detiene Pablo Casares guardan una historia que nunca se cuenta.&lt;/span&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;ES&quot;&gt;Cuaderno de campo de&lt;span style=&quot;color: black;&quot;&gt; habitaciones de hotel, de pasos de cebra, de este preciso instante en una colina en Iowa; algo ha pasado, algo pasa siempre, algo está pasando, mientras “&lt;/span&gt;una anciana descansa sobre la muleta,&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;un niño escupe a una paloma, o&lt;span style=&quot;color: black;&quot;&gt; &lt;/span&gt;una pareja se besa”: personajes atrapados en una instantánea, en una pálida secuencia con la emoción de todo cuanto ha extraviado su hondura. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10536. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10537. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;Como en el buen cine, en los poemas de Casares, la realidad transcurre fuera de cuadro y, sin embargo, nunca oculta.&lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt; La realidad retratada en estos versos está desprovista de mito, secuencias simples para una realidad nunca del todo nombrada. Lo sugerido, lo oculto en estas imágenes, transcurre con la elegante simplicidad de las elipsis. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10538. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10539. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;En sus poemas el tiempo ya ha sido y ha dejado una impronta de secas imágenes, con toda esa extraña trascendencia de lo ido sin haber sido pronunciado. Las palabras poco o nada pueden, tal vez por ello Pablo Casares compone pequeñas piezas de baile, una coreografía que en vano pretende la audacia de una formulación geométrica. &lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt;Maneras inconscientes que nos hablan de todos esos instantes en que no estamos.&lt;span style=&quot;color: black;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10540. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10541. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10542. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10543. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;En cada gesto que hacemos,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10544. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10545. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;en los insignificantes actos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10546. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10547. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;de todos los días,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10548. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10549. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;existe una mágica geometría&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10550. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10551. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;que es la vida:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10552. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10553. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10554. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10555. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;divisiones, sumas, restas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10556. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10557. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;dan como resultado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10558. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10559. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;infinitas variantes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10560. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10561. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;para amarte entre incógnitas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10562. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10563. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;y símbolos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10564. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10565. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;de una ecuación&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10566. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10567. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;ya perdida en las sábanas de nuestras vidas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10568. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10569. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10570. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10571. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot; style=&quot;color: black;&quot;&gt;Poeta de superficies, de realidades con su porción extirpada de mito a cuestas, esa que ya nos enseñara Carver. Nociones de la “mecánica de lo real”,&lt;/span&gt;&lt;span lang=&quot;ES&quot;&gt; a menudo devastadora: inercia y repetición en la que el tiempo se oculta. &lt;span style=&quot;color: black;&quot;&gt;Comedia irónica de gestos que perpetúan a tientas su particular “genealogía del derrumbamiento”, tristezas sin causa, rutinario amor. Denuncia de la intermitencia en que vivimos, de nuestras tibias quejas para nada. Todo ello sobre un fondo que reproduce y homenajea las estampas de la cultura pop americana.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10572. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10573. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Pablo Casares se adscribe a lo que se ha dado en llamar la &lt;i&gt;Línea Clara&lt;/i&gt;, a esa nómina de autores que conciben su mundo poético en tono menor, sin retórica, ese que lleva adherido a las suelas de sus zapatos Karmelo C. Iribarren, el que hondea un tanto estridente y exhibicionista Roger Wolfe, ese que mueve a Javier Salvago a declarar: “Yo no sé nada que tú ya no sepas, /que no nos puedan enseñar los años. /No hago juegos/de magia. /No deslumbro. /Hablo sin vanidad de mis asuntos. /(A lo sumo, acompaño)”.&lt;span style=&quot;color: black;&quot;&gt; Lo que, en definitiva, Baroja llamó “la extraña poesía de las cosas vulgares”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10574. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10575. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10576. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-indent: 14.2pt;&quot;&gt;
  10577. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;CON&lt;/b&gt;&lt;b&gt;&lt;span lang=&quot;EU&quot;&gt; MÚSICA DE BLUES&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10578. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-indent: 14.2pt;&quot;&gt;
  10579. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;span lang=&quot;EU&quot;&gt;(Alberto Mandoza)&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10580. &lt;div class=&quot;MsoBodyTextIndent&quot; style=&quot;line-height: 18pt; margin-left: 0cm; text-indent: 14.2pt;&quot;&gt;
  10581. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;EU&quot;&gt;Los libros de versos de Pablo Casares tienen mucho de álbumes de fotografías, unas fotografías, eso sí, clavadas, de estructura minimalista, pero hondas, como estampas hopperianas, y que van conformando un recorrido urbano-sentimental en el que todo tiene su lugar único, su porqué intransferible, desde lo más recalcitrantemente lírico –léase el &lt;/span&gt;amor&lt;span lang=&quot;EU&quot;&gt; en sus múltiples fases o estadíos, en sus claroscuros– a lo, sólo en apariencia, más prosaico. Son los suyos unos poemas que, manejando las palabras de todos los días, las que nos sirven para “sencillamente” &lt;/span&gt;vivir&lt;span lang=&quot;EU&quot;&gt;, resultan nuevos, frescos, vivos, y por ello mismo sorprendentes. Por las páginas de sus libros, entre sus versos, desfilan enamorados que no saben que lo están, borrachos de mala sombra, perdedores que siguen apostando al número que les llevó a la ruina, mujeres cuya mirada atrae desde la penumbra como el abismo... Seres, en fin, a la deriva en una ciudad que son todas las ciudades, porque es la ciudad que el corazón crea y recrea una y otra vez, triste, sinuosa y envolvente como un solo de blues, peligrosa también como un callejón sin salida en la madrugada. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10582. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10583. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; height=&quot;320&quot; name=&quot;J8PlFtpMVvFPaM:&quot; 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  10601.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  10602.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
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  10613.   &lt;w:SplitPgBreakAndParaMark/&gt;
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  10615.   &lt;w:DontFlipMirrorIndents/&gt;
  10616.   &lt;w:OverrideTableStyleHps/&gt;
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  10739.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
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  10743.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
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  10749.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  10750.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  10751.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  10752.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  10753.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
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  10759.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  10760.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  10761.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
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  10763.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  10764.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  10765.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  10766.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  10767.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  10768.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  10769.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  10770.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  10771.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  10772.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  10773.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  10774.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  10775.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  10776.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  10777.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  10778.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  10779.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  10780.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  10781.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  10782.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  10783.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  10784.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  10785.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  10786.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  10787.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  10788.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  10789.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
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  10791.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  10792.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
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  10794.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  10795.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
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  10797.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  10798.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  10799.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  10800.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  10801.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
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  10803.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
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  10805.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  10806.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  10807.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  10808.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  10809.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  10810.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  10811.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  10812.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
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  10814.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
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  10817.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
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  10823.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
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  10825.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
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  10839.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
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  10842.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  10843.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
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  10845.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
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  10853.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
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  10855.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
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  10871.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
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  10873.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
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  10881.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Emphasis&quot;/&gt;
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  10883.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtle Reference&quot;/&gt;
  10884.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;32&quot; SemiHidden=&quot;false&quot;
  10885.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Reference&quot;/&gt;
  10886.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;33&quot; SemiHidden=&quot;false&quot;
  10887.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Book Title&quot;/&gt;
  10888.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;37&quot; Name=&quot;Bibliography&quot;/&gt;
  10889.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; QFormat=&quot;true&quot; Name=&quot;TOC Heading&quot;/&gt;
  10890. &lt;/w:LatentStyles&gt;
  10891. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
  10892. &lt;style&gt;
  10893. /* Style Definitions */
  10894. table.MsoNormalTable
  10895. {mso-style-name:&quot;Tabla normal&quot;;
  10896. mso-tstyle-rowband-size:0;
  10897. mso-tstyle-colband-size:0;
  10898. mso-style-noshow:yes;
  10899. mso-style-priority:99;
  10900. mso-style-parent:&quot;&quot;;
  10901. mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
  10902. mso-para-margin:0cm;
  10903. mso-para-margin-bottom:.0001pt;
  10904. mso-pagination:widow-orphan;
  10905. font-size:10.0pt;
  10906. font-family:&quot;Times New Roman&quot;,&quot;serif&quot;;}
  10907. &lt;/style&gt;
  10908. &lt;![endif]--&gt;
  10909.  
  10910. &lt;br /&gt;
  10911. &lt;style type=&quot;text/css&quot;&gt;P { margin-bottom: 0.21cm; }A:link {  }&lt;/style&gt;
  10912.  
  10913.  
  10914. &lt;br /&gt;
  10915. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10916. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;u&gt;&lt;span lang=&quot;es-ES&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;BIBLIOGRAFÍA&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10917. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10918. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10919. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10920. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Tiempo
  10921. muerto&lt;/i&gt; (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10922. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10923. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Madrugada&lt;/i&gt;
  10924. (2004) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  10925. &lt;/div&gt;
  10926. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10927. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Callejón
  10928. sin salida&lt;/i&gt; (2003) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  10929. &lt;/div&gt;
  10930. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10931. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Fingiré
  10932. que estoy de paso&lt;/i&gt; (2006)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10933. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10934. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Notas
  10935. a pie de vida&lt;/i&gt; (2007) &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
  10936. &lt;/div&gt;
  10937. &lt;div style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10938. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Días
  10939. prestados&lt;/i&gt; (2009)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10940. &lt;div align=&quot;JUSTIFY&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10941. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: grey;&quot;&gt;&lt;i&gt;Quiénes
  10942. fuimos &lt;/i&gt;(2011)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10943. &lt;div align=&quot;LEFT&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  10944. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10945. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class=&quot;blogger-post-footer&quot;&gt;Poéticas de Ixil&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/6059456707613625639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6244994537032806996/posts/default/6059456707613625639'/><link rel='alternate' type='text/html' href='http://poeticasdeixil.blogspot.com/2010/01/pablo-casares-san-sebastian-1972.html' title='Pablo Casares (San Sebastián, 1972)'/><author><name>Jon Obeso</name><uri>http://www.blogger.com/profile/13955677760060244349</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_f58A9Cchvk4/S1SfZRRu9iI/AAAAAAAAAGI/IZR0urKAk0M/s72-c/Poemas+del+cinemat%C3%B3grafo+(Pablo+Casares).pdf+-+Adobe+Reader.bmp" height="72" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-6244994537032806996.post-7579238956333987359</id><published>2010-01-16T13:33:00.000-08:00</published><updated>2015-07-22T12:38:07.032-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Amalia Iglesias Serna"/><category scheme="http://www.blogger.com/atom/ns#" term="Década de los 60"/><title type='text'>Amalia Iglesias Serna (Menaza, 1962)</title><content type='html'>&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  10946. &lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;a href=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1Iw9slnsKI/AAAAAAAAACM/gxSzYZ8_GQM/s1600-h/Poes%C3%ADa+tot%C3%A9mica+%28Amalia+Iglesias%29.pdf+-+Adobe+Reader.bmp&quot; onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot;&gt;&lt;img alt=&quot;&quot; border=&quot;0&quot; id=&quot;BLOGGER_PHOTO_ID_5427454337433972898&quot; src=&quot;http://2.bp.blogspot.com/_f58A9Cchvk4/S1Iw9slnsKI/AAAAAAAAACM/gxSzYZ8_GQM/s320/Poes%C3%ADa+tot%C3%A9mica+(Amalia+Iglesias).pdf+-+Adobe+Reader.bmp&quot; style=&quot;display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 172px;&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  10947. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10948. &lt;span style=&quot;font-size: large;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Poesía totémica&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10949. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10950. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;span style=&quot;color: #666666; font-size: x-small;&quot;&gt;(Los cuerpos simultáneos de Amalia Iglesias)&lt;/span&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10951. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10952. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10953. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10954. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10955. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10956. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10957. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10958. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10959. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;El tesoro de ser dos la memoria intrínseca&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10960. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10961. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;de los trajes de antaño flotando en tu superficie&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10962. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10963. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;salvo en el diamante sólo en tus ojos se encuentra &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10964. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10965. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la época en que el cielo no era la menor de mis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10966. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10967. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;demostraciones.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10968. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; margin-left: 14.2pt;&quot;&gt;
  10969. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Juan Larrea&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10970. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10971. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10972. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10973. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10974. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10975. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt; &lt;/span&gt;&lt;br /&gt;
  10976. &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10977. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10978. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Alguna turbadora imagen de las cosmogonías hinduistas muestra el mundo sumido en el letargo de un dios. Su apariencia y la definición de sus leyes naturales no son sino una posibilidad más entre la infinitud de mundos soñados por incontables dioses. El cosmos ve cumplidas sus edades en un movimiento continuo de expansión y contracción que corresponden a los estados del sueño y la vigilia de la divinidad. Así Shiva, síntesis mitológica de las edades del universo, los ciclos de la naturaleza y las estaciones de los nacimientos del hombre, muestra en una de sus cuatro manos un tambor, percusión y ritmo universal, origen del lenguaje y la expresión. En la otra, un tridente con una lengua de fuego da cuenta de la imperecedera generación y extinción de todos los estadios, ciclos y tiempos. Las otras dos manos, simplemente oran.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10979. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10980. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Los mimbres con los que, en la obra poética de Amalia Iglesias, se trenza el sueño de las edades del hombre son: la memoria, la palabra y la materia. Tres cuerpos que dejan indemne sobre el poema un solo rastro, vestigio, hendidura, única realidad visible de nuestros extraviados pasos de regreso a la caverna.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10981. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10982. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La obra poética de Amalia Iglesias Serna (Menaza, 1962), ha sido recogida en la colección “poesía vasca, hoy” (Universidad del País Vasco, 2003) bajo el título &lt;i&gt;Antes de nada, después de todo&lt;/i&gt;. Con posterioridad ha publicado junto a Lola Velasco &lt;i&gt;Intravenus&lt;/i&gt; (J.R.J. Huelva, 2003) y &lt;i&gt;Lázaro se sacude las ortigas&lt;/i&gt; (Abada, 2005). Toda ella habla desde muy lejos, se asoma a todas las tradiciones y de todas ellas recoge, digiere y destila su porción de pensamiento trágico. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10983. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10984. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10985. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10986. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10987. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10988. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10989. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Memoria&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10990. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  10991. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En el infranqueable paraíso que evocan sus poemas, Amalia desgrana a un tiempo, de forma simultánea, los espacios devastados de la memoria y la certeza de un edén de infancia que no sabremos reproducir.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10992. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10993. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10994. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10995. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  10996. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10997. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  10998. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la casa en que nací puede verse desde estas tumbas,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10999. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11000. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;al otro lado del camino.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11001. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11002. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Saber tan cerca mi cuna de madera&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11003. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11004. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;sólo deja un fondo de niebla en el paladar.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11005. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11006. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11007. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11008. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11009. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11010. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11011. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La memoria no restaura los instantes ya ardidos; recorre su ceniza e inventa una huella, indicios de un nativo extraño en una tierra desolada, un tú sin tiempo, aferrado con fiereza a la palabra. La voz de Amalia bate la realidad con voluntad de demiurgo, percute la imagen para que ese tú pueda seguir existiendo. Dota así de realidad a los simulacros de las identidades, hace vibrar cada porción de materia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11012. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11013. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Ese que somos en el tiempo se disgrega en los días y las estaciones. Queda la afirmación en las metamorfosis, en todas las mañanas que son lugar que no pertenece a secuencia temporal alguna; cuando amanece sólo somos la voz que enuncia, palabra, detonación, oración, eclosión de partículas elementales y todo es íntimo y arde con la serena voracidad de las galaxias. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11014. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11015. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En la poesía de Amalia comulgan arquitecturas evanescentes, espacios que viven de forma lúcida su imposibilidad de ser acotados. Un Otro enfrente, sin nombre, fronterizo, nunca del todo ido, confunde con serena amargura el otro lado con el “sí mismo”, las sombras con sus identidades, las tumbas con la promesa de un nombre inscrito en sus lápidas. Densidad de cuerpos que no hacen materia, trabajos de la memoria que enumeran naufragios. Memoria que es sed de origen, templada arqueología de una procedencia que ya sólo puede ser mítica.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11016. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11017. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Amalia Iglesias señala su deuda con Maria Zambrano: De la misma forma que ella hacía regresar el logos al mito para interpretar la historia, los poemas de Amalia pretenden “retornar a la caverna para no volver a deslumbrarnos una vez más”. En la caverna aguardan sus “particulares dioses infantiles”: espantapájaros, cuerpos de la nieve, malezas y flores oscuras; el bostezo de la materia ininteligible, la sombra y hondura abrazadora, la duda todavía. Fuera aguarda el astro inteligente, los nombres, la ceguera. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11018. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11019. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11020. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11021. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11022. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11023. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11024. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Palabra&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11025. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11026. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En Amalia, los elementos de la materia, todo lo que se dice cuerpo, están dotados de una turbadora presencia, todo en su fisicidad arrastra el sabor de un barro primigenio, dinámico, cambiante, generador de una realidad antigua, una materia tan sólo nueva en su expresión, una misma realidad atrapada en su voluntad de existir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11027. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11028. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Sin embargo, los nombres de todas esas presencias les confieren un cuerpo evanescente. La palabra dice, nunca nombra espacios ni tiempos concluidos. Se trata de una poesía sin historia, en la mínima expresión de la anécdota, palabra de un tiempo trascendido; palabra que es oración, mantra, voz en perpetuo letargo, capaz de mantener por un instante unidas materia y memoria, como las dos manos en el regazo de Shiva. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11029. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11030. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En Amalia el mundo carece de límite. No hay un dentro y un afuera lo suficientemente nombrados, una suerte de violenta ósmosis clausura todas las membranas. La palabra cede a la espesura, se hace substancia, atmósfera y tan sólo reproduce los pasos sin sentido ni dirección, el desconcierto dentro del laberinto. Acuden las imágenes de otras construcciones de lo ilimitado, del extravío y la confusión en esas bóvedas abiertas que son las fuerzas fundacionales del mito en las tablas del &lt;i&gt;Jardín de las delicias&lt;/i&gt; del Bosco, o en esas otras que hacen una cripta, un espacio craneal, la razón cautiva en las &lt;i&gt;Carceri d&#39;Invenzione&lt;/i&gt; de Piranesi. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11031. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11032. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En este diálogo continuo entre los cuerpos y su sombra, entre el espacio para la existencia y ese otro que habita la memoria, entre la materia y su huella, el papel oscuro y nuestro trazo en él, se repite una ancestral persecución, que es la de todo hombre que en la íntima escucha se ve acechado por su daimon sin que éste logre darle alcance. Amalia escribe desde esos puentes, “ad portas”, desde los umbrales de una puerta sin dintel a escasos pasos de la ciudadela. “Aunque, quizás, después de todo, no queramos entrar y demoremos nuestros pasos en los bordes, rodeamos sus escombros de vida en duermevela”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11033. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11034. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11035. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11036. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11037. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11038. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11039. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;A veces nos refugiamos un momento&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11040. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11041. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en la guarida del lenguaje,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11042. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11043. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;apenas para respirar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11044. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11045. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;la bocanada de la luz en su vórtice.&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11046. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11047. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11048. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11049. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11050. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11051. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11052. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Por ello, estos poemas no son celebración ni elegía dionisiaca, arrebato o fiebre, sino claro lamento y serena pulsión hacia lo sagrado, “Un intento de reproducirlo salvando su profanación”. Cada poema reproduce la figura de un tótem que nombra ese espacio y tiempo que no soy ante la perplejidad de mis identidades. &lt;br /&gt;
  11053. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11054. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11055. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  11056. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11057. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11058. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Lo que no dice la sombra de mis labios&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11059. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11060. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;medita alrededor de su espesura.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11061. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11062. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Intimidad,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11063. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11064. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt; Poema,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11065. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11066. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;profecía del principio,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11067. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11068. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;periferias o puertas de horizonte. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11069. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11070. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11071. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11072. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11073. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11074. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11075. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;b&gt;&lt;span lang=&quot;ES&quot;&gt;Materia &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11076. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11077. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Plegaria de la voz del poema y plegaria del paisaje, que como cada hombre también está llamando a algo. Todas las voces de Amalia Iglesias, sus simultáneas identidades en el tiempo, son figuras quietas sobre un fondo volcánico, y callan mientras el mundo se convulsiona, hace girar la mecánica lenta de sus entramados, o ve multiplicarse las nervaduras de sus geologías. Cada poema escucha en el corazón de cada hombre “el ruido milenario”, el rumor de los resortes con que el universo fragua el paisaje desde el principio de los tiempos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11078. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11079. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Algo ahí fuera nos llama desde siempre, como si con cada uno de nosotros pudiera la materia “nombrar lo oscuro”, la hendidura, la grieta, la herida, el hueco en la roca por donde se filtra algo de esa realidad que permanece como un pulso en nuestras sienes, indemne, nos coge de la mano y atraviesa todas las edades. Así el hombre ante el eclipse:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11080. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11081. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11082. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11083. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11084. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11085. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11086. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Una radiografía sobra para mirarte,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11087. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11088. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;también mi corazón del otro lado&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11089. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11090. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;roza tu lado en sombra a pleno día.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11091. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11092. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11093. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11094. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11095. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11096. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11097. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Mi cuerpo es el lugar donde el universo, su danza de contrarios, la inercia y clinamen de sus elementos, ocurre. “Circula por mis venas”, “respira en mis frases cortas”, “apenas quedan estaciones en mis manos”, “tuve entero el universo escrito en los ojos”, “Sobre mis párpados se proyecta su maquinaria transparente, los grandes andamiajes que sostienen las horas”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11098. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11099. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;Y el cuerpo sólo acontece en la palabra. La palabra que ora disuelve el afuera. La materia reza en mí su fugaz estancia en el tiempo. Inaugura y celebra las nuevas metamorfosis, me llama por mi nombre y dice tú.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11100. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11101. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;La tierra y mi cuerpo hablan un mismo lenguaje de mecánicas y desplazamientos tectónicos. En los poemas de Amalia Iglesias se da cuenta de la organicidad del mundo físico y la fisicidad de todo cuanto en un organismo tiene lugar. Ambas realidades se conjugan en los mismos mitos y hacen un solo cuerpo planetario en el vacío.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11102. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11103. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;En el extremo opuesto, la piel se adscribe a otras ciencias. A través del magnetismo y la química avanzan los cuerpos hacia otros cuerpos, “se desatan atractores extraños”, “mi cuerpo se desplaza”, enumera conquistas, emergen a la superficie y pronuncian sin lenguaje el advenimiento de la claridad en la piel. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11104. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-align: justify; text-indent: 14.2pt;&quot;&gt;
  11105. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;El abrazo y los amaneceres de cada nuevo encuentro rezuman su sed de sinapsis y glándulas, sin el “párvulo y huérfano” auxilio de palabra alguna. El abrazo es una bóveda abierta, en él se salvan los umbrales, las incertidumbres; lo que abrazo y tomo en mí, “me edifica”. En el amor se conjuga solo el mundo transfigurado en templo, de espaldas al lenguaje se inaugura un tiempo de acciones pequeñas, cotidianas y trascendentes:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11106. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11107. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11108. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11109. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11110. &lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11111. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11112. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Velar toda la noche para ahuyentar los vencejos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11113. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11114. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Enumerar las criaturas que brotan en las hogueras.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11115. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11116. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recoger la cosecha de nubes que hayan madurado.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11117. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11118. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Arrullar las flores que se deprimen al crecer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11119. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11120. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Descifrar las huellas de los caracoles calígrafos.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11121. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11122. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Regar la senda de las babosas&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;ES&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11123. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11124. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para que puedan regresar a casa.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11125. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11126. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recolectar la nieve del próximo invierno.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11127. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11128. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Enderezar los surcos del poema.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11129. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11130. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Injertar las horas que se van secando.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11131. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11132. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Limpiarlos los abalorios del atardecer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11133. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11134. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Doblar los sueños suavemente&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11135. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11136. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;en el armario de las sábanas limpias.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11137. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11138. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Edificar una casa donde el tiempo no cicatrice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11139. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11140. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Recoger los verbos necesarios&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11141. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11142. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;para cerrar paréntesis en las sombras vacías.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11143. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11144. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11145. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11146. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;o:p&gt; &lt;br /&gt;
  11147. &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11148. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11149. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Sentarme junto a ti al sol todas las tardes,&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11150. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11151. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;…&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11152. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11153. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Limpiar las malas hierbas alrededor de la ausencia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11154. &lt;div class=&quot;MsoNormal&quot; style=&quot;line-height: 18pt; text-indent: 14.2pt;&quot;&gt;
  11155. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;Tejer con mil colores la vida de esperarte.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  11156. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  11157. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  11158. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;img alt=&quot;Antes de nada, después de todo&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788483/978848373565.gif&quot; height=&quot;150&quot; title=&quot;Antes de nada, después de todo&quot; width=&quot;100&quot; /&gt;&amp;nbsp; &amp;nbsp; &lt;img alt=&quot; Dados y dudas&quot; class=&quot;portada&quot; src=&quot;http://static.cegal.es/imagenes/marcadas/9788481/978848191096.gif&quot; height=&quot;150&quot; title=&quot; Dados y dudas&quot; width=&quot;100&quot; /&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img class=&quot;rg_i&quot; data-sz=&quot;f&quot; name=&quot;OrigWaIVFpgvbM:&quot; src=&quot;data:image/jpeg;base64,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&quot; style=&quot;height: 142px; margin-left: -1px; margin-right: 0px; margin-top: 0px; width: 93px;&quot; /&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;
  11159. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  11160. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&amp;nbsp;&lt;img src=&quot;http://ecx.images-amazon.com/images/P/8477312168.01._SL130_SCLZZZZZZZ__.jpg&quot; /&gt;&amp;nbsp; &amp;nbsp; &lt;img src=&quot;http://pictures.abebooks.com/RELEYENDO/md/md11008272303.jpg&quot; /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  11161. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  11162. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11163. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;line-height: d%; margin-bottom: 0cm;&quot;&gt;
  11164. &lt;span style=&quot;font-size: x-small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: black;&quot;&gt;&lt;u&gt;BIBLIOGRAFÍA&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11165. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm; text-decoration: none;&quot;&gt;
  11166. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11167. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11168. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Un
  11169. lugar para el fuego&lt;/i&gt; (1985)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11170. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11171. &lt;/span&gt;&lt;/span&gt;
  11172. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11173. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Memorial
  11174. de amauta&lt;/i&gt; (1988)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11175. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11176. &lt;/span&gt;&lt;/span&gt;
  11177. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11178. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Mar
  11179. en sombra&lt;/i&gt; (1989)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11180. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11181. &lt;/span&gt;&lt;/span&gt;
  11182. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11183. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Dados
  11184. y dudas&lt;/i&gt; (1996)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11185. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11186. &lt;/span&gt;&lt;/span&gt;
  11187. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11188. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Antes
  11189. de nada, después de todo&lt;/i&gt;: &lt;i&gt;Antología poética&lt;/i&gt; (2003)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11190. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11191. &lt;/span&gt;&lt;/span&gt;
  11192. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11193. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Intravenus&lt;/i&gt;
  11194. (2003)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11195. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;
  11196. &lt;/span&gt;&lt;/span&gt;
  11197. &lt;div align=&quot;JUSTIFY&quot; lang=&quot;es-ES&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;
  11198. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: #666666;&quot;&gt;&lt;i&gt;Lázaro
  11199. se sacude las ortigas&lt;/i&gt; (2005)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11200. &lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;&lt;i&gt;&lt;span lang=&quot;ES&quot;&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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